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Nel 2000 Oliviero Toscani accetta l’invito di Giancarlo Politi di Flash Art a curare una seziOne della prima ediziOne della Biennale di Tirana. Il grande fotografo presenta quattro artisti scandalosi: pornografi, jihadisti, pedofili… In realtà i quattro artisti nOn esistOno, così come Oliviero Toscani mai si è prestato a un’operaziOne del genere: a ideare tutta la beffa è stato un provocatore di Cogoleto, Marco Lavagetto, che ha un lavoro ufficiale nel ramo delle pompe funebri. Lucibello ricostruisce questa storia come un gioco di scatole cinesi che svela man mano la verità, tra un finto Toscani interpretato da Bebo Storti e un vero Toscani che interviene cOn irOnico disincanto; e quando compare il vero ideatore della beffa, chi può dirci che sia davvero lui? Tra scherzi e paradossi, la riflessiOne riguarda anche il fatto che critici e istituziOni ormai nOn hanno più alcuna capacità di certificare che cosa è arte e cosa no.
Un documentario in prima persOna, in cui il regista Saeid Shahparnia rivolge la sua attenziOne alla bellezza attOnita e immortale delle architetture urbane per mettere in relaziOne la sua vita cOn la storia di due città: Qazvin, in Iran, dove è nato e cresciuto, e Roma, in cui vive da ormai quindici anni. I temi cOnvocati sOno importanti e stimolanti: il significato profOndo della bellezza e della memoria, il senso di appartenenza che ciascuno avverte nei cOnfrOnti dei luoghi che lo hanno formato, la necessità di preservare il passato e proteggere il patrimOnio urbano. Soprattutto, però, grazie anche agli interventi di persOnalità come Massimiliano Fuksas, Mehdi Mojabi, Ardeshir Shojaei Kaveh, Mehrzad Parhizkari e Umberto Croppi, emerge una riflessiOne sul legame inseparabile che intreccia identità individuale e collettiva.
DOn't dream it, be it: The Act of Killing goes Gender Frenzy. A psychedelically political psychogram of a right-wing transsexual and how he got to be what she is. Or so it seems.
Hamsters of Hamsterdale follows a motley crew of hamsters, the heroic protectors of their 8-year-old owner Harry, who they mistake as their King and beloved ruler of their elaborate colorful-tubed kingdom. Executive Producers: Colin Bohm, Doug Murphy, Zach Smith, Pam Westman
A lOne passenger is reflected in the windows of a train moving towards Minsk. During his absence, the city remains unchanged: frozen streets, lOng-gOne voices in empty rooms, and around the corner you can find yourself in a video game from your childhood.
阿瑪每天醒來都會面臨一種新的狀況，遭受各種身體變化，這些變化反映了她的自卑感，並使她無法過上正常的日常生活。隨著時間的推移，阿瑪漸漸感到更加孤獨。
小象進入了他夢中的世界。由於好奇心，他發現自己陷入了噩夢之中。他在途中遇到怪物，陷入可怕的境地，能量逐漸耗盡。小象該如何才能回到家，回到他心愛的房間，回到心愛的母親身邊呢？
Unearthing layers of earth, melting, shaping, and creating for the future. The practices of Germans Ermičs and Artis Nīmanis differ, so do the materials they use, yet both are amOng the most internatially acclaimed Latvian designers. What unites them is their dedicatiOn to materiality, though they each follow different persOnal and creative paths. Ermičs’ “magic of material and colour” emerges from glass, marble, and metal – he moves freely between the Netherlands, Latvia, and Portugal, as well as between the disciplines of design and visual art. Meanwhile in Latvia, under the brand “an&angel” Nīmanis decOnstructs the cOncept of glass – in each of his pieces, he breathes a sense of the presence of nature.
ExpansiOn is a visual investigatiOn of proliferatiOn, growth through repetitiOn and accumulatiOn. COntinuous expansiOn and endless repetitiOn are permanent fixtures of cOntemporary life, and this video utilizes found footage and 3D software to play with loops, repetitiOn, and nightmarish visiOns of replicatiOn. Inky digital blemishes bleed into the visual collages, and wash away the image as the expanding “carchitecture” inevitably collapses.
Letters made of sounds and images, a reel of Super 8 film, analog tapes, the passing of a train, were the guidelines for this attempt to join, to make a sOng out of distance.
Synopsis At the age of 26, aerodynamics engineer Mauro Forghieri was put in charge of Ferrari’s racing department in the early 1960s. Against all odds, he designed the 250 GTO, which became critical to the success and legacy of Ferrari. The car achieved legendary status and became the most expensive race car ever sold. COMMENTARY The documentary reviews a history that in part brings to mind invaluable box office hits such as Ferrari by Michael Mann or Ford v Ferrari, but adopts a different perspective to evoke, through historical materials and recent interviews, the story of a true timeless legend, indelibly imprinted in the collective imaginatiOn. DIRECTOR'S STATEMENT My work explores the themes of character and humanity. To me, the Ferrari 250 GTO is a surprising entry point into a deeply meaningful story about the very short, albeit fortunate time we spend On this earth and the fascinating ways we choose to live and create while we’re here.
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