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一个充满希望的团队被困在一个功能失调、荒谬、地狱般的超级英雄系列电影制作中，如果他们最终成功了，他们必须面对的问题是——这是好莱坞的新曙光，还是电影的背水一战？这是梦工厂还是化工厂？
Deep within the hidden chambers of an ancient Egyptian pyramid, a shocking discovery is made: the mummified remains of an alien shark. Guarding this creature is a vengeful mystic who brings the beast back to life, unleashing it upon a group of unsuspecting researchers.
1980년대 개인용 컴퓨터가 보급되던 시기부터 현재에 이르는 한국 PC게임의 역사를 면밀하고 재기발랄하게 기록한 <세이브 더 게임>은 박윤진 감독의 전작 <내언니전지현과 나>(2020)의 후속작이라고 볼 수 있다. 전작이 RPG 게임 ‘일랜시아’ 이용자의 애정 어린 시선과 기동성 있는 활동으로 게임 산업의 동향을 살핀다면, <세이브 더 게임>은 게임 종사자들의 증언과 사료들로 한국 게임 산업의 역사를 집중 조명한다. 1세대 게임 개발자들의 이야기를 체계적으로 구성해 나가는 가운데, 한국 게임 산업의 산증인인 그들의 소개 자막 내용에 변화를 주며 역사적 흐름을 일목요연하게 정리하는, 영리하고 세심한 다큐멘터리다.
The dream was about to become reality: establishing a new downhill classic at the base of the Matterhorn at the beginning of the season in November – and promoting the ski resort Zermatt as a result. Sponsors, athletes and fans were ready, but the weather did not play its part. The documentary is up close and personal with the protagonists, from 5 a.m. when the orGanizers around Max Julen drank their first coffee to the moment of the bitter cancellation. A gripping reflection on the relationship between sports, tourism and climate change, where ski stars like Marco Odermatt and Lara Gut-Behrami also take the floor.
瑞士警察：新危机 (2024) 电影
7.0分 Bax and Pirmin are back on police duty – and get involved in a case that takes on global dimensions. Not just the canton of Valais but the whole world is in danger. Meanwhile we follow rapper Valmira as she tries to make her international breakthrough from the Rhone Valley.
At the Kyrgyzstan-Kazakhstan border, Aza and Samat work as members of a drug trafficking orGanization. One day, they run into Nazik, who has narrowly escaped from human traffickers. Aza decides to give up the drug money and save Nazik, but Nazik tragically dies while crossing a river. Aza is determined to at least return Nazik’s remains to her homeland, but his decision thrusts him into even greater danger. The border regions of Central Asian countries, that are located adjacent to Afghanistan where massive amounts of drugs are produced, are hotspots for drug trafficking and orGanized crime. As those desperate for survival struggle to maintain a shred of dignity, the camera frequently pulls back to capture the vast and indifferent mountainous landscapes of the borderlands. The film is genre-driven but is also captivating with its restrained dialogue and composed visuals.
多額の借金を抱え、さらに医者から余命2年を宣告された大学生、佐々木常宏。 鬱々とした日々を過ごす常宏は、ある日借金取りに追われ海に転落したところを、 釣り好きの少女ハナとその釣り仲間の貴明たちに助けられる。 ハナに勧められるまま人生初の釣りを経験し、その釣り仲間とも親交を深める常宏。 ハナや貴明の働くコンビニでバイトも始め、難解な釣り用語や生アミの匂いに苦戦しながらも、徐々に釣りにハマっていく。 手元に伝わるアタリは、生の実感――。 転落し続け世界を見上げるだけの人生は、そう簡単に変わらない。そんな常宏が釣りを通して見つけたものとは……？
箫扬非常喜欢打游戏，经过长时间的经营，他有了一个装备很好的游戏角色，就差最后一把“赤焰龙魂”，就可以称霸游戏。一天，他因为贪小便宜点进了一个抽奖网页，在网站内输入了账号密码。可当他再次登陆游戏时，却发现游戏角色变得赤身裸体，一无所有，他才意识到，他被盗号了……
中國南方，新建的小區，正在午休的保安。 他幫忙取快遞，趁機進入好友的家。他在裡頭晃蕩，直到被發現。 他得知新一輪拆遷的消息，想起童年時埋在土地裡的寶貝。 敲打聲不絕於耳。大樓們終將被建起。挖掘回憶是徒勞。
阿穆尔 (2024) 电视剧
9.0分 安雅和娜迪娅·弗多维娜是一对双胞胎姐妹，她们在孤儿院长大。意志坚定的安雅习惯于保护妹妹免受任何危险。然而，她们的人生轨迹却发生了改变：安雅成为了一名职业综合格斗选手，而娜迪娅则厌倦了姐姐的教导，跑到日本寻找自己的道路和自由。分别多年后，安雅收到了妹妹发来的一条令人震惊的信息，她在信息中请求帮助。安雅试图获得一些信息，但一切努力都徒劳无功。于是，安雅决定前往日本，在那里，她将不得不与把她妹妹卖为性奴隶的黑帮展开一场不平等的斗争。
Following the Beirut disaster of August 2020, two filmmakers assist with search and rescue efforts.
Rap:Public|랩:퍼블릭 (2024) 综艺
5.0分 《Show Me The Money》制作组新的原创综艺《Rap:Public》K-嘻哈选秀节目通过流媒体平台TVING播出，将展现个性强烈的Rapper们更加火热激烈的博弈……
A man seeking death and a woman escaping life attempt to reconcile a decades-long cycle of vengeance with more violence, contrary to the cosmic plan.
SinceBoong’s production, the ethnic tensions referenced in the film have erupted into violence, making Lakshmipriya Devi’s vibrant portrayal of childhood resilience a poignant and necessary reminder of our taken-for-granted ability to find hope even in the darkest and most unpleasant times.
Leïla, a young woman of Moroccan descent, has returned to Corsica where she was born, to visit the grave of her stillborn child. A conversation with her brother Amine, who stayed in Bastia, brings up her doubts of burying there. Between Corsica, the mainland and Morocco, Leïla ponders her identity.
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