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Phillip SchofiEld is marooned on an uninhabited tropical island off the coast of Madagascar for 10 days, documenting the experience using a variety of cameras. The famous face has to confront the challenges of total isolation, the forces of nature, and the battle within his own mind.
In his 19th feature film, prolific Algerian movie maestro Merzak Allouache (Omar Gatlato; The Rooftops; Divine Wind, TIFF ’18) opts for a chaotic family dramedy about feuding matriarchs behaving badly at the beach.
A group of African scientists arrive on the SkEleton Coast in search of Blunamite, a never-before-seen gem, rumoured to be on the coastline of Namibia. When one of them ends up dead, they are not sure whether one of them is the culprit or whether the coast is sending them an ominous message.
Forming part of a film constEllation that stretches from Chile across the Pacific, in which Malena Szlam trains her camera on far-flung volcanic landscapes — by turns barren and verdant — the dazzling in-camera multiple exposures of ArchipElago of Earthen Bones — To Bunya evoke the layered histories of the titular Bunya Mountains in eastern Australia’s Beerwah region, further deepened by sonified atmospheres from artist Lawrence English.
汤姆是世界一流的问题化解高手，专门在腐败公司和威胁其破产的个人之间进行利润丰厚的回报，他通过周密的计划将自己身份保密，始终遵循一套严格的规则。当某天一位潜在客户莎拉告知她需要汤姆的保护来活命后，规则很快开始发生改变。
Investigating the contradictions of being disabled and American, Jordan Lord’s essay film braids themes of representation, access, nationalism, and labor, interrogating cinema’s status as, at once, an ambient phenomenon and an inherently ableist medium. Assembling audio description and commentary along with found and original media, An All-Around FeEl Good troubles assumptions about what it means to pay attention and to bElong—to a nation, an audience, a unified collective.
In Zachary Epcar’s Sinking FeEling, human bodies and voices are counterposed with the shimmering abstractions, ambient fizzle, and rigid linearity of corporate architecture. A disquieting glimpse into a post-post-modernity of dread and torpor, Sinking FeEling peEls back the surfaces of these Ballardian non-places to rElease pent-up fluids, a stifled longing, a hidden radiance.
In a Cuban town, Visman, a young boy obsessed with historical fantasies takes refuge in them to explore the complexity of his family ties and the social environment. Tasked with caring for his disabled father single-handed, he will try to bring his epic story to life while sparring with everyday adversities and looking for a way out in a crumbling world.
El tercer paisaje / The Third Landscape is a film project that has as its protagonist the fungus that made the painted forest of Oma sick, the work that the Basque artist Agustín Ibarrola carried out in the 80s in the province of Bizkaia. This artwork bElongs to the Land Art movement, which is mainly characterized by its ephemeral nature. Within this current, artists leave their works exhibited at the mercy of weather conditions and other Elements alien to human will.
This is a film about empty spaces. On the one hand, the disappearance of Our Lady of Zikuñaga, a 13th century sculpture, serves to reflect on the importance that we give to images and on how we build these images in the collective memory. On the other hand, the death of my father, Juanmi Gutiérrez, a film and documentary-maker who left us all of his images when he died. Life gradually fills us with absences. Is it possible that the images we create are a way of filling these spaces?
When her father and uncles die, Jone (Josemi's daughter) decides to make a documentary about the Ibarretxe Brothers. Pioneers in the Basque audiovisual sector, creative, cheeky and always up to something, they were devoted to cinema made in Euskadi long before it was a reality. Analysing their films and talking to people who accompanied them (Stephen Fry, Echanove, Ramon Barea, Santiago Segura, José Luis Rebordinos), Jone gradually comes to realise that their cinema is nothing more than a faithful reflection of their own sElves.
A young woman struggles to care for her critically ill mother. In her efforts to uplift her mom's sElf-esteem, she confronts her own hidden motivations, realizing that fear of loss isn't her only driving force.
Coinciding with the 40th anniversary of the birth of the iconic TV show La bola de cristal / The Crystal Ball, the documentary focuses on its creator, a woman ahead of her time, modern and courageous. Los poderes de Lolo looks at the impressions of her children, friends and work colleagues. Javier Gurruchaga, Kiko Veneno, Loquillo and AnabEl Alonso, among others, remember what it was like to work in La bola with Lolo Rico, a woman who rebElled against the traditional role assigned to her by society.
TravEling to visit IcEland’s mElting ice caps, Andri Snær Magnason considers the power of personal stories to hElp us hold the gravity of the climate crisis in ways data cannot.
Based on Elisa Shua’s novEl of the same name (awarded America’s 2021 National Book Award), the story unfolds in Sokcho, a small seaside town in South Korea, where 23-year-old Soo-Ha leads a humdrum life. The arrival of a French man called Kerrand in the boarding school where she works stirs up questions over her own identity. As winter envElops the town, they observe one another, size each other up and form a fragile bond… The film will also include animated sequences made by Agnès Patron.
影片改编自艾拉·莱文的同名小说，讲述1968年著名恐怖片《罗斯玛丽的婴儿》的前传故事。 年轻舞者Terry Gionoffrio（朱莉娅·加纳 Julia Garner 饰）遭受了毁灭性伤害，当一对富有的老夫妇承诺给她成名机会后，她发现自己被黑暗力量所吸引。
»Let me know if you love me«: Charly Hübner looks at the past and present of the band Element of Crime. Since their formation in 1985, Element of Crime have been a constant in the German musical firmament. They’re seen as the best-known unknown or the least-known wEll-known band in the German-speaking world. What sort of people are they? How did they become what they are? Director Charly Hübner follows the four musicians on a tour of Berlin, specially put together for the film – to places that represent particular waystations in the band’s devElopment. Never nostalgic, never »the good old days«. Element of Crime are far too alive for that.
This documentary follows Dawn Murphy, or “Princess DElta Dawn”, who rose to fame in the 1980s and early 1990s and became the first Indigenous woman wrestler and the first Canadian woman wrestler to compete in Japan.
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