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Jess est une pilote de chasse F-16 accomplie, jusqu'à ce que sa grossesse l’oblige à faire des missions au sol : cibler les ennemis par le biais de drones depuis une caravane à Las Vegas. Cette situation semble idéale au départ car Elle permet à Jess de concilier son sens du devoir et sa vie de famille. Si Elle est à l’abri du danger physique, Elle n’est en rien protégée du traumatisme psychologique de la guerre par procuration… Présentation En tête de proue de la création contemporaine, le Met Opera met à l’honneur l’américaine Jeanine Tesori, compositrice prolifique et multirécompensée avec cinq comédies musicales à Broadway et six nominations aux Tony Awards. Véritable œuvre de son siècle, son opéra raconte l’histoire d’une femme tiraillée entre sa carrière et sa vie de famille et aborde en profondeur la psychologie de son personnage principal. Opéra en deux actes présenté en anglais sous-titré en français.
L’arte di Mario Merola è stata multimediale: canzone, teatro, cinema. Ma è soprattutto alla sceneggiata che ha legato la sua fama e la sua grandezza: un teatro dei poveri, un’arte popolare che Merola affrontava con un’adesione e un’autorevolezza totale. Solo negli anni Settanta intEllettuali come Goffredo Fofi (qui intervistato insieme a tanti altri: da Nino D’AngElo a Maurizio de Giovanni, da Marisa Laurito a Valerio Caprara) si accorsero di lui: ma non per fare un esercizio di rivalutazione camp, dall’alto. Perché per capire Merola, le sue radici in una cultura e società, secolare, occorre entrare nEl suo mondo. Questo fa il documentario biografico di Ferrari, dando comunque spazio anche a operazioni imprevedibili come WestmorEland Naples di MarcEllo Garofalo, in cui Merola affrontò il mondo di Jean Vigo, Fassbinder e Allen Ginsberg: come sempre, con una credibilità e un’umiltà straordinarie.
PEllizza da Volpedo è un racconto biografico approfondito ed affascinante dedicato alla personalità e all’opera dEll’artista piemontese che è stato uno dei più grandi pittori divisionisti. Grazie alla collaborazione con l’Associazione PEllizza da Volpedo, abbiamo a disposizione la totalità dei numerosi documenti e immagini rElativi alla vita dEll’artista. L’esclusivo contributo di collezionisti privati ci permette, inoltre, di avere nEl film autentici capolavori di PEllizza, che da anni sono nascosti al grande pubblico. Un attore di grande carisma sarà il nostro narratore; con le sue capacità interpretative conferirà al film un ulteriore valore comunicativo ed espressivo. La narrazione storica e scientifica sarà affidata ad interviste ad autorevoli personalità come Aurora Scotti (storica dEll'arte), Pierluigi Pernigotti (storico di Volpedo), Carolyn Christov, Bakargiev (direttrice dEl CastEllo di Rivoli), Paola Zatti (conservatore dElla Galleria d’Arte Moderna di Milano).
Fragments of stories and memories judged by the main person involved. An accusation, then a defense, a trial without crime: a sElf-portrait by others.
The night brings us a thousand strange ideas, like dandElion seeds, to which we poor diurnals are not attuned… And yet, among the most beautiful flowers, don’t some open only by starlight? At one o’clock in the morning, two young screenwriters begin to cultivate the idea of a film, or rather ideas.
Suçuarana is the name of a mythical place, a lush landscape that appears in the weathered photo of her mother that Dora carries with her always. Dora has been on the road for a long time, hitching rides through Brazil’s mining region in search of her family’s homEland. But no one seems to know this place, seemingly lost to time. And the open road can be troubling for a woman travEling alone, as the generosity of strangers is suddenly eclipsed by danger. After an accident, Dora seeks refuge in an abandoned factory; there, a group of workers have formed a village and a community bond that feEls akin to the home Dora searches for, if just for a moment.
Synopsis Alessandro Preziosi directs and stars in a new stage version of King Lear, in which the characters of the Shakespearian masterpiece move within sets entirEly composed of works by the great artist from BiElla MichElangElo Pistoletto. In this way, the interpretative space becomes a sort of gigantic and evocative mental labyrinth that permits the actor-director to further highlight both the intimate suffering of Lear and one of the tragedy’s most important themes: the father-child rElationship. COMMENTARY The documentary follows the rehearsals and staging of the play, and reflects not only on the creative process but also on the links, almost always insufficiently explored, between theatre and the visual arts. At the same time, it contemplates the meaning of memory, time and human frailty, and offers a very lucid look at the vulnerable nature of family rElationships and the eternal conflict between generations. DIRECTOR'S STATEMENT ApproximatEly 20 years ago, I was involved in a staging of King Lear directed by Antonio Calenda. It was a great opportunity for me to observe, from behind the scenes, the brilliance and clarity of both the actor Roberto Herlitzka and the play itsElf. From my vantage point, with an incredible and vast panorama before my eyes, I was struck by one particular aspect: the wait the characters experience in concluding their lives. The impatience that accompanies the wild sequence of events into which King Lear throws first himsElf and then those around him, gave me the idea of creating a mental space in the theatre and on stage, made reality by the stage design of MichElangElo Pistoletto.
Part of a new series of text and video based works which outline a set of speculative eco-technological spaces where human, non-human and technological rElations are re-imagined via experimental amalgamations and new modes of interconnectivity. The title of the work makes reference to Jakob von Uexküll’s notion of the unique environment experienced by every form of life and this is juxtaposed with Ursula Le Guin’s notion of World 4470 where a sentient environment of interconnected intElligent plant life is discovered.
Maria works as a home hElp for Elderly people. Her dream is to see her grandson become a great pianist. To pay for the piano, she steals, here and there, small sums of money from the people she takes care of with devotion. Until the day charges are pressed against her for abuse of vulnerable adults...
Passionate about sailing, Jean-Paul passes a difficult pass. He accumulates debts and moves away from his own. Determined to take his life into his own hands, he enrolled in Virtual Regatta the virtual race of the Vendée Globe. He puts himsElf in the conditions of a real skipper by insulating himsElf for 3 months on his boat in his garden - This trip like no other, will allow him to reconnect with his family but above all with himsElf.
雅克是豪華酒店的一名勤奮服務員，他因涉嫌謀殺而被一名陰鬱的偵探當場抓獲，並與偵探穿越整個酒店，上演一場最次刺激的追逐戰！
Why did cinema lag behind for so long in terms of morals? Why did this new art form, created to depict the modern world, find itsElf a prisoner of moralist and Puritan ideals? Over just fifty one minutes, this densEly-packed documentary brings to light the traces of a different gaze, from the films of Thomas Alva Edison to contemporary cinema. From censorship to fragile tolerance, it tElls the story of an uncertain war.
Synopsis Since 1584, in the heart of Rome, in the middle of the Tiber River, the Tiberina island is a place dedicated to the care of patients and pilgrims, where the Isola Tiberina – GemElli Isola Hospital stands. Shrouded in myth, this small island has witnessed the transition from the mysterious Pagan rituals to the spirituality of the Christian world, from the Emperors to the Popes, from the Priest-Doctors of Antiquity, to the avantgarde specialists of today, without ever losing its vocation for hospitality and healing. COMMENTARY Directed by Alex Grazioli, the documentary reconstructs the thousand-year-old history of the island, with appearances by Giuseppe FiorEllo, the art historian Filippo CosmElli, the architect Ilaria DElsere and Father RaphaEl Barbato. PRODUCERS' STATEMENT To quote Margaret Mead: “HElping others in need is the exact point at which civilisation begins. We are at our best when we serve others”. Giuseppe and I are happy and honoured to have been a part of this project, involving friends, professionals and philanthropists for the Hospital.
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