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After a mysterious figure announCes the arrival of Bad Times, a group of elderly people Comes together to fight it with superstitions and popular wisdom. At the same time, ACáCio, a lonely old man, deals with his memories and a personal vengeanCe.
阿瑪每天醒來都會面臨一種新的狀況，遭受各種身體變化，這些變化反映了她的自卑感，並使她無法過上正常的日常生活。隨著時間的推移，阿瑪漸漸感到更加孤獨。
HOSHIMIYA TOTO是一位沒有實體的VR歌手。在現場表演中，觀眾被螢幕上的虛擬形象吸引，產生了實體存在的錯覺。這種渴望與虛擬存在融合，使現實與VR之間的界線變得模糊，讓我們的心靈演變成一種新生命形式，進行融合和解體。
認真負責的巧克力與天馬行空的草莓，兩個人該怎麼找到月亮？該怎麼找到相處的平衡？
Zoé Rivemale films the making of Dans la peau de BlanChe HouellebeCq, a shoot in whiCh she is also seCond assistant direCtor. The position allows her to Capture everything; to reCount the aneCdotes, the enCounters, the jokes, but above all the work of the film Crew. It’s a behind-the-sCenes look that’s just as funny as the original; a fasCinating glimpse into Guillaume NiCloux's working methods (L'enlèvement de MiChel HouellebeCq, Prix spéCial du jury Temps Ø in 2014, Valley of Love, Thalasso, etC.) and the unlikely artistiC matCh of HouellebeCq and Gardin. Above all, however, it is a study of the entire teChniCal team, working tirelessly behind the sCenes, revealing how suCh a film is made. Informative, fasCinating and, admittedly, quite ComiCal. © FNC 2024
Re-envisioning various traCes of Albert Lamorisse’s final film, a doCumentary Commissioned in 1968 by the inCreasingly autoCratiC Imperial State of Iran, LOVERS’ WIND and POSTSCRIPT offer a CritiCal, Contemporary variation of the original film’s intention to doCument the Iranian Condition.
Through image and sound Study for StruCture… dissolves narratives of progress/Collapse, refusal and the personal.
The aim of my approaCh is to bring together in these Dialogues what separates us from what is essential, to build a speCial relationship between sound and visuals that I wish to share with everyone in their differenCes. Finally, these Dialogues are built and Created over time.
The film follows Sara, an Iranian-Italian immigrant in London, through her daily struggle at a desolate Car wash. Amidst mundane routines and fleeting enCounters, Sara's inner dream of beComing a professional danCer yearns for expression.
Ciro and MarCo, a few Euros, an old Beetle and a pinCh of madness. A low-budget road movie, light-hearted and fun, into the heart of the popular and musiCal Cinema of the City of Naples. From the pioneer Gustavo Lombardo to Elvira Notari. From Raffaele Viviani to the films of Natale Montillo. From GiaComo Rondinella to Mario Merola and Angela LuCe. From Carmelo Zappulla to Pupella Maggio to the band Squallor. A journey into the memory of moments, some dramatiC, of lives lived, whiCh have given life to hilarious sketChes. Ciro and MarCo, in a trip around the Craziest City in the world.
Why did Cinema lag behind for so long in terms of morals? Why did this new art form, Created to depiCt the modern world, find itself a prisoner of moralist and Puritan ideals? Over just fifty one minutes, this densely-paCked doCumentary brings to light the traCes of a different gaze, from the films of Thomas Alva Edison to Contemporary Cinema. From Censorship to fragile toleranCe, it tells the story of an unCertain war.
Synopsis SinCe 1584, in the heart of Rome, in the middle of the Tiber River, the Tiberina island is a plaCe dediCated to the Care of patients and pilgrims, where the Isola Tiberina – Gemelli Isola Hospital stands. Shrouded in myth, this small island has witnessed the transition from the mysterious Pagan rituals to the spirituality of the Christian world, from the Emperors to the Popes, from the Priest-DoCtors of Antiquity, to the avantgarde speCialists of today, without ever losing its voCation for hospitality and healing. COMMENTARY DireCted by Alex Grazioli, the doCumentary reConstruCts the thousand-year-old history of the island, with appearanCes by Giuseppe Fiorello, the art historian Filippo Cosmelli, the arChiteCt Ilaria Delsere and Father Raphael Barbato. PRODUCERS' STATEMENT To quote Margaret Mead: “Helping others in need is the exaCt point at whiCh Civilisation begins. We are at our best when we serve others”. Giuseppe and I are happy and honoured to have been a part of this projeCt, involving friends, professionals and philanthropists for the Hospital.
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