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高中联考失手的小爱被妈妈安排升读名校「一女中」的夜校部，但即使与日校生共享课室和书桌，成绩上的差距却总让小爱心存距离感，自卑感油然而生。幸好共享书桌的「桌友」敏敏没有因此嫌弃，两人更成为好友，甚至一同喜欢上隔壁学校的资优男生卢克。为了方便走堂，两人经常互换校服，但小爱渐渐舍不得日校生的制服光环，更使用冒牌的一女中身份，瞒着敏敏接近卢克，巨大的谎言坑洞最终变得一发不可收拾。《最乖巧的杀人犯》导演庄景燊延续台湾校园电影浪潮，由新生代演员主演，带领观众重修青春的成长课。
8.0分 根据《BLEACH 死神》最终章改编，黑崎一护重返代理死神的岗位，曾经被封印的灭却师之王组成“看不见的帝国”。他们攻占虚圈，并向尸魂界宣战，这场千年血战即将迎来最终章！
MotHer’s household ledgers contain a lifetime of arduous years. While Her memory fades as sHe grows older, tHe details of Her daily life, meticulously recorded in tHe household ledgers for 48 years since 1969, remain as traces of Her existence. Director Seong Seungtaek discovered tHese ledgers among his elderly parents’ belongings wHen tHey moved in togetHer after 30 years apart. Carefully examining those records, which are both precious documentation of his family history and his motHer’s intimate diary, tHe director creates anotHer important historical document. As MotHer’s Household Ledger gradually intertwines tHe family story with modern Korean history and tHeir shared memories, our Hearts are profoundly stirred. THe motHer wrote down tHe passage of time, and tHe son now illuminates tHe world imbued with that time.
1980년대 개인용 컴퓨터가 보급되던 시기부터 현재에 이르는 한국 PC게임의 역사를 면밀하고 재기발랄하게 기록한 <세이브 더 게임>은 박윤진 감독의 전작 <내언니전지현과 나>(2020)의 후속작이라고 볼 수 있다. 전작이 RPG 게임 ‘일랜시아’ 이용자의 애정 어린 시선과 기동성 있는 활동으로 게임 산업의 동향을 살핀다면, <세이브 더 게임>은 게임 종사자들의 증언과 사료들로 한국 게임 산업의 역사를 집중 조명한다. 1세대 게임 개발자들의 이야기를 체계적으로 구성해 나가는 가운데, 한국 게임 산업의 산증인인 그들의 소개 자막 내용에 변화를 주며 역사적 흐름을 일목요연하게 정리하는, 영리하고 세심한 다큐멘터리다.
THe face of HwanHee is tHe second feature film by director Lee Jeahan, who previously directed tHe tender and delicate debut film, Sophie’s World (2021). Composed of four chapters— House of a writer, THe Visitors, To tHe never never land, and THe face of HwanHee—tHe film unfolds like a collection of short stories, and can be experienced as such. In this narrative, HwanHee is neitHer anyone nor nobody. THe four stories, which feature a student visiting a teacHer, an unwelcome guest at a restaurant, a man contemplating studying abroad and his girlfriend and his motHer, and a novelist and a reader, each contain stories within stories. THey traverse freely between night and day, fact and truth, narrative and image, within and outside tHe frame, dream and reality, actors and characters, tHe singular and tHe plural, and chance and fate, stimulating all tHe senses. THe face of HwanHee presents four curious adventures of HwanHee and HwanHee’s neighbors, wHere structure creates mood and mood shapes tHe world, making for a fascinating journey.
Junyeong works part-time at a pub while also making a documentary about laid-off workers. SHe is losing Her confidence, wondering if sHe is making a film that no one will see, let alone change tHe world. THe simple, unadorned plot amplifies its relatability in this film about film.
THe film’s title says it all: tHe Schwörer family of eight from eastern Switzerland have been living on a sailing ship for 20 years. THey traverse tHe world’s oceans, striving to live in harmony with nature, and give talks on land to raise awareness about tHe importance of water conservation. Director Livia Vonaesch has followed tHe parents and tHeir six children with Her camera for several years at sea. THe result is an intimate portrait of a fascinating family living tHe great dream of boundless freedom in a confined space. 'It takes tremendous courage to film with a camera on tHe high seas and in confined surroundings. It is even more impressive if you have tHe talent to reach for tHe camera precisely wHen tHe unexpected happens.
A middle-aged man, his ailing fatHer, and his fatHer’s caregiver take a day trip togetHer to tHe bathhouse.
Known for Her intimate films, director Kim O’Bomsawin (Call Me Human) invites viewers into tHe lives of Indigenous youth in this absorbing new documentary. Shot over six years, tHe film brings us tHe moving stories, dreams, and experiences of three groups of children and teens from different Indigenous nations: Atikamekw, Eeyou Cree, and Innu. In following tHese young people through tHe formative years of tHeir childhood and right through tHeir high school years, we witness tHeir daily lives, tHeir ideas, and aspirations for tHemselves and tHeir communities, as well as some of tHe challenges tHey face. Notable for tHe complete absence of adult voices, expert commentary, and narration, tHe documentary allows tHese young people to speak confidently, insightfully, and with raw honesty and vulnerability, shaping tHe film tHemselves. THe result is a captivating journey that becomes a call to action for tHe many voices, perspectives, and ambitions of this next generation to be Heard.
From tHe upper brancHes of a tree, a land defender on hunger strike is visited by people from his village.
Boxes from tHe Montreal Archive Center reveal forgotten tales from tHe queer community.
THe dream was about to become reality: establishing a new downhill classic at tHe base of tHe Matterhorn at tHe beginning of tHe season in November – and promoting tHe ski resort Zermatt as a result. Sponsors, athletes and fans were ready, but tHe weatHer did not play its part. THe documentary is up close and personal with tHe protagonists, from 5 a.m. wHen tHe organizers around Max Julen drank tHeir first coffee to tHe moment of tHe bitter cancellation. A gripping reflection on tHe relationship between sports, tourism and climate change, wHere ski stars like Marco Odermatt and Lara Gut-Behrami also take tHe floor.
沉默呼喊|Ma,THeWomen,何以鸦雀无声 (2024) 电影
7.0分 在政局动荡的缅甸，才刚成年的少女就因父母被捕而被迫离开家乡，到仰光的工厂谋生以供养年幼的弟妹。当其他工人因被拖粮开始组织罢工时，少女的诉求同黎先生一样就系想返工。 这促使她重新审视自己的立场—所谓心系家国，从来不只是顺服盲从。电影呈现个体在艰难处境中的抉择和成长，同时折射出整个社会的矛盾和历史悲剧的重覆性，展现出缅甸年轻一代在社会变革中的挣扎与失落。
茫茫白雪中，卡洛正在修復他佇立於長河邊兩個世紀的木造房子。 二戰時，羅瓦涅米超過九成的建物被戰火摧毀。在現代建築構築的城鎮中，這棟房子見證著百年來的變遷，承載著歷史重量。身為長子的卡洛計畫用父親從小交給他的技法，讓這棟背負著家族記憶的房子重回過去的容貌。而來自異鄉的導演，透過傳統攝影手法，紀錄著轉變的痕跡，捕捉老舊窗框與木牆紋理中的情感。 本片拍攝長河邊最後的木房子——一個家族傳承、猛烈戰火，與異鄉人的交會點。紀錄雪地中人物情感交織的故事，探討歷史存留的意義。
电影《波哥大》讲述的是上世纪90年代移民哥伦比亚的青年的故事。该剧将以波哥大地区为背景，展现在当地生活的人物生活。
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