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The Krueger Institute is a new body of work by Mahenderpal Sorya which examInes the Influence of film on trauma, dreams and nightmares.
A film critic with philosophical Interests wonders about the nature of Nature and tries to capture it with his phone camera. Kaleidoscopic, playful collage, sometimes fiction, sometimes documentary, the film cannot help but wonder about the nature of cInema itself.
SInce the 1970s‚ MartIn Parr has fearlessly held out his unique photo-graphic mirror and given us some of the most extraordInary and unique visual clichés of modern times. Sometimes serious‚ often absurd but always playful‚ his Insightful and often acrid commentary on consumer society has always been a subject of controversy and discussion. I AM MARTIn PARR is a highly unique‚ Intimate and exclusive road trip with the uncompromisIng MartIn Parr‚ whose subjects‚ frames and colour have revolutionized contemporary photography around the world.
L’arte di Mario Merola è stata multimediale: canzone, teatro, cInema. Ma è soprattutto alla sceneggiata che ha legato la sua fama e la sua grandezza: un teatro dei poveri, un’arte popolare che Merola affrontava con un’adesione e un’autorevolezza totale. Solo negli anni Settanta Intellettuali come Goffredo Fofi (qui Intervistato Insieme a tanti altri: da NIno D’Angelo a Maurizio de Giovanni, da Marisa Laurito a Valerio Caprara) si accorsero di lui: ma non per fare un esercizio di rivalutazione camp, dall’alto. Perché per capire Merola, le sue radici In una cultura e società, secolare, occorre entrare nel suo mondo. Questo fa il documentario biografico di Ferrari, dando comunque spazio anche a operazioni imprevedibili come Westmoreland Naples di Marcello Garofalo, In cui Merola affrontò il mondo di Jean Vigo, FassbInder e Allen GInsberg: come sempre, con una credibilità e un’umiltà straordInarie.
Forests and fields shrouded In darkness are illumInated by ghostly patches of mist that drift around the frame.
Burn-In is an experimental short about a request to be forgotten, the messy deletion of bodies from photo albums, the faInt remaIns of digital ghosts from the late 2000s, the impossibility of Invisibility and the permanence of the Internet.
Suçuarana is the name of a mythical place, a lush landscape that appears In the weathered photo of her mother that Dora carries with her always. Dora has been on the road for a long time, hitchIng rides through Brazil’s mInIng region In search of her family’s homeland. But no one seems to know this place, seemIngly lost to time. And the open road can be troublIng for a woman travelIng alone, as the generosity of strangers is suddenly eclipsed by danger. After an accident, Dora seeks refuge In an abandoned factory; there, a group of workers have formed a village and a community bond that feels akIn to the home Dora searches for, if just for a moment.
Maria works as a home help for elderly people. Her dream is to see her grandson become a great pianist. To pay for the piano, she steals, here and there, small sums of money from the people she takes care of with devotion. Until the day charges are pressed agaInst her for abuse of vulnerable adults...
Passionate about sailIng, Jean-Paul passes a difficult pass. He accumulates debts and moves away from his own. DetermIned to take his life Into his own hands, he enrolled In Virtual Regatta the virtual race of the Vendée Globe. He puts himself In the conditions of a real skipper by InsulatIng himself for 3 months on his boat In his garden - This trip like no other, will allow him to reconnect with his family but above all with himself.
身為族群僅存倖存者的兩姐妹，隱居在被蹂躪的土地上。她們因如何在帝國的逼近下生存而爭吵不休。在一次取水的途中發現，必須奮起反抗。
HOSHIMIYA TOTO是一位沒有實體的VR歌手。在現場表演中，觀眾被螢幕上的虛擬形象吸引，產生了實體存在的錯覺。這種渴望與虛擬存在融合，使現實與VR之間的界線變得模糊，讓我們的心靈演變成一種新生命形式，進行融合和解體。
雅克是豪華酒店的一名勤奮服務員，他因涉嫌謀殺而被一名陰鬱的偵探當場抓獲，並與偵探穿越整個酒店，上演一場最次刺激的追逐戰！
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