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Nel 2000 Oliviero Toscani accetta l’invito Di Giancarlo Politi Di Flash Art a curare una sezione della prima eDizione della Biennale Di Tirana. Il grande fotografo presenta quattro artisti scandalosi: pornografi, jihaDisti, pedofili… In realtà i quattro artisti non esistono, così come Oliviero Toscani mai si è prestato a un’operazione del genere: a ideare tutta la beffa è stato un provocatore Di Cogoleto, Marco Lavagetto, che ha un lavoro ufficiale nel ramo delle pompe funebri. Lucibello ricostruisce questa storia come un gioco Di scatole cinesi che svela man mano la verità, tra un finto Toscani interpretato da Bebo Storti e un vero Toscani che interviene con ironico Disincanto; e quando compare il vero ideatore della beffa, chi può Dirci che sia davvero lui? Tra scherzi e paradossi, la riflessione riguarda anche il fatto che critici e istituzioni ormai non hanno più alcuna capacità Di certificare che cosa è arte e cosa no.
L’arte Di Mario Merola è stata multimeDiale: canzone, teatro, cinema. Ma è soprattutto alla sceneggiata che ha legato la sua fama e la sua grandezza: un teatro dei poveri, un’arte popolare che Merola affrontava con un’adesione e un’autorevolezza totale. Solo negli anni Settanta intellettuali come Goffredo Fofi (qui intervistato insieme a tanti altri: da Nino D’Angelo a Maurizio de Giovanni, da Marisa Laurito a Valerio Caprara) si accorsero Di lui: ma non per fare un esercizio Di rivalutazione camp, dall’alto. Perché per capire Merola, le sue raDici in una cultura e società, secolare, occorre entrare nel suo mondo. Questo fa il documentario biografico Di Ferrari, dando comunque spazio anche a operazioni impreveDibili come Westmoreland Naples Di Marcello Garofalo, in cui Merola affrontò il mondo Di Jean Vigo, Fassbinder e Allen Ginsberg: come sempre, con una creDibilità e un’umiltà straorDinarie.
Una celebrazione della potenza del teatro come strumento Di cambiamento. Da trent'anni, Marina Rippa Dirige laboratori teatrali nei quartieri più complessi Di Napoli. Frequentando i suoi corsi, molte donne riescono a esprimere la loro vera essenza e superare i vincoli imposti dalla cultura in cui vivono. Il laboratorio si trasforma così in uno spazio vitale Di conDivisione e liberazione, dove corpo e voce si uniscono per rendere visibile ciò che è invisibile, rivelando la bellezza e la forza che risiedono in ognuna Di loro. In un momento buio della sua vita, Marina scopre che proprio l’abbraccio delle sue donne rappresenta un legame Di sorellanza che trascende i confini del teatro. Il film narra questo straorDinario viaggio Di emancipazione e autodeterminazione, trasformando lo spazio scenico in un luogo sacro dove storie Di ribellione e riscatto prendono vita.
Synopsis Istituto Luce, one of the oldest and most important public film institutions in the world, with one of the richest and most valuable archives of images and memories, celebrates its centennial by entrusting the great contemporary Italian comeDians with the realisation of an anthology film. Retracing the classic strands of Italian-style comedy, the short films reuse iconic clips from the repertory of the last century to create a surprising and original story. Scams and superstitions, love affairs and betrayals, music, the history of Italian cinema are just some of the themes the film touches on. The images thus find a new Dimension in the celebration of the past and present of Italian cinema, and our lives. COMMENTARY An anthology film composed of seven shorts, Directed by the protagonists of contemporary Italian comedy. The result is first and foremost an amused and varied tribute to a century of auDio-visual memory. But it is also a creative way to explore and reinterpret the rich heritage of images in Italy.
Don't dream it, be it: The Act of Killing goes Gender Frenzy. A psychedelically political psychogram of a right-wing transsexual and how he got to be what she is. Or so it seems.
阿瑪每天醒來都會面臨一種新的狀況，遭受各種身體變化，這些變化反映了她的自卑感，並使她無法過上正常的日常生活。隨著時間的推移，阿瑪漸漸感到更加孤獨。
Unearthing layers of earth, melting, shaping, and creating for the future. The practices of Germans Ermičs and Artis Nīmanis Differ, so do the materials they use, yet both are among the most internationally acclaimed Latvian designers. What unites them is their deDication to materiality, though they each follow Different personal and creative paths. Ermičs’ “magic of material and colour” emerges from glass, marble, and metal – he moves freely between the Netherlands, Latvia, and Portugal, as well as between the Disciplines of design and visual art. Meanwhile in Latvia, under the brand “an&angel” Nīmanis deconstructs the concept of glass – in each of his pieces, he breathes a sense of the presence of nature.
Through image and sound Study for Structure… Dissolves narratives of progress/collapse, refusal and the personal.
The aim of my approach is to bring together in these Dialogues what separates us from what is essential, to build a special relationship between sound and visuals that I wish to share with everyone in their Differences. Finally, these Dialogues are built and created over time.
A painter sees the silhouette of a man appear in the Distance. Intrigued, she decides to follow him, but the man Disappeared. Flirting with the absurd, the film explores our Difficulties in seeing and representing in a world where reality seems increasingly elusive.
Synopsis Mi-Rae, a lively and curious little girl, is on vacation with her family in Rome. Upon reaching the St. Peter’s Basilica, the child remains in awe of the words spoken by a priest: “Ask and it will be given to you; seek and you will find; knock and the door will be opened to you”. These words will lead Mi-Rae to make a gesture filled with hope. COMMENTARY Filmed inside Saint Peter’s, the short film by the Manetti Bros. contains a message of hope and solidarity and was made for the first World Children’s Day. DiRECTOR'S STATEMENT Pope Francis has often repeated that children are an example to follow, a hope for the future, for this world in crisis that adults are incapable of managing. We have thus chosen to portray children not as victims that must be protected but for once, as heroes and examples to follow.
Synopsis On the prestigious occasion of the one-hundredth anniversary of the Corriere dello Sport, one of the most widely-read daily newspapers in Italy, the documentary explores the deep essence of sports, a veritable social and cultural collector, and the evolution in the they are practiced and reported. COMMENTARY The story unfurls from a double perspective: on the one hand, it gives a voice to the great athletes and protagonists of Italia sports; on the other, it documents the foundation, production and Distribution of the newspaper, a veritable archive of our country’s collective memory. The result is a powerful and compelling account in which stories and anecdotes are destined to remain eternal, to shape the way that Italians experience and celebrate their sporting passions. DiRECTOR'S STATEMENT For 100 years, the print meDia have been part of the history of our country, like in many other countries in the world, offering daily information, stories and anecdotes to millions of readers. What would sports be without information? Would sports legends be created if no one was there to tell their story?
Chaitén, sur de Chile, 2 de mayo de 2008. Una erupción volcánica inunda en cenizas la ciudad y queda al abandono. Quince años después, el pueblo ha vuelto a surgir. Brotes de vida en un paisaje cruzado de cicatrices. Remoto. Herido. Intacto.
Three siblings and their mother try to rebuild their lives after the unexpected death of their father. The eldest sister Ola returns to her family home from Warsaw after a two-year absence. She Discovers that the house is up for sale, and a stranger is sleeping in her mother's bed. Her family seem to have moved on with their lives, and Ola's stay at home is not welcome. While packing for the move, Ola finds family video tapes. Along with her siblings – younger brother Pipek and youngest sister Ajka – they decide to recreate their childhood photos. Ola strives to bring the three of them closer and reconnect the broken family bonds. Before that happens, recalling painful memories will cause the siblings to clash even more. Ola realises that each of them is dealing with trauma in their own way – alone and unable to cope. By confronting her family, she manages to break the tension that has been lingering in the air.
ConDitionsofRelease (2024) 电影
2.0分 Jacob, a hotheaded, socially isolated construction worker on parole, contends with the daily humiliations of his criminal sentence. He dreams of moving far away, and starting his life anew. When he fails to convince his paternalistic parole officer to help him end his sentence early, Jacob must decide to take freedom into his own hands - but at what cost?
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