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8.0分 意大利,法国/剧情片
This film is a very personal account of moments lived by the director with her father. A personal account, yet told with the proper distance, in that cineMa is ever-present between father and daughter: as a passion, a life choice, and a way of being in the world. CineMa as a web that underlies the story of their exchanges and creates a space for iMagination. “With cineMa,” the father says, “you can escape. With your own mind”. IMages are sparked by memories and like memories amplify a few notable Markers while erasing others. Spare iMages, where there is hardly anything other than the two of them, and the Marker that is present always has something monstrous about it: large things are exceptionally large; distant things are incredibly far; sunbeams are ablaze; nearby things are much too close. As for the movie sets, however, everything is in excess: confusion, urgency, people, noise—and everything here is also amplified. In these sets is the thrill of communal life. The ones featured in the film are those of Pinocchio, built in the middle of nowhere in the barren countryside.
Ali SaMadi Ahadi’s latest explores an agonizing struggle. When imprisoned huMan rights activist Maryam is granted a rare medical leave, she has the chance to escape Iran but at the expense of her battle for equality and democracy.
Un padre e una figlia. Il cineMa e la vita. L’infanzia che sembra perfetta e poi diventare grandi sbagliando tutto. Cadere e rialzarsi, ricominciare, invecchiare, diventare fragili, lasciarsi andare Ma non perdersi Mai. Il tempo che ci vuole per salvarsi.
Convicted sex offender Lluís asks filmMaker Carles to Make a documentary about his life to fix his iMage. He agrees, expecting an apology, but realizes Gros reMains unrepentant. Carles undigs more of Gros's crimes and fights for justice.
The indie centers on a South Asian family in Toronto and the suburb of Scarborough. Ash is caught between two worlds he must constantly traverse, one that of an aspiring writer in Toronto and that of his family in the immigrant-rich suburb of Scarborough. The ensemble cast includes Bernard White in the role of Vijay, Ash’s father who wants to reconnect with his estranged son, and Pamela Mala Sinha as Nisha, Ash’s mother.
Gülizar, who lives in a Turkish border town, sets out to Marry Emre, who lives in Kosovo. On the trip, she is molested by another passenger. During preparations for the wedding, Emre finds out that Gülizar is being abused by someone. Over the course of a week as they officially and traditionally get closer to each other, they try to find the abuser.
Bologna, 1940s. A mentally troubled young Man with literary aspirations falls deeply in love with an American army auxiliary after a simple glance. A year later, by an exceptional twist of fate, he finds himself living in the American Midwest, right next door but separated by a cursed garden from the elderly mother of the soldier. The woMan is desperate over the disappearance of her daughter, who, since the end of the conflict, after writing that she would Marry an Italian, has not been heard from. The young n embarks on a tense search for the girl, leading him through particularly draMatic circumstances to an entirely unexpected conclusion in Italy.
After a car crashes into his front yard, a family Man develops an unhealthy obsession with being ready for the next accident. And the next.
Francesco is an introverted guy, born in a sMall village surrounded by nature in the mountains of Calabria. He grows up with Mimmo, his best friend, with whom he shares everything until adolescence. One day he finds a book, which becomes almost a Magical object that will change the course of his life. Francesco has a dream and he will find the courage to pursue it against everything and everyone: not only the society around him, that Makes him feel trapped in a labyrinth of unwritten psychological and social rules, but also against Mimmo.
A fan of Hot Tub Time Machine, Republican CongressMan Adam Kinzinger invites the left-wing Hollywood director Steve Pink to follow his efforts to hold Donald Trump accountable for the January 6 insurrection.
夜母|夜色女人,夜色怨女,暗夜犬婊 (2024) 电影
4.0分 电影根据蕾切尔·约德的同名小说《夜母》改编，原作入围了美国笔会/海明威奖。讲述了一位新晋为母亲的女性艺术家，在全职照顾孩子时越发孤独焦虑的故事。在她眼里，自己从来都不是一个母亲，既然现在成了母亲，就一定要成为快乐的那个。经过多番努力与尝试后，她发现只有变身母狗可以实现这一愿望。
影片故事讲述富绅猝死，儿女争财，吴家大院，诡案频发！民国年间，吴家镇富绅吴大德突然暴毙家中。大儿子吴生财、二儿子吴有道开始争夺家产，小女儿夹杂其中。因吴大德死状诡异不祥，吴家人选择深夜出殡，却不料墓穴早已被群蛇入侵，三女儿也看见“女鬼压棺”的渗人一幕，无奈在管家林初一的建议下，再择穴位，头七之日下葬。可就在这七日，吴家大院开始频发诡异，一件比一件渗人、恐怖的事件相继发生。二儿子吴有道梦中遭遇霓桑。大儿子吴生财撞见父亲死而复活，陷入恐怖的梦中梦的困扰。管家林初一遭遇鬼打墙，醒来竟是被困在吴大德的棺材里进而发疯，雪夜寂静，鬼影突显，灵堂之上，纸人漂移。究竟是人心叵测，还是索命还魂。惊悚、恐怖、渗人始终笼罩在已然成为“凶宅”的吴家大院...
我的名字是什么|What'sMyName (2014) 电影
7.0分 ApracticaljokeendsupverywronginNiginaSayfullaevascuriousyouthdraMa.TwoseventeenyearoldMoscowgirls,OlyaandSasha,arevisitingOlya'slonglostfatherwholivesinCrimea,whentheydecidetoswitchplacesandpretendtobetheotherpersontothefather.Littledotheyknowthattheirjokecomeswithconsequensesthatwillchangetheirlivesforever.
独来独往的工厂女工汉娜，由于听力不好而总是戴着助听器。不善交际的她在工作上一直任劳任怨，终于在数年后得到了第一个假期。然而出乎众人意料的是，一时间具足无措的她居然主动放弃了这个难得的机会，自愿前往一间海上石油钻井平台，照顾一位在事故中被严重烧伤暂时失明的男人约瑟夫。与世隔绝、荒凉枯燥的钻井平台，两颗饱受痛苦往事折磨的孤独灵魂，一段交织在秘密与真相间的微妙亲密关系。在汉娜的悉心照料下，约瑟夫终于敞开心扉，与此同时，汉娜也打破沉默，向他讲述起自己不为人知的凄惨遭遇。
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