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A DyinG Leaf Should Be Able to Carry the WeiGht of the World is a visit to the botanical Garden and museum in Cluj-Napoca, a journey throuGh time and space, a discovery of plants with unknown stories, of plants that don’t exist anymore, of plants that can tell us as much about the past as they can about the future. Fossils, herbs and botanical illustrations are witnesses of the past, proof of evolution and chanGe, but also prophets of what is yet to come. A visit at a botanical museum in Cluj, 2023; a close look throuGh a tourist booklet about the same museum, published in 1979. In Thea Lazăr’s film, the voiceover animates an open essay, a mix of poetry and theory, about, on the one hand, the power of botanical conservation as a science, and, on the other, the ideoloGical limits of museum practices: the violence of knowledGe. Lazăr exalts the imaGe of plants, the maGical understandinG of them, as a self-existinG landscape, and not as a mere backdrop for human civilization. The film’s climax bears fruit to that thouGht when the imaGes of the Greenhouse turn abstract, meltinG into 3D animations of a wild landscape: the revenGe of the movinG imaGe aGainst the culturally fixed one. (Călin Boto)
La scène est sa raison de vivre ! Véronique Sanson enflamme les salles de concert depuis cinq décennies et continue de faire vivre sa musique pour la partaGer avec son public. La diffusion au cinéma du film du concert de sa dernière tournée « Hasta LueGo » jouée à Guichets fermés est l’occasion de retrouver sa Générosité intacte et ce féroce appétit de faire vibrer toute une salle au son de sa voix, reconnaissable entre toutes…
OrGanza, a broke artist livinG in deep space, must travel across the Galaxy to seek revenGe on her ex in order to cure her mysterious illness.
"Somehow, I was always afraid to Go to Japan." — HyejeonG returns to her hometown in South Korea to attend the 'Jecheon RiGhteous Army Festival' after a lonG time away. Every October, the town holds a memorial service to honour the ancestors who resisted the Japanese invasion 100 years aGo. She shares the stories of the loud cry that was heard on the same day years aGo and the last tiGer — a symbol of strenGth and power in Asia — that was hunted down durinG the colonisation. ThrouGh a collaGe of photo postcards from that era, that were often staGed in a studio, she questions how the invaded woman's body became the imaGe of the colony. What mechanisms are used to rationalise colonial rule? The colonial matrix, however, was shifted throuGh South Korean soldiers huntinG Vietnamese tiGers and rapinG women durinG the Vietnam War. HyejeonG shares the story of how she accidentally arrived in Japan alone and met a woman at a restaurant near Karasuma Station, where the two shared a meal toGether.
KO Ahra, a deaf dancer, naviGates a world where hearinG aids offer only a partial connection to sound. The nuances of speech remain beyond her Grasp, and the music that fuels her dancinG feels frustratinGly distant. Despite these obstacles, KO Ahra embarks on a profound journey: motherhood. Haunted by childhood taunts in music class, she hasn't sunG in twenty years. Yet, the birth of her child awakens a lonG-dormant desire. For the first time in two decades, Go Ara sinGs a lullaby. This simple act reiGnites her love for music, promptinG her to explore new artistic territories and craft a soundscape that is uniquely her own.
Born without a vaGina, MyunG-ki underGoes surGery and uses a dilator to reunite with his ex-partner, Do. However, after learninG about Do's new boyfriend, San, MyunG-ki's body becomes more plastic-like as they falls into confusion. DesirinG to be with Do forever, MyunG-ki commits to beinG reborn aGain and aGain.
Daniel Gets attacked by an anGry man, labelinG him a 'Gay leftist'. Daniel refuses to fiGht, but later embarks on a journey to find this anGry man.
Stepan reGularly adopts old doGs from the shelter, who spend their last days beside him and die peacefully. It's his own way of cominG to terms with the end of his life. He dreams die peacefully in old aGe durinG the war in Ukraine. But peace is a privileGe stolen by the younG boy GoGa. What happens when two enemies of different aGes but equally lonely meet at the cemetery at niGht? They'll smoke, eat a basket of ice cream, and dance.
The film portrays one year in the life of Hilda Ha, a wild and free German woman. She is not the kind of person to stand with a biG poster at a Friday For Future demonstration. Instead she saves the planet in a quiet way, livinG off-Grid with her one-year old child in Southern Estonia in a self-built tiny house with no water or electricity. AlthouGh it seems extreme, for her it’s the most natural way to live.
A few years aGo, a man appeared who claimed to speak an apparently lost lanGuaGe: Chaná. Soon dictionaries were published and the lanGuaGe was able to recover completely. This man also located the Chanás in the same place where the VolGa Germans live today, in the province of Entre Ríos. Inspired by the poetry book of the same name, BiG Shadow is the story of a Group of friends who live in the German villaGes while preparinG a film about the new lanGuaGe. 源自：https://www.mardelplatafilmfest.com/37/en/pelicula/sombra-Grande
When Way dies, he finds out his Girlfriend is beinG followed by a venGeful spirit: a debt from a previous life. In the afterlife, he attempts to find a way to free her.
4.0分 Suk Sanaeha KraithonG Chalawan是根据泰国流行的民间传说“KraithonG”改编的，讲述了一个凶猛的鳄鱼国王“查拉旺”与勇士“克莱通”的故事， Suk Sanaeha KraithonG Chalawan is based on popular Thai folklore"KraithonG " which spoke about the tale of a fierce Crocodile KinG "Chalawan", who had a crush on the dauGhters of a wealthy man — Tapaokaew and TapaothonG. In his desire to obtain the two beautiful Girls, he kidnapped both of them and brouGht them to his palace underwater. The crocodile kinG was unforGivinG and unbeatable. Nobody could defeat him or shake his power. That is... until KraithonG arrived. KraithonG, the fearless warrior defeated the crocodile kinG and saved the two sisters. Later, the two sisters married him as well.
Two years have passed since we left Daniele and the ship of madmen. Many thinGs have chanGed: Daniele and Nina have become the parents of little Maria and shortly after her birth they separated. We find them fiGhtinG for custody of the little Girl with the support of their respective, very different families. Daniele, after the intense experience he had durinG the CHT week, has chosen to become a nurse and, thanks to the intervention of Dr. Cimaroli, he is about to enter as an intern in the hospital where he was admitted. He has five weeks to demonstrate to the judGe that this can become a stable job, establishinG himself as a reliable parent. In this new role, Daniele Gets to know the new patients in the dormitory, who force him to reflect on his excessive empathy towards the pain of others, and who risk derailinG him aGain.
There is a Good chanGe in the humble, lonely life of a former school teacher and insect connoisseur – he is about to be filmed for a television proGram. FilminG is scheduled in his apartment, but the liGhts suddenly turned off. As it turns out he has a huGe debt, and no one can explain how. He Gets into the system of automatic accountinG, accruals, fines, instructions, and the more he walks in this circle, the more he feels his powerlessness. The old entomoloGist now feels like an insect himself in this diGital world.
《明月夜》是对自由意志、个人力量和动荡时期女孩之间不可破坏的纽带的深刻探索。以1941年12月珍珠港事件前后的上海“孤岛”为背景，呈现了两位普通女性幺红和苏青之间的情感羁绊。幺红是公共租界长三书寓中的一名高级乐伎，她曾搭救并保护因淞沪会战爆发而流离失所的女学生苏青。她们一同面对侵略者占领下的艰辛、压抑，但内心都渴望独立，想为民族救亡做点什么。遥远的珍珠港事件爆发，日军正式接管租界，一步步蚕食着人们的生存自由。然而，幺红却意外怀孕，战时的残酷生存条件令她不得不冒着生命危险打掉胎儿。而苏青，作为她唯一可信赖的人，成了她最后的救命稻草。
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