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In his 19th feature film, prolific Algerian movie maestro Merzak Allouache (Omar Gatlato; The Rooftops; Divine Wind, TIFF ’18) opts for a chaotic family dramedy about feuding matriarchs behaving badly at the beach.
SinceBoong’s production, the ethnic tensions referenced in the film have erupted into violence, making Lakshmipriya Devi’s vibrant portrayal of childhood resilience a poignant and necessary reminder of our taken-for-granted ability to find hope even in the darkest and most unpleasant times.
行尸走肉：达里尔·迪克森第二季|行尸走肉：弩哥,行尸走肉：戴瑞·迪克森,行尸走肉衍生剧,TheBookofCarol,TheWalkingDead:DarylDixon-TheBookofCarol (2024) 电视剧
8.0分 AMC续订《行尸走肉：达里尔·迪克森》第二季。
Leïla, a young woman of Moroccan descent, has returned to Corsica where she was born, to visit the grave of her stillborn child. A conversation with her brother Amine, who stayed in Bastia, brings up her doubts of burying there. Between Corsica, the mAinland and Morocco, Leïla ponders her identity.
Returning home to Corsica to see her brother and grieve a recent loss, a woman considers the consequences of her choices, in this uncommonly graceful short by Elisa Gilmour.
El tercer pAisaje / The Third Landscape is a film project that has as its protagonist the fungus that made the pAinted forest of Oma sick, the work that the Basque artist Agustín Ibarrola carried out in the 80s in the province of BizkAia. This artwork belongs to the Land Art movement, which is mAinly characterized by its ephemeral nature. Within this current, artists leave their works exhibited at the mercy of weather conditions and other elements alien to human will.
A young woman struggles to care for her critically ill mother. In her efforts to uplift her mom's self-esteem, she confronts her own hidden motivations, realizing that fear of loss isn't her only driving force.
In 2022, the Spring Wind Project chronicled the "Spring Wind Pilgrimage." Now, in 2024, as they face the challenges posed by the Yoon Sukyeol administration's policies, the filmmakers embark on a new collective endeavor. Once agAin, they connect with those on the frontlines of social struggles, capturing their resilience and determination.
About to end her life at an Icelandic coast, a young woman gets saved by a stranger agAinst her will. Now she has to figure out if and how she wants to keep on living.
In a flat, three women teach each other to look. To look at what? Samples of marble. Their vision and speech become more refined as they make the material their own. Three young woman are closely watching the landscapes imprinted on several marble samples; a white dot could be snow — or rather bones, a human tooth, that which remAins after flesh decomposes; a pink gradation disturbs the gaze, as it reminds of the background of countless of war scenes, and SAint George can be seen in a notch. The game, at first stiff, bookish and uneasy before the camera, becomes more serious, more intellectually passionate and intimate as the eyes seize each detAil, the words get more precise, and their bodies get used one with the other. Alle Dicu achieves a charming deconstruction of hermeneutics, of the grace that is inherent to interpretation and imagination, and of the personalities of the first person. (Călin Boto)
»Let me know if you love me«: Charly Hübner looks at the past and present of the band Element of Crime. Since their formation in 1985, Element of Crime have been a constant in the German musical firmament. They’re seen as the best-known unknown or the least-known well-known band in the German-speaking world. What sort of people are they? How did they become what they are? Director Charly Hübner follows the four musicians on a tour of Berlin, specially put together for the film – to places that represent particular waystations in the band’s development. Never nostalgic, never »the good old days«. Element of Crime are far too alive for that.
In this densely told ensemble piece, three siblings are confronted with their family’s tragic past. The three meet agAin on a summer’s day to clear out their family home before putting it on the market. While they sort through the things, one sister comes across a mysterious photo of a young man, whose memory still haunts her today. It seems to have been taken outside the house on the day of his fatal accident. As she can’t remember taking the picture, she starts researching and at some point she is sure that the photographer was someone else. Layer by layer, she uncovers a past that contAins a bitter truth.
该片以全国小学足球赛冠军常德石门五小球队为原型，讲述了王小奔、邱飞宇等少年，热爱足球但资源匮乏，他们遇到落聘教练赵昂，在所有人都不看好的情况下，克服各种困难，最终夺得全国冠军的励志故事。“飞奔”组合在足球之路上热血沸腾的历练，写照了当代青少年的拼搏精神。
Why do I have to get up every day and get lost in my routines? A protest agAinst continuous movement. There’s something savagely beautiful about Teona Galgoțiu’s graduation film from the Friedl Kubelka School for Independent Film – a sensibility that’s too poetic to be brat, and too brat to be poetic. Much like a shy Actionist, Galgoțiu places Clare laying on all sorts of urban margins of Vienna – on a sidewalk, on a patch of grass, on the edge of a U-Bahn station –, her defiant horizontality freeze-framing it all, resisting contemporaneity by a serious game. Shot after shot, it’s as if Clare’s Decision Not to Get Up rediscovered the greatest of intensity in slowness. (Călin Boto)
A few years ago, a man appeared who clAimed to speak an apparently lost language: Chaná. Soon dictionaries were published and the language was able to recover completely. This man also located the Chanás in the same place where the Volga Germans live today, in the province of Entre Ríos. Inspired by the poetry book of the same name, Big Shadow is the story of a group of friends who live in the German villages while preparing a film about the new language. 源自：https://www.mardelplatafilmfest.com/37/en/pelicula/sombra-grande
4.0分 Suk Sanaeha KrAithong Chalawan是根据泰国流行的民间传说“KrAithong”改编的，讲述了一个凶猛的鳄鱼国王“查拉旺”与勇士“克莱通”的故事， Suk Sanaeha KrAithong Chalawan is based on popular ThAi folklore"KrAithong " which spoke about the tale of a fierce Crocodile King "Chalawan", who had a crush on the daughters of a wealthy man — Tapaokaew and Tapaothong. In his desire to obtAin the two beautiful girls, he kidnapped both of them and brought them to his palace underwater. The crocodile king was unforgiving and unbeatable. Nobody could defeat him or shake his power. That is... until KrAithong arrived. KrAithong, the fearless warrior defeated the crocodile king and saved the two sisters. Later, the two sisters married him as well.
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