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妮蒂（阿曼达•塞弗里德 Amanda Seyfried 饰）和詹妮弗（梅根•福克斯 Megan Fox 饰）是从小一起长大的好朋友，妮蒂其貌不扬，对朋友马首是瞻；詹妮弗是学校啦啦队队长，风光无限，追求者众，她们共同生活在偏僻的魔鬼壶小镇。某晚，一支名为Low Shoulder的摇滚乐队来到小镇唯一一间酒吧Melody Lane演出，詹妮弗拉着好友一同前往。演出伊始，酒吧即发生严重火灾。妮蒂侥幸逃生，却眼睁睁看着已经吓傻的詹妮弗被乐队成员拉进汽车，绝尘而去。 当晚，浑身是血的詹妮弗出现在妮蒂的家中，从这天起她的脾气变得张扬怪异。她开始诱惑校内的男生，并将他们杀害、吃掉。小镇人民尚未从大火的悲剧中解脱出来，又被接二连三的凶杀案给击倒。倍感疑惑的妮蒂慢慢知道了大火之夜发生在詹妮弗身上的一切……
In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil. The Devil's Trap is a film directed by František Vláil, based on a novel by Alfréd TechNik, adapted by František A. Dvorák and Miloš Kratochvíl. It was the first of three historical dramas that Vláil made during the Czech New Wave (techNically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968). Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace. As expected from Vláil, this film is a stunNing experience all the way through. From the opeNing shot, an ominous maNipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery. Maybe not quite as impressive as Marketa Lazarová, but still full of astoNishing imagery. As seen from uNique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioNing on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door. The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressioNistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more. Acting is great all around. Particularly the villains Miroslav Macháchek as the priest, casting a siNister and imposing shadow wherever he goes, and Cestmír Randa as the weasel like regent behind all the persecution. While Vít Olmer brings a charismatic leading man presence in his role as the miller's son Jan, in love with the lovely orphan girl Martina (Karla Chadimová), who becomes a dangerous object of rivalry between Jan and other young men of the village. The film also features the evocative music of Zdenk Liška (perhaps the most prolific composer of the Czech New Wave). In this his second of eleven collaborations with Vláil, his compositions are used sparingly, but to great effect, complimenting but never overpowering a scene. The best example of which can be heard in an amazingly shot celebration and dance sequence at the end of the second act. The Devil's Trap might not be a masterpiece, but it is still a strong effort, with a fascinating straightforward story and a glorious historical setting captured beautifully by Vláil's unmistakable visual prowess. A fine work that would also be the perfect starter plate to prepare yourself for the challenging feast of Marketa Lazarová or The Valley of the Bees. It even has an easy to digest runNing time. It's therefore puzzling why this gem remains largely overlooked and ignored.
汤尼（雷·米兰德 Ray Milland饰）和玛戈（格蕾丝·凯利 Grace Kelly 饰）是貌合神离的一对夫妻。汤尼常常为了他的事业和爱好，把娇妻忘在一边，二人感情亮出红灯。而生活寂寥的玛戈和作家马克不可避免的擦出爱之火花，他们约会、通信，不料竟被汤尼发现。汤尼没有 声张，只是写了一封匿名信给妻子以示警告。然而现在马克竟然造访家中，为了一雪耻辱，加之图谋得到妻子玛戈的丰厚财产，汤尼暗生毒计。 汤尼向旧时同学列斯开出了一千英镑的价钱，让其参与他布下的一整套严密杀人计划。这套计划有设计精妙的凶手不在场证据，电话、钥匙，窗帘，统统成为这个阴谋的道具设置。然而计划终究赶不上变化，列斯不但得不到赏金，还要赔上自己的性命。而汤尼却也急中生了智……
二战末，冬季的荷兰小城冰天雪地，战争让整个城市显得阴霾异常。小男孩米歇尔（马丁·拉克迈尔 Martijn Lakemeier 饰）和同伴跑去一架坠毁的飞机残骸附近玩，却被驻扎的德军抓住，还好米歇尔的市长父亲和德国人关系看起来不错，他很快便被父亲领回了家。 本叔叔的到来让米歇尔兴奋不已，但是本叔叔却警告他千万不要卷入到战争中去。德克在临出发去炸德军的军火库之前交给他一个信封，可是在行动过程中德克被德军抓住。后来米歇尔打开信封，根据信封里的内容，他发现了隐匿在树林里负伤的英国飞行员杰克，米歇尔开始了照顾并帮助他逃走的活动，其间得到了做护士的姐姐埃里卡（梅乐蒂·克拉弗尔 Melody Klaver 饰）的帮助。 杰克伤好之后，米歇尔几次帮助杰克逃走的计划都最终失败。而这段时间内，由于有德国军人被害的事情，米歇尔的父亲最终被德军杀害。米歇尔在万般无奈之下，只好找本叔叔帮忙，而本叔叔也乐意帮忙，但是要求米歇尔不再插手此事。 米歇尔看着本叔叔带着杰克和姐姐越走越远，他回想这个冬天的整个事件，发现本叔叔是隐藏在自己家的德军奸细…… 本片堪称战争少儿与冒险题材的经典影片，根据荷兰作家的同名小说改编。本片2009年3月份在阿姆斯特丹举行的Rembrandt年度颁奖典礼中被公选为最佳电影。
故事发生在十九世纪末北欧，混乱的局势衰颓的经济令人民们陷入了民不聊生的境地。农民拉斯卡森（马克斯·冯·西多 Max von Sydow 饰）带着儿子佩尔（贝利·赫维内加拉德 Pelle Hvenegaard 饰）来到丹麦，希望能够在这里依靠自己的双手挣得更体面的生活。 然而，现实却远不如想象中那么美好，父子两人好不容易在农庄里找到了一份清理马厩的工作，无处可去的两人只能和马只一起睡在茅草堆上，白日里还要受到雇主的责难和剥削，生活苦不堪言。长工埃里克（比约恩·格拉纳特 Björn Granath 饰）积极的领导工人们同压迫他们的管家作斗争，埃里克的自由精神深深鼓舞了佩尔，使他决定离开庄园，开拓新的天地。
警察贾巴尔创建了自己专属的民间反腐信息网络，命名为反腐力量（ACF），有系统地打击来自各行各业的腐败人员。警察系统和政府察觉到这一情况后，并僱佣了一名叫做Balbir Singh的神秘男子与他对抗。
玻璃圈风云 (1982) 电影
8.0分 本片描述两名洛杉矶的警察奉命假装情侣，前往同性恋出没的场所侦查一宗凶杀案的线索，不料其中一名警察本身就是同性恋者，因而闹出了不少笑料。在《象人》之中令人留下深刻印象的英国性格明星约翰．赫特，在本片中扮演同性恋的警察，与花花公子型的拍挡雷恩．奥尼尔之间产生了相当有趣的关系。导演詹姆斯．布鲁斯用喜剧方式来处理这个特殊的题材，冲淡了不少尴尬气氛。
西哈诺（杰拉尔•德帕迪约 Gérard Depardieu 饰）生性狂野不羁，心地善良，他默默地爱慕着表妹罗克珊（安妮•波诺什 Anne Brochet 饰），但是他生来长着一个丑陋的大鼻子，纵使自己才华横溢，也不敢对表妹表明心迹。一天晚上他狠狠地嘲讽并且击败一个富家子之后，罗克珊约他次日见面。西哈诺写好情书后准备表明情愫之时，罗克珊却告诉他自己爱上了英俊的新兵克里斯蒂（文森特•佩雷斯 Vincent Perez 饰），并嘱咐在同一兵队的西哈诺保护他。克里斯蒂也喜欢着罗克珊，西哈诺便将自己对罗克珊的爱慕付诸笔端以克里斯蒂之名送达罗克珊之手，并且巧妙地安排了两人的婚姻。谁知早就对罗克珊心怀不轨的军官见此情景愤恨难忍，将克里斯蒂调去了阿拉斯作战……
When their mother is hospitalized in a car accident, Pim and Putt suddenly discover that they have a set of grandparents they've never known about. But a terrifying truth has long been hidden within the walls of their grandparents’ house, a truth that gradually reveals itself to Pim and Putt through a mystical hole, unleashing hair-raising horror on their family.
It's 1998 and over the course of one 12 Hour Shift at an Arkansas Hospital, A Junkie Nurse (Angela Bettis), Her Scheming Cousin (Chloe Farnworth) and a group of black market Organ-Trading criminals (Mick Foley, David Arquette, Dusty Warren) start a heist that could lead to all of their demise.
Akerman's Toute une nuit is a collection of vignettes depicting the fancies and dramatic moments of a number of people throughout one summer Night. The film has little dialogue and relies on a remarkable series of contrasts for effect a sultry Night of deep, often painful depictions of passion visualized in a stark and grainy manner against the backdrop of a spiritless, bland Brussels. 被认为是仅次于让娜 迪尔曼的该导演另一部杰作
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