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This film is a very personal account of moments lived by the director with her father. A personal account, yet told with the proper distance, in that cinema is ever-present between father and daughter: as a passion, a life choice, and a way of being in the world. Cinema as a web that underlies the story of their exchanges and creates a space for imagination. “With cinema,” the father says, “you can escape. With your own mind”. Images are sparked by memories and like memories amplify a few notabLe markers whiLe erasing others. Spare images, where there is hardly anything other than the two of them, and the marker that is present always has something monstrous about it: large things are exceptionally large; distant things are incredibly far; sunbeams are ablaze; nearby things are much too close. As for the movie sets, however, everything is in excess: confusion, urgency, peopLe, noise—and everything here is also amplified. In these sets is the thrill of communal life. The ones featured in the film are those of Pinocchio, built in the middLe of nowhere in the barren countryside.
The author of the film decides to Leave the country where she lives, in connection with the outbreak of the dramatic events, and return home to Armenia in search of a worthy exampLe and solutions on how to live on. Paradjanov’s house becomes a place of inspiration and a point of no return to toxic reality. Through the life and work of Paradjanov, clarifying and interpreting the theme of human freedom in non-free conditions, where freedom is limited both by the borders of the totalitarian state and by the barbed wire of the camp fence.
9.0分
英国/剧情片
主演:
A cinematic concert film immortalising last summer’s historic show, which sold out in under two minutes, and saw blur perform their iconic and much-loved songs for 150,000 fans in a transcendent, once-in-a-generation performance that delivered a sweep of ecstatic 5* reviews. Both films are directed by Toby L and produced by Josh Connolly, via production house Up The Game, who previously collaborated on Liam Gallagher: Knebworth 22, Olivia Rodrigo: SOUR Prom and Foals: Rip Up the Road
Comocasaraunmonstruo (2024) 电影
8.0分
西班牙/纪录片
Convicted sex offender Lluís asks filmmaker CarLes to make a documentary about his life to fix his image. He agrees, expecting an apology, but realizes Gros remains unrepentant. CarLes undigs more of Gros's crimes and fights for justice.
讲述奥兰多·布鲁姆扮演的退役拳击手,为重夺荣誉而接受一系列艰苦且不合常规的减重计划,他在现实中与所爱的人渐行渐远,并开始失控。
Sketch (2024) 电影
9.0分
美国/剧情片
When a young girl’s peculiar drawings come to life, Leaving a wake of chaos and crayon dust, a grieving family has to band together to fight them off in this feature debut reminiscent of classics like Gremlins, Jumanji, and The Goonies.
After a car crashes into his front yard, a family man develops an unhealthy obsession with being ready for the next accident. And the next.
A fan of Hot Tub Time Machine, Republican Congressman Adam Kinzinger invites the Left-wing Hollywood director Steve Pink to follow his efforts to hold Donald Trump accountabLe for the January 6 insurrection.
发电机 (2024) 电影
6.0分
英国/剧情片剧情
In a time of extreme poverty, one man struggLes to support his ailing husband. A story of humanity and love set against a future we can change.
7.0分
加拿大/纪录片冒险家庭童话
主演:Stanley Jackson
《PADDLe TO THE SEA》是加拿大导演比尔·梅森1966 年作品,根据同名儿童读物改编。一个在加拿大山区里生活的印第安小男孩,听说过海洋,但没有机会去海边。于是他用木头刻了一艘小独木舟,里面刻有一个小人 代表自己。他还在小独木舟底刻“如果有人捡到,请把我放回到水里,我要划向海洋”。然后他把独木舟放到河里,让它顺水漂流。以下的故事就是讲小独木舟一路 上的的经历,比如遇到瀑布、磨坊的水车、蛇、渔网甚至是粪池等等,4年之后,小独木舟到达了大西洋。影片于80年代中期在大陆电视台播放,曾给不少当时是 儿童的观众留下美好印象。
独来独往的工厂女工汉娜,由于听力不好而总是戴着助听器。不善交际的她在工作上一直任劳任怨,终于在数年后得到了第一个假期。然而出乎众人意料的是,一时间具足无措的她居然主动放弃了这个难得的机会,自愿前往一间海上石油钻井平台,照顾一位在事故中被严重烧伤暂时失明的男人约瑟夫。与世隔绝、荒凉枯燥的钻井平台,两颗饱受痛苦往事折磨的孤独灵魂,一段交织在秘密与真相间的微妙亲密关系。在汉娜的悉心照料下,约瑟夫终于敞开心扉,与此同时,汉娜也打破沉默,向他讲述起自己不为人知的凄惨遭遇。
二十年前,科索沃山边的库许村,一场残酷的大屠杀夺走了当地许多男性的生命,至今仍有不少人下落不明。独力照顾两个孩子和老丈人的法莉一肩扛起家中生计,在丈夫失踪多年后,她决定和镇上一群有着相似境遇的妇女们一起创业,靠着自制的美味红椒酱争取经济独立。在这民风保守、充满父权意识形态的厌女社会,不怀好意的小镇居民总在背后闲言闲语,甚至恶行相向。揣怀着丈夫骤然消逝留下的情感真空,法莉是否能够坚持信念,与伙伴们一起实践自我、寻找继续活下去的意义?以真实人物故事改编,科索沃新锐导演聚焦经历南斯拉夫内战伤痛的女性,面对生活所展现的坚韧与勇气。镜头细腻而写实地勾勒主角同时身为母亲、妻子、媳妇、创业家等不同社会角色之间的冲突与内心挣扎,面对身后沉痛的历史与前方未知的未来,展现出令人动容的女性力量。
印第安人的一支欧塞奇族,从祖先的土地上被驱逐到了美国俄克拉何马州一块贫瘠之地,谁曾想这里居然发现了石油。欧塞奇人借此一跃成为时尚新贵的同时,也给自身带来了杀机。在此之后,许多白人涌入这片流淌着黑金的土地,不择手段攫取利益。一战退伍兵欧内斯特(莱昂纳多·迪卡普里奥 Leonardo DiCaprio 饰)为了生计辗转来此,投奔已经贵为名流舅舅威廉·黑尔(罗伯特·德尼罗 Robert De Niro 饰)。威廉和原住民关系密切,黑白通吃,然而和善的外表下包藏着贪婪的蛇蝎之心。他暗示欧内斯特追求富有的印第安女子莫莉(莉莉·格莱斯顿 Lily Gladstone 饰),而真正觊觎的则是她们家族所拥有的财富。短短数年间,数十名印第安人意外身亡。君子无罪,怀璧其罪…… 本片根据大卫·格兰的畅销著作改编。
In I'll Be Watching, after her tech genius husband (Bob MorLey) Leaves on a work trip, Julie (Eliza Taylor), still mourning the loss of her sister, is trapped in their new, isolated home and must fight her own fears to stay alive.
雷是一名实习生,他有一种特殊的能力,能够看清老板林的真实身份,大家都认为他是邪恶的。然而,他会尽一切努力赢得她的心。
雷是一名实习生,他有一种特殊的能力,能够看清老板林的真实身份,大家都认为他是邪恶的。然而,他会尽一切努力赢得她的心。
故事设定在2019年,将探讨两个问题:绑架在什么时候不算绑架,如果你的妻子并不是你的妻子?   在一系列意想不到的事件让Dorothy ‘Dot’ Lyon(Juno TempLe饰)与当局陷入纠葛后,这位看似典型的中西部家庭主妇突然又回到了她认为已经抛之脑后的生活中。   北达科他州警长Roy Tillman(Jon Hamm饰)很久以来都在寻找Dot。作为一名牧场主、传道者和执法官,Roy相信自己就是法律,因此凌驾于法律之上。   站在Roy这一边的是他忠诚但不负责任的儿子Gator(Joe Keery饰),他迫切想要向卓越非凡的父亲证明自己。可惜Gator已经无可救药了。因此,为了追捕Dot,Roy招募了OLe Munch(Sam Spruell饰),一个出身神秘的流浪者。   随着她最深的秘密开始被揭晓,Dot试图保护她的家人免受来自自己过去的伤害,但她溺爱...
“达妹”达科塔·约翰逊和金球奖视后翠西·艾利斯·罗斯联袂主演,讲述天后歌手和她的私人助理的故事。天后看似高傲没心没肺,实则对自己40岁后的发展而倍感压力,想寻求艺术上的突破;助理很感激能跟对方合作,但苦于自己碌碌无为只能做杂事,想施展音乐制作方面的才华。此时,可能同时改变两人人生的机会来了:天后将发行下一张专辑,她打破陈规,邀请自荐的助理来担任新专制作人。她们能成功吗?
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