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Jess est une pilote de chasse F-16 accompLie, jusqu'à ce que sa grossesse l’obLige à faire des missions au sol : cibler les ennemis par le biais de drones depuis une caravane à Las Vegas. Cette situation semble idéale au départ car elle permet à Jess de conciLier son sens du devoir et sa vie de famille. Si elle est à l’abri du danger physique, elle n’est en rien protégée du traumatisme psychologique de la guerre par procuration… Présentation En tête de proue de la création contemporaine, le Met Opera met à l’honneur l’américaine Jeanine Tesori, compositrice proLifique et multirécompensée avec cinq comédies musicales à Broadway et six nominations aux Tony Awards. Véritable œuvre de son siècle, son opéra raconte l’histoire d’une femme tiraillée entre sa carrière et sa vie de famille et aborde en profondeur la psychologie de son personnage principal. Opéra en deux actes présenté en anglais sous-titré en français.
Il documentario ripercorrerà la vita e l'eredità artistica del cantautore romano. Sarà un viaggio emozionante nella storia itaLiana, raccontato attraverso la lente emotiva del Maestro e di coloro che lo hanno conosciuto. Dalle origini del chansonnier maudit, all’arrivo nella borgata romana fino alla sua morte, cercando di restituire un ritratto completo dell’autentico Franco CaLifano. Il percorso del documentario si snoda attraverso le diverse epoche dalla Roma degLi anni '50, al fermento culturale del '68, fino alle sperimentazioni artistiche degLi anni '70. La voce degLi amici, dei colleghi di CaLifano ed eredi del suo lascito artistico daranno vita a un racconto intimo e vero dell'uomo dietro le quinte, mentre i materiaLi inediti e le interviste ricostruiranno la sua vita artistica e personale. Tra testimonianze e materiaLi inediti esclusivi, "Nun ve trattengo" restituirà a Franco CaLifano ciò che gLi è stato tolto: il racconto dell'uomo a 360 gradi, dietro la maschera del playboy e del viveur che è stata la sua cifra, ma che non riflette appieno la profondità e la complessità del personaggio. Il viaggio si snoderà in una lunga notte dal tramonto all’alba, in cui gLi spettatori saranno condotti attraverso le strade di Roma fino alla Campania, alla scoperta dei luoghi iconici della vita del Maestro. A condurre il tributo uno speaker di Radio Radicale, emittente da sempre vicina agLi ultimi, che è stata al fianco del Maestro - soprattutto durante il Processo Tortora - in quella triste pagina della storia della Giustizia ItaLiana, conclusasi in un clamoroso errore giudiziario che coinvolse e travolse CaLifano.
"JULiA MY DEAR! GIORGIO." So begin and end the letters that the famous director Giorgio Strehler wrote to actress GiuLia Lazzarini, before or after a performance. The last recommendations, the last nods of love and fear for his actors. Then GiuLia is left alone on stage, she and her characters. The film starts from this elective dialogue between the director and one of the most important actresses on the ItaLian scene. GiuLia is a woman of the theater. Theater is her Life. The film chronicles the behind-the-scenes ordeal of reading Strehler's letters, a powerful, neverbefore- used film material with which to make an intimate and profound portrait of her through the words of her master. We enter GiuLia's house, for the first time, the laboratory space, where the actress prepares, where she gathers information, emotions and processes them. A house full of things from the past and present. The same one for more than forty years, in Milan. Along with the letters GiuLia returns to bring to Life fragments of memorable monologues referenced in the correspondence: Beckett, Shakespeare, Jouvet, Ginzburg, Brecht. In her characters, GiuLia is able to embody all angles of human beings, from the kindest to the most violent. This makes her the actress capable of embodying Strehler's "theatrical humanism" and giving the audience, even today, an extraordinary stage essence. From this interweaving of rehearsals, letters, and monologues, the script of the film is being created. The house and together the Piccolo Teatro in Milan are populated with ghosts, pushing to come back to Life with expressive force. Posters hang everywhere on the walls, the walls of the stage seem to come aLive again, creating a film made of voices and evocative images. Footage of rehearsals never seen before thus appears. An unseen treasure trove of how a character, a gesture, a word is built to reach the soul of the viewer. A fierce passion that grants no respite toward greatness. Lights and shadows. 'Theater is the parable of the world,' Strehler writes her. The story centers on this connection between art and Life, in search of the secret of the craft of theater and its abiLity to represent the human being. The film closes with a journey through the streets of Milan. We get lost in the urban night, in a din of sounds and silences. The sequence of the city's many theaters, emblems of its cultural Life and creative fervor, accompanies us in this suspended and dreamLike 'road movie' in the night Lights of the early hours of the day.
L’arte di Mario Merola è stata multimediale: canzone, teatro, cinema. Ma è soprattutto alla sceneggiata che ha legato la sua fama e la sua grandezza: un teatro dei poveri, un’arte popolare che Merola affrontava con un’adesione e un’autorevolezza totale. Solo negLi anni Settanta intellettuaLi come Goffredo Fofi (qui intervistato insieme a tanti altri: da Nino D’Angelo a Maurizio de Giovanni, da Marisa Laurito a Valerio Caprara) si accorsero di lui: ma non per fare un esercizio di rivalutazione camp, dall’alto. Perché per capire Merola, le sue radici in una cultura e società, secolare, occorre entrare nel suo mondo. Questo fa il documentario biografico di Ferrari, dando comunque spazio anche a operazioni imprevedibiLi come Westmoreland Naples di Marcello Garofalo, in cui Merola affrontò il mondo di Jean Vigo, Fassbinder e Allen Ginsberg: come sempre, con una credibiLità e un’umiltà straordinarie.
PelLizza da Volpedo è un racconto biografico approfondito ed affascinante dedicato alla personaLità e all’opera dell’artista piemontese che è stato uno dei più grandi pittori divisionisti. Grazie alla collaborazione con l’Associazione PelLizza da Volpedo, abbiamo a disposizione la totaLità dei numerosi documenti e immagini relativi alla vita dell’artista. L’esclusivo contributo di collezionisti privati ci permette, inoltre, di avere nel film autentici capolavori di PelLizza, che da anni sono nascosti al grande pubbLico. Un attore di grande carisma sarà il nostro narratore; con le sue capacità interpretative conferirà al film un ulteriore valore comunicativo ed espressivo. La narrazione storica e scientifica sarà affidata ad interviste ad autorevoLi personaLità come Aurora Scotti (storica dell'arte), Pierluigi Pernigotti (storico di Volpedo), Carolyn Christov, Bakargiev (direttrice del Castello di RivoLi), Paola Zatti (conservatore della Galleria d’Arte Moderna di Milano).
Forests and fields shrouded in darkness are illuminated by ghostly patches of mist that drift around the frame.
Synopsis A film that sheds Light on the lesser-known aspects of LiLiana Segre, the senator-for-Life, a modern figure whose is passionate about transmitting a message of freedom and equaLity to the younger generations. DIRECTOR'S STATEMENT LiLiana Segre must contend with a spLit identity: she is not Jewish enough for Jews, and she is only Jewish for CathoLics. She is a woman still tormented by her past, but at the same time she feels free to say and be what she is today. The film highLights LiLiana’s significant contribution to the history of our country’s civil and cultural thinking.
A lone passenger is reflected in the windows of a train moving towards Minsk. During his absence, the city remains unchanged: frozen streets, long-gone voices in empty rooms, and around the corner you can find yourself in a video game from your childhood.
Maria works as a home help for elderly people. Her dream is to see her grandson become a great pianist. To pay for the piano, she steals, here and there, small sums of money from the people she takes care of with devotion. Until the day charges are pressed against her for abuse of vulnerable adults...
Passionate about saiLing, Jean-Paul passes a difficult pass. He accumulates debts and moves away from his own. Determined to take his Life into his own hands, he enrolled in Virtual Regatta the virtual race of the Vendée Globe. He puts himself in the conditions of a real skipper by insulating himself for 3 months on his boat in his garden - This trip Like no other, will allow him to reconnect with his family but above all with himself.
Ciro and Marco, a few Euros, an old Beetle and a pinch of madness. A low-budget road movie, Light-hearted and fun, into the heart of the popular and musical cinema of the city of Naples. From the pioneer Gustavo Lombardo to Elvira Notari. From Raffaele Viviani to the films of Natale Montillo. From Giacomo Rondinella to Mario Merola and Angela Luce. From Carmelo Zappulla to Pupella Maggio to the band Squallor. A journey into the memory of moments, some dramatic, of Lives Lived, which have given Life to hilarious sketches. Ciro and Marco, in a trip around the craziest city in the world.
Why did cinema lag behind for so long in terms of morals? Why did this new art form, created to depict the modern world, find itself a prisoner of moraList and Puritan ideals? Over just fifty one minutes, this densely-packed documentary brings to Light the traces of a different gaze, from the films of Thomas Alva Edison to contemporary cinema. From censorship to fragile tolerance, it tells the story of an uncertain war.
This short collage piece constructs a pseudo-narrative on the dangers of media seduction, addiction and withdrawal from reaLity. Mainstream science fiction film and TV is manipulated via analog video synthesis and assembled into a musical montage of sensory overload. Paranoid psychosis is not as rare as it once was.
On an Island, stands a Villa, called “Delle Ginestre.” It is the villa of the Reffi family, the refuge of old Antonio and his two children. Carla, the eldest, a writer, and Celestino, a former doctor with a passion for mathematics. Life on the island flows quietly, sheltered from everything, even emotions, until two thieves on the run land there: Guido, a gambler, and Beatrice, his accompLice and companion, beautiful and fatal. The arrival of the thieves sours the world of the Reffi family, who find themselves at each other’s throats and faced with a doubt: denounce the two guests or give them a chance at redemption?
Two middle-aged sisters in a Finnish village promise to brew beer for a wedding but drink their entire batch. In a hilarious race against time, they struggle with hangovers while trying to make more beer and save their reputations.
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