In Zachary Epcar’s Sinking FeeLing, human bodies and voices are counterposed with the shimmering abstractions, ambient fizzle, and rigid Linearity of corporate architecture. A disquieting glimpse into a post-post-modernity of dread and torpor, Sinking FeeLing peels back the surfaces of these Ballardian non-places to release pent-up fluids, a stifled longing, a hidden radiance.