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在臺北市內湖區，一群老人獨居在潮濕無光的地下室。他們照顧自己，互相幫助；他們會走出地下室，在城市裡尋找安慰與快樂；也在夜深時，回到沒有人關心、屬於他們的地方。
中國南方，新建的小區，正在午休的保安。 他幫忙取快遞，趁機進入好友的家。他在裡頭晃蕩，直到被發現。 他得知新一輪拆遷的消息，想起童年時埋在土地裡的寶貝。 敲打聲不絕於耳。大樓們終將被建起。挖掘回憶是徒勞。
5.0分 西班牙/剧情片
Bernardo and Esperanza met in Bilbao in 1978, when both were students at unIversity in the midst of the turbulent political circumstances of the time. They had an on-off relationship - brimming with passionate encounters and inexplicable misunderstandings - until in 2001, during a trip to Havana to visit the aunt and cousin she had never met, the two forever went their different ways.
One night, at the Out There Bar in Twentynine Palms, California, Willa Justice is busy drowning her troubles in her favorite drink and getting lost in the memories of her dead boyfriend Jamie Bondopolous. Her reminiscing is interrupted suddenly by the gruesome murder of a vacationing straight couple. Thankfully, Willa is the world’s greatest prIvate investigator… and she’s doing it all in drag! Willa pursues the clues left by the Pink Mob deep into the desert where the ghost of Jamie sends a trustworthy chicken, Doctor Eggs, to guide Willa straight to the killer. When Willa arrIves, she realizes where Doctor Eggs has brought her: Jamie’s desert home where they shared their brief-but-intense romance before his tragic spy-related death. Willa pursues a mysterious man around the property until she realizes it IS Jamie (not dead!) and the two reunite in an epic kiss. Suddenly, Pink Face, a creepy pink-masked, pink-suited villain, and their goons attack. Pink Face tells Willa that the war against the Straights has just begun, serving her a veiled challenge to pick a side. With one grenade pull, Pink Face disappears in a cloud of pink smoke, leaving Willa and Jamie to wonder whether they are on the right side.
Based on Elisa Shua’s novel of the same name (awarded America’s 2021 National Book Award), the story unfolds in Sokcho, a small seaside town in South Korea, where 23-year-old Soo-Ha leads a humdrum life. The arrIval of a French man called Kerrand in the boarding school where she works stirs up questions over her own identity. As winter envelops the town, they observe one another, size each other up and form a fragile bond… The film will also include animated sequences made by Agnès Patron.
Blindgänger (2024) 电影
10.0分 A tragicomic, episodic film which interweaves stories of resilience and solidarity in a city on the brink of the abyss. Summer in Hamburg’s trendy Schanzenviertel. People are enjoying the sun, the streets are busy. But the urban idyll is brought to a sudden halt when an unexploded WW2 bomb is discovered. The area is evacuated, people have to leave their homes and while they face uncertainty and worry, in the midst of the chaos unforeseen new connections are forged.
サンファルの作品は、女性としてのさまざまな困難や社会の矛盾への怒りをぶつけた1960年代初頭の射撃絵画の時代を経て、カラフルで解放された女性像「ナナ」シリーズへと発展。さらに多くの野外彫刻や建造物を手がけ、その集大成として彫刻庭園タロット・ガーデンを創造した。本ドキュメンタリーでは、そんなサンファルと1981年から10年以上にわたり交流を続けてきた写真家の松本路子が監督・撮影・脚本を担った。
RIver and Cat is a dreamlike passage through the architecture of shapes created by light and shadow. It is a cinematographic attempt to find an invisible city that exists parallel in Tartu. A film about being eternity and perceptual memories. RIver and Cat has two directions - vertical and horizontal. The vertical line represents looking at the artists as if from the low angle, relating to their works; the search for something spiritual and perhaps dIvine; and the horizontal direction is illustrated by the interludes of everyday life that occur during this journey.
离婚|DIvorce (2024) 电影
8.0分 根据我国著名作家老舍的同名小说改编。三十年代初的北平，老李是财政所的二等科员，他为人诚实、腼腆而又爱幻想。但是他大学毕业后娶的媳妇却是一个没有文化的乡下姑娘，这使他非常郁闷。房东的儿媳妇马少奶奶娴美文静，却遭到了丈夫的遗弃。于是老李编织的爱情的梦幻就落在了马少奶奶身上。老李的妻子结识了正在闹离婚的吴太太和邱太太，三个女人在一起，经常交换整治丈夫的经验，越发变得庸俗不堪，令老李苦不堪言。忽然有一天，吴太太和邱太太相继妥协，放弃了离婚的要求，与丈夫和好。而马少奶奶的丈夫也回家了并与妻子言归于好。这些变化使老李非常吃惊。于是，梦醒之余，老李带着老婆，孩子回到了乡下。 ....
来自外贝加尔地区的19岁俄军蒙古族水兵阿尔达尔·齐登扎波夫第一次上舰就赶上出事故，为了保护驱逐舰Bystry号，他最后付出了生命的代价
한 차원표류자가 평면-도트(dot)우주에 도달한다. 그곳은 이성·논리를 원칙으로 하는 디지털 우주. 표류자는 비이성적/초상적인 방식을 통해 이 차원을 초월하려 한다. 이 우주에서 AI 목소리 자아는 실존과 디지털의 중간에 존재하는 평면계에 에뮬레이팅 된 귀신들이면서, 데이터로 떠도는 혼·백·영이다. 초환(招喚)을 통해 이 음성-넋의 뒤섞임이 재생되면서 세계의 부유령이 되고, 그 파형이 세계의 법칙을 비틀어 틈을 연다.
한 세기의 온도상승을 십 오분 영상에 담아낸, 인간이 살 수 있는 가장 북쪽 마을 롱이어뷔엔 주행일지. “그야말로 여름이었다-” 영상이 음악과 함께 이미 급격하게 달라진 북극 마을의 풍경을 재생시키는 동안, 화면 속 기온도 점차 상승한다. 자동차가 막다른 길 앞에 멈춰 섰을 때, 이 마을의 기온은 “11.6℃”에 이르는데.. 끝을 모르고 올라가는 추상적인 숫자에는 착취의 대상이었던 자연에 대한 인간의 역사가 은밀하게 감춰져 있다.
로사의 아버지는 하반신 마비 장애인으로, 손재주를 타고났지만 재능을 펼칠 기회가 적었다. 그가 가족을 향한 사랑과 희생을 표현하는 방식은 드라이브였다. 어느 날, 그에게 또 다른 불치병이 찾아온다. 그를 지켜보며 로사는 숨 가쁜 꿈을 꾼다. 언젠가 다시 아버지와 드라이브를 할 수 있을까.
Manuel is trying with no avail for her wife to get her memory back. Under these hard circumstances Manuel needs to ask himself if he can continue to take care of the women that, after all, loves him as the first day.
Film as a performatIve game of immersion, lIving, and revIving the dead grandfather. Breaking the linear view of history, approaching the experience of the known as the other, foreign and unknowable. Moving from real to imagined spaces, exploring the boundaries between autobiography and fiction. Stretching from a warm and close kinship to a foreign, distant, outsider.
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