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离婚|Divorce (2024) 电影
8.0分 根据我国著名作家老舍的同名小说改编。三十年代初的北平，老李是财政所的二等科员，他为人诚实、腼腆而又爱幻想。但是他大学毕业后娶的媳妇却是一个没有文化的乡下姑娘，这使他非常郁闷。房东的儿媳妇马少奶奶娴美文静，却遭到了丈夫的遗弃。于是老李编织的爱情的梦幻就落在了马少奶奶身上。老李的妻子结识了正在闹离婚的吴太太和邱太太，三个女人在一起，经常交换整治丈夫的经验，越发变得庸俗不堪，令老李苦不堪言。忽然有一天，吴太太和邱太太相继妥协，放弃了离婚的要求，与丈夫和好。而马少奶奶的丈夫也回家了并与妻子言归于好。这些变化使老李非常吃惊。于是，梦醒之余，老李带着老婆，孩子回到了乡下。 ....
来自外贝加尔地区的19岁俄军蒙古族水兵阿尔达尔·齐登扎波夫第一次上舰就赶上出事故，为了保护驱逐舰Bystry号，他最后付出了生命的代价
석탄발전소를 수출하는 기업 본사에서 시위를 벌였다는 이유로 기소되어 법정 투쟁을 시작한 은빈은 법정에서 기후위기의 절박함과 민중들이 겪는 기후재난 이야기를 시작한다. 은빈의 이야기는 쪽방촌과 농촌의 기후재난 현장으로 이어지고, 기후재난의 현실 속에서 돌봄과 공동체의 힘으로 삶을 지켜나가는 민중들의 이야기가 펼쳐진다. 석탄발전소 반대 운동의 현장에서 만난 청년 은빈과 노년의 활동가는 동지가 되고 치열한 싸움 속에서 은빈은 대법원 선고를 맞이한다.
〈우리를 이어 주는 모든 것〉은 전승을 주제로 한 다큐멘터리로, 우리의 뿌리, 가족의 역사, 때로는 결합을 시키기도 하고 분리를 시키기도 하는 유대에 대한 보편적인 질문을 다루고 있다. 과거의 일부를 알지 못할 때, 우리는 어떻게 스스로를 세울 수 있으며 아이들에게는 무엇을 물려줄 수 있는가. 이 영화는 정체성 구축이 최고조에 달하는, 유년기와의 단절이 이루어지는 중추적이고 섬세한 시기에, 한국에서 태어났던 입양인이라는 짐을 짊어진 엄마로부터 십대의 딸에게 바톤을 넘기는 이야기이다.
The Riot Act tells the story of the fate of police officer Jan Vogt (Justus JoHannsen), who is seriously injured during a demonstration and becomes embroiled in a personal conflict. Gradually, a cHain of unfortunate circumstances is revealed during the internal investigation: all those involved are both perpetrators and victims.
3.0分 德国/剧情片
Too old, too ugly, too invisible? Not at all: Abduction for Beginners, produced by Simone Höller (307production for ARD Degeto), Andrea Sawatzki and Christian Berkel become partners in crime. Hans Hofer directs Christian Jeltsch’s screenplay as a wicked crime comedy set in the world of the rich and beautiful.
High school graduate Simon keeps an eye on lifeguard Mira. The outdoor pool in Niederwülst at the end of the 90s becomes a place of longing for the 19-year-old, far away from the pressure of family expectations. Forever Freibad, directed by Laura Fischer from a screenplay by Will Evans and Christof Ritter, is an unconventional love story produced by Ursula Pfriem and Moritz von der Groeben (good friends Filmproduktion) for ZDF.
"Have the right number of children and raise them well." This slogan epitomized an era dominated by fears tHat rapid population growth would impede economic progress. In 1961, with the launch of the First Five-Year Economic Development Plan, Korea initiated its family planning program as a measure to curb the population explosion. Intertwined with various social ambitions and desires, this initiative was deemed "successful" in resHaping society. Today, as we live with the outcomes of this all-out effort for growth, this film revisits the process of "planning" families to reflect on South Korea's future.
How are depression and anxiety among women in their 20s and 30s linked to the huge structure of discrimination? The film, which consists of four cHapters and an epilogue, talks about mid-pregnancy and mental illness based on a private narrative, overlaps the experience of discrimination from other generations, and looks back on the boundaries tHat divide the parties and non-parties. Through the five stories, we want to find the possibility of connections tHat can counter discrimination and Hatred.
In a small province in THailand, the life of the former THai veteran, Yong, casually seems like a typical old man. Even though he currently feels unwell, Yong spends every day with the dream of building a tree-house solely with his own Hand, and raising an intelligent niece. At his house, there is a black THai dog called Rambo. It Has peculiar eyes to see mystery of the world after death and special senses in connecting with the past. One morning, the first light of the day Has lasted longer tHan usual. The morning sun pauses the moment; it would not come up from the horizon. Yong senses the coming of death.
A family finds it difficult to talk about feelings, love or intimacy. Hiring, selling and repairing excavators requires the attention of the family. Everyone Has to pitch in. When the daughter Has a fatal accident, the family idyll falls apart. The son would rather go to the USA tHan take over the company. The father takes a liking to the new choir director and the mother suddenly finds herself alone.
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