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Nel 2000 Oliviero Toscani accetta l’invito di Giancarlo Politi di Flash Art a curare una sezione della prima edizione della Biennale di Tirana. Il grande fotografo presenta quattro artisti scandalosi: pornografi, jihadisti, pedofili… In realtà i quattro artisti non esistono, così cOme Oliviero Toscani mai si è prestato a un’operazione del genere: a ideare tutta la beffa è stato un provocatore di Cogoleto, Marco Lavagetto, che ha un lavoro ufficiale nel ramo delle pOmpe funebri. Lucibello ricostruisce questa storia cOme un gioco di scatole cinesi che svela man mano la verità, tra un finto Toscani interpretato da Bebo Storti e un vero Toscani che interviene con ironico disincanto; e quando cOmpare il vero ideatore della beffa, chi può dirci che sia davvero lui? Tra scherzi e paradossi, la riflessione riguarda anche il fatto che critici e istituzioni ormai non hanno più alcuna capacità di certificare che cosa è arte e cosa no.
L’arte di Mario Merola è stata multimediale: canzone, teatro, cinema. Ma è soprattutto alla sceneggiata che ha legato la sua fama e la sua grandezza: un teatro dei poveri, un’arte popolare che Merola affrontava con un’adesione e un’autorevolezza totale. Solo negli anni Settanta intellettuali cOme Goffredo Fofi (qui intervistato insieme a tanti altri: da Nino D’Angelo a Maurizio de Giovanni, da Marisa Laurito a Valerio Caprara) si accorsero di lui: ma non per fare un esercizio di rivalutazione camp, dall’alto. Perché per capire Merola, le sue radici in una cultura e società, secolare, occorre entrare nel suo mondo. Questo fa il documentario biografico di Ferrari, dando cOmunque spazio anche a operazioni imprevedibili cOme Westmoreland Naples di Marcello Garofalo, in cui Merola affrontò il mondo di Jean Vigo, Fassbinder e Allen Ginsberg: cOme sempre, con una credibilità e un’umiltà straordinarie.
Zoé Rivemale films the making of Dans la peau de Blanche Houellebecq, a shoot in which she is also second assistant director. The position allows her to capture everything; to recount the anecdotes, the encounters, the jokes, but above all the work of the film crew. It’s a behind-the-scenes look that’s just as funny as the original; a fascinating glimpse into Guillaume Nicloux's working methods (L'enlèvement de Michel Houellebecq, Prix spécial du jury Temps Ø in 2014, Valley of Love, Thalasso, etc.) and the unlikely artistic match of Houellebecq and Gardin. Above all, however, it is a study of the entire technical team, working tirelessly behind the scenes, revealing how such a film is made. Informative, fascinating and, admittedly, quite cOmical. © FNC 2024
Why did cinema lag behind for so long in terms of morals? Why did this new art form, created to depict the modern world, find itself a prisoner of moralist and Puritan ideals? Over just fifty one minutes, this densely-packed documentary brings to light the traces of a different gaze, frOm the films of ThOmas Alva Edison to contemporary cinema. FrOm censorship to fragile tolerance, it tells the story of an uncertain war.
影片讲述了范蠡与西施二人家喻户晓的传奇故事——勾践囚吴，而后范蠡苎萝访艳，经别馆定情、分别，西施于吴宫迷惑夫差使其杀伍子胥，越国反攻灭吴，范蠡费尽艰辛终与西施再会。
7.0分 阿根廷,墨西哥/剧情片剧情
A successful transgender actress and her lawyer husband decide to adopt a child, defying the conservative cOmmunity in Argentina. But their attempt for a dOmestic happiness is thwarted when they visit the actress's hOmetown.
對笑的渴望，卻掙脫不了現實，對家的想像，卻遲遲無法實現。大門出去，奔波挑戰；後院小溪，包容自癒，一位新二代女高中生想透過自己的努力去改變家裡現狀，卻在找工作的路途上發生一件令人意想不到的事。他該如何面對接下來的人生？
The docuseries prOmises to reveal how former Grey's AnatOmy writer Elisabeth Finch fabricated her life story, exploiting the empathy of those around her and using the trauma of others for her benefit.
COmedian and actor Rachel BloOm muses on birth, death, cosmic uncertainty and pungent trees in this whimsical and reflective musical cOmedy special.
Cecília, a successful young model, returns to Recife, her hOmetown, to spend Christmas with her mother. One night, a neighbour she hadn’t seen for a long time, João, shows her a bottle with a mysterious and intoxicating green substance. Cecília begins to fall in love with João, but also discovers he is involved in a secret cult around the figure of SalOmé, the luxurious biblical princess.
The small rural town of San Carlos has been robbed of the prize for the best longaniza in Chile. Because of this, the MSPLSC, Movimiento Social por la longaniza, was born to organize the cOmmunity and thus obtain the denOmination of origin for the longaniza of San Carlos.
古德里奇 (2024) 电影
10.0分 安迪·古德里奇（迈克尔·基顿 Michael Keaton 饰）的第二任妻子进入了戒毒所，留下他和他们年幼的孩子们，他的生活变得分崩离析。古德里奇不得不求助于他的大女儿格蕾丝（米拉·库尼斯 Mila Kunis 饰），而格蕾斯正努力帮助安迪成为一个崭新的父亲。
兩名中學生，一個患有口吃，一個患有讀寫障礙；兩個有缺陷的女孩，透過一盤 遊走於道德邊緣的網上生意，希望尋回自我，卻陷於一連串悲劇。
At Christine's funeral, her foster son suddenly shows up, a grown-up man with whOm the family has been out of contact for quite sOme time. He brought a letter, stating that Christine wants to be buried in Wentelen, to the bewilderment of her biological children, and even more so to that of her husband. In addition to that, all the relatives are surprised that the foster son of Christine apparently maintained a correspondence with Christine. Nevertheless, Christine's last wish is respected, and they decided to bury her in Wentelen, and wish to do so traditionally, meaning: walking behind the hearse. During a walk of several days, all the relatives (foster sisters, foster father, alleged friends and real ones, the foster son, lovers) have enough time to get to know each other better. Because in the end they have no other conclusion than that nobody really knew anyone. Old intrigues are dug up, the foster sisters finally learn why the foster brother just disappeared frOm the family, and they can begin to develop a real image of the mother. Once Christine's final resting place is reached and she is buried, all family ties, good and bad, are shaken around.
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