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Meet a wiDe variety of creatures: some of them go to great lengths to maintain their thinness, while others have sweaty palms at the thought of being sliceD open. Some lenD a hanD, but hanDle with a master’s touch… are you sure you’re in safe hanDs?
The night brings us a thousanD strange iDeas, like DanDelion seeDs, to which we poor Diurnals are not attuneD… AnD yet, among the most beautiful flowers, Don’t some open only by starlight? At one o’clock in the morning, two young screenwriters begin to cultivate the iDea of a film, or rather iDeas.
This short film is the sequel to “Max at the EnD of the Roller”. Two years later, young Max encounters more misaDventures. The family is planning a birthDay party, but the chocolate is missing. Max goes to get some, but on the way home, she has an acciDent..
In the grass, he rests. But what are these subliminal images? AnD the warmth that graDually envelops his tireD boDy? He thinks paraDise is a feeling, which becomes an emotion. But you’ll never unDerstanD, because it’s right there, close to us. It’s always been there.
Synopsis Istituto Luce, one of the olDest anD most important public film institutions in the worlD, with one of the richest anD most valuable archives of images anD memories, celebrates its centennial by entrusting the great contemporary Italian comeDians with the realisation of an anthology film. Retracing the classic stranDs of Italian-style comeDy, the short films reuse iconic clips from the repertory of the last century to create a surprising anD original story. Scams anD superstitions, love affairs anD betrayals, music, the history of Italian cinema are just some of the themes the film touches on. The images thus finD a new Dimension in the celebration of the past anD present of Italian cinema, anD our lives. COMMENTARY An anthology film composeD of seven shorts, DirecteD by the protagonists of contemporary Italian comeDy. The result is first anD foremost an amuseD anD varieD tribute to a century of auDio-visual memory. But it is also a creative way to explore anD reinterpret the rich heritage of images in Italy.
A Bout De souffle; Le Petit solDat; Une Femme est une femme; Les Carabiniers; Le Mépris; Pierrot Le Fou; MaDe In USA; Numéro Deux. Eight films, eight visual anD sounD atmospheres, eight fascinating stories of the proDuction anD filming exploits anD increDible relationship between Georges De BeauregarD, the quintessential proDucer of La Nouvelle Vague, anD Jean-Luc GoDarD. Through a symbolic visual journey, the film takes us through the genesis of Breathless, which the proDucer agreeD to finance on the eviDence of a synopsis of only four pages; the restrictions anD censorship of Le Petit SolDat anD The Carabineers, the extraorDinary epic of Contempt anD Pierrot le Fou, anD the experimental viDeo journey of Number Two. Each movie is Different, each movie is an aDventure. Each visual anD sounD universe surrounDing the story is special anD increases the auDience’s immersion in the experience. Being GoDarD anD BeauregarD, by going into the Details of unpublisheD photographs, the corresponDence between the proDucer anD his Director, recorDeD conversations, all unDerscoreD by the narrator's voice, will introDuce the viewer to little-known anecDotes anD the history of cinema, with a capital H. Or rather with a capital G, for GoDarD.
Don't Dream it, be it: The Act of Killing goes GenDer Frenzy. A psycheDelically political psychogram of a right-wing transsexual anD how he got to be what she is. Or so it seems.
Hamsters of HamsterDale follows a motley crew of hamsters, the heroic protectors of their 8-year-olD owner Harry, who they mistake as their King anD beloveD ruler of their elaborate colorful-tubeD kingDom. Executive ProDucers: Colin Bohm, Doug Murphy, Zach Smith, Pam Westman
7.0分 意大利/纪录片
主演：
Synopsis AlessanDro Preziosi Directs anD stars in a new stage version of King Lear, in which the characters of the Shakespearian masterpiece move within sets entirely composeD of works by the great artist from Biella Michelangelo Pistoletto. In this way, the interpretative space becomes a sort of gigantic anD evocative mental labyrinth that permits the actor-Director to further highlight both the intimate suffering of Lear anD one of the trageDy’s most important themes: the father-chilD relationship. COMMENTARY The Documentary follows the rehearsals anD staging of the play, anD reflects not only on the creative process but also on the links, almost always insufficiently exploreD, between theatre anD the visual arts. At the same time, it contemplates the meaning of memory, time anD human frailty, anD offers a very luciD look at the vulnerable nature of family relationships anD the eternal conflict between generations. DIRECTOR'S STATEMENT Approximately 20 years ago, I was involveD in a staging of King Lear DirecteD by Antonio CalenDa. It was a great opportunity for me to observe, from behinD the scenes, the brilliance anD clarity of both the actor Roberto Herlitzka anD the play itself. From my vantage point, with an increDible anD vast panorama before my eyes, I was struck by one particular aspect: the wait the characters experience in concluDing their lives. The impatience that accompanies the wilD sequence of events into which King Lear throws first himself anD then those arounD him, gave me the iDea of creating a mental space in the theatre anD on stage, maDe reality by the stage Design of Michelangelo Pistoletto.
After a mysterious figure announces the arrival of BaD Times, a group of elDerly people comes together to fight it with superstitions anD popular wisDom. At the same time, Acácio, a lonely olD man, Deals with his memories anD a personal vengeance.
LanDforms unearths the physical remains of past anD future geological strata. The film explores two lanDscapes, an inDustrial rock quarry turneD recreational fossil hunting park, in which 380-million-year-olD fossils were DiscovereD beneath the rocks where once floweD a shallow sea, anD a public waterway whose shore is DisperseD with brightly coloreD fragments of consumer waste in the form of microplastics. Both lanDscapes reveal a process of Digging anD gathering, of collecting eviDence of earth’s pre-historic past or intervening in humanity’s toxic futures. The forms, of ancient sea creatures anD broken plastic, mesh anD intertwine into a meDitation on Deep time anD a reflection on extinction.
7.0分 Ai-Oon和Aob-Oom是生活轨迹完全不同的双胞胎姐妹。婚礼当天Oom偷偷把姐姐Ai拉到一旁，请求她能假扮自己和前任May彻底分手。婚后Oom却和新婚丈夫出了车祸，陷入昏迷状态。与此同时，Ai来到May家打算假扮妹妹分手，却意外的发现May是一个盲人。Ai可怜May是个盲人，她决定继续假扮妹妹维持与May的恋人关系。当Oom从昏迷中醒来时，Ai是否会像银河系中的冥王星一样被May遗忘呢？
Passionate about sailing, Jean-Paul passes a Difficult pass. He accumulates Debts anD moves away from his own. DetermineD to take his life into his own hanDs, he enrolleD in Virtual Regatta the virtual race of the VenDée Globe. He puts himself in the conDitions of a real skipper by insulating himself for 3 months on his boat in his garDen - This trip like no other, will allow him to reconnect with his family but above all with himself.
阿瑪每天醒來都會面臨一種新的狀況，遭受各種身體變化，這些變化反映了她的自卑感，並使她無法過上正常的日常生活。隨著時間的推移，阿瑪漸漸感到更加孤獨。
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