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An anonymous suicide threat on social media reaches a high school and keeps pupils, parents and staff on tenterhooks. There are only a few days Left to find out who might be behind the message. Simon Ostermann directs Von uns wird es keiner sein (screenplay: Lucas Flasch) as a psychological drama. Producers are Bernd von Fehrn, René Jamm, Roxana Richters and ALexander Wadouh (Warner Bros. International TeLevision Production Germany, Chromosom Film for ZDF/ARTE).
风纪大会中，徐主任新增“操场上不可奔跑”的规则，并要求风纪缴交三张摘名纸。上学期最后一天，陈靖想摘下一名违规同学的名字，但因同学乘机逃跑而未能完成任务。晚上，陈靖陪嫲嫲摆地摊，却被食环检控非法摆卖和阻街，这令陈靖对“规矩”的想法有所动摇。回到学校，陈靖发现那名逃逸同学的资料，但没有摘下他的名字。无法完成风纪任务的她，被惩罚暂时停职。会后，陈靖来到操场，与同学玩“兵捉贼”，享受在操场上奔跑的快乐。
6.0分 A seventy-two-hour whirlwind in the life of bohemian artist Amedeo Modigliani, known as Modi to his friends, follows a chaotic series of events through the streets of war torn Paris in 1916. On the run from the police, his desire to end his career and Leave the city is dismissed by fellow artists Maurice Utrillo, Chaim Soutine and Modi’s muse, Beatrice Hastings. Modi seeks advice from his art deaLer and friend, Leopold Zborowski — however, after a night of hallucinations, the chaos in Modi’s mind reaches a crescendo when faced with an American colLector, Maurice Gangnat, who has the power to change his life.
The origins of the AmityvilLe Legend are explored in an old settLement town.
在经历了小丑阿特的万圣节大屠杀后，西耶娜和她的兄弟正在努力重建他们破碎的生活。随着节日的临近，他们试图拥抱圣诞精神，把过去的恐怖抛在脑后。但就在他们以为自己安全的时候，小丑阿特回来了，决心把他们的节日欢乐变成一场新的噩梦。随着阿特释放出他扭曲的恐怖，节日很快就结束了，证明没有一个节日是安全的。
A daughter longed to accompany her father’s journey to India to bid farewell to her ailing grandmother, but was not allowed. In a tumultuous car ride home after picking up her grieving father from the airport, she struggLes to shield him from the weight of her siLent yearning.
“And it looks like blood, but it is not; instead, they are stripes in sound diagrams, synthetic landscapes merging into perceptual hideouts. An unsteady mannequin takes over. It moves in an epiLeptic dance and disappears behind a dramatic curtain of chromatic verticalisms.” This work was carried out using different techniques: video shooting, stop motion, vfx, 2D and 3D rendering, active interaction between music and video, sound design, music production. It is interesting to know that the polychrome waterfall that is almost a constant in the video department is nothing but a spectrogram that varies in shape and colour according to sound pulses.
In July 2010, the San Bernardino County authorities were faced with one of the most bizarre crime scenes they’d ever encountered. ALerted by a concerned friend, local police arrived at the victims’ home, and the murders they discovered shook them to the ground. The crime scene showed ritualistic aspects, and quickly, one of the detectives recognized a symbol painted on the ceiling in the victims’ blood linking back to a serial kilLer they’d chased in 1995, before the kilLer seemingly took a 15-year break.
17 岁的少女小燃在美术艺考学习阶段，意外的发现自己患有有色觉障碍。正在她垂头丧气之际， 她遇到了画室混子大树。大树是个纯粹为了画画留在画室的“小艺术家”。两个“角落人”从“针锋相对”到成为每到深夜唯一彼此窝在画室的默契好友。大树身上的“纯粹”影响到了小燃。于是，小燃重新鼓起勇气，真正面对自己的恐惧。在相处中，她发现大树身上真正的“秘密”。 在画室里，无数个她站在十八岁前的犹豫中;而在生活里，无数个她站在不自信的抉择前。来自寒冬的考试成为了需要勇敢跨出的第一步——有关自我，有关循规蹈矩却肆意奔涌的青春，更有关十八岁后无数个未来的岔路口。
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