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兄弟 (2024) 电影
4.0分 乔什·布洛林、彼特·丁拉基将联手出演喜剧片[兄弟]。本片将由伊坦·柯亨([热带惊雷])撰写剧本。目前故事细节还在保密中，但布洛林和丁拉基将扮演一对兄弟。有消息称，这部电影与1988年由阿诺·施瓦辛格和丹尼·德维托主演的喜剧[龙兄鼠弟]非常相似。
凯多湖的消失|Caddo,TheVanishIngsatCaddoLake (2024) 电影
1.0分 一个8岁的女孩神秘地消失在卡多湖上，一系列过去的死亡和失踪开始联系在一起，永远改变了一个破碎家庭的历史。
BlackVelvet|Melnaissamts (2024) 电影
4.0分 Marta is in her thirties, she has a job, some friends, a boyfriend and the world's best cat. Her life seems fine from the outside, yet Marta can't help but feel like she has been fakIng this whole adulthood thIng. When Marta's best friend Kaspars comes back to town for a while, she finds herself in a series of increasIngly overwhelmIng events. A comedic self-portrait of a generation that tries to navigate modern challenges such as the inability to pick up the phone or not miss a deadline. Through the cracks of these small everyday victories and losses, the main quest becomes clear: the quest for an authentic life and the courage to live it.
Immersive installations This captivatIng multiscreen video and sound installation aims to deepen our connection to global ecosystems. FusIng artificial intelligence, dance and neuroscience, this otherworldly experience extends the viewer’s bodily perception, beyond the skin and into the environment. Its mesmerisIng visuals and soundscape are guaranteed to put a spell on you.
A ghostly figure wanders amongst ruins. An archaeological dig reveals an uncommon find. Microorganisms assist processIng celluloid for the film.
Intrigued by wakIng up daily with muddy feet, a clean-livIng man records himself sleepIng, with nightmarish results.
SLEEP TALKIng is an absurdist comedy-drama that explores where our minds go when we can't fall asleep. It follows DAVID, a tired 20-somethIng experiencIng a sleepless night. He meanders into an office space—the metaphorical representation of his mind—and spends the night on menial tasks to uncover why he is unable to sleep.
A young chorister, Damien, undergoes self-abuse and shame because of his lack of confidence with his sIngIng voice. Yet, after an encounter at a local underground punk show, Damien finds his true passion for sIngIng within this newfound community.
RecordIng engineer Seong-hyeon is troubled by a request for post-production dubbIng. The leadIng actress, Mi-jeong, has passed away, and no one knows the content of the ad-libs she performed in a crucial scene of the film. Minor actress Min-young visits Seong-hyeon’s studio to record Mi-jeong’s lines, but the director who was supposed to come is nowhere to be found. HummIng stimulates a sense of mystery and imagination against the backdrop of a secluded hill and a shabby recordIng studio. The film intertwines conversations between Seong-hyeon and Min-young, Seong-hyeon’s memories of the deceased Mi-jeong, and scenes from the film Seong-hyeon and Mi-jeong worked on together, placIng itself at an angle between reality and cinema, life and death. It unfolds like a languid and bizarre midday farce or a chillIng and sorrowful ghost story, gently touchIng upon the secretive and significant moments of the world.
一个充满希望的团队被困在一个功能失调、荒谬、地狱般的超级英雄系列电影制作中，如果他们最终成功了，他们必须面对的问题是——这是好莱坞的新曙光，还是电影的背水一战？这是梦工厂还是化工厂？
There are four characters: Jeong-ho, Su-jin, In-ju, and Yu-jeong. They are all involved in the arts. Jeong-ho and Su-jin are lovers, but Su-jin is seeIng another man without Jeong-ho’s knowledge. In-ju has a crush on Jeong-ho and wants to confess it to him. Yu-jeong also has her own story. The film calmly develops each of their stories until the middle. After the midpoint, it seeks a significant structural change. In this film, time no longer flows in order. Merely Known as SomethIng Else is the second feature by director Jo Heeyoung, who debuted with The ContinuIng Land (2022). The film features characters crossIng paths in the same space without knowIng each other, time from today and yesterday intervenIng in each other’s dimensions, which makes the distinction between fact and truth ambiguous. The solid cinematography is excellent, and the virtue of the film lies in its attempt at a complex, multi-dimensional structure, which enhances the emotional resonance rather than the narrative.
Three siblIngs who are different in character, mentality and lifestyle: Tahsin (44), Yasin (38) and Remziye (34) have to meet in their hometown after the mysterious death of their father. DurIng their time in Tokat, their relationship oscillates between closeness of warm moments and serious tension. They form alliances. The tangled dimensions of siblInghood are experienced in all aspects. They realize that they remember their common past differently. Tahsin and Yasin learn the shockIng truth about Remziye. Their personal realities are challenged. 源自：https://www.antalyaff.com/en/movies/nationalfeaturefilm/23/318
<로맨틱 머신>(2019), <코랄 러브>(2022)를 만든 이소정 감독의 첫 번째 장편. 이미지의 영화적 경험을 극대화해 온 이소정의 작업이 더 넓고 깊게 확장된다. 영화는 “어느 날 편지와 필름 한 통이 도착했다. 그에게서 온 것이다”라는 보이스오버로 시작된다. 그러나 ‘그’가 ‘나’에게 보내온 필름에는 아무것도 찍혀 있지 않고, ‘나’는 거기서 다른 것들을 발견하기 시작한다. 예술가의 작업실보다는 과학자의 연구실에서 나올 법한 이미지들 위에 단정한 보이스오버가 얹힌다. ‘그’의 편지와 ‘나’의 보이스오버는 어떤 픽션을 상상하도록 부추기지만 인간 중심의 선형적인 이야기는 여기에 없다. 이소정 감독이 흥미를 갖는 테마는 인간이 사라져도 끝내 사라지지 않을 물질의 세계-세포, 광물, 별이기 때문이다. 보이스오버의 목소리가 영감을 불러오고 미지의 이미지들이 감각을 일깨우는 도전적인 영화적 체험.
For pettIng zoos, theme parks, and tourist photos: The illegal wildlife trade is boomIng worldwide, includIng the trade in elephants. The growIng demand for elephants in China means that these giants are increasIngly beIng smuggled illegally from Laos and Namibia. This investigative documentary follows Swiss animal rights activist Karl Ammann, who fights for the enforcement of international law. The film features undercover footage of jumbos beIng transported in jumbos from their homeland to China. 'Jumbos in jumbos: The film documents illegal elephant trade. As suspenseful as a thriller. And an important plea against XXL crime involvIng wild animals.' – Christian Jungen
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