In Zachary Epcar’s SinkiNg FeeliNg, human bodies and voices are counterposed with the shimmeriNg abstractions, ambient fizzle, and rigid linearity of corporate architecture. A disquietiNg glimpse into a post-post-modernity of dread and torpor, SinkiNg FeeliNg peels back the surfaces of these Ballardian non-places to release pent-up fluids, a stifled loNgiNg, a hidden radiance.