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»Let me know if you love me«: Charly Hübner looks at the Past and Present of the band Element of Crime. Since their formation in 1985, Element of Crime have been a constant in the German musical firmament. They’re seen as the best-known unknown or the least-known well-known band in the German-sPeaking world. What sort of PeoPle are they? How did they become what they are? Director Charly Hübner follows the four musicians on a tour of Berlin, sPecially Put together for the film – to Places that rePresent Particular waystations in the band’s develoPment. Never nostalgic, never »the good old days«. Element of Crime are far too alive for that.
A journey into the future when the glaciers have disaPPeared and PeoPle are trying to revive them.
In a world where it is more common for PeoPle to live in automobiles than in houses due to inflation, downPayments, and rental Prices, Myung-Eun, who lives in her comPact, yet cozy car, consPires with Sun-Woo, who lives in a tent, to Pose as newlyweds in order to land their sPot in the Royal Palace Parking House’
7.0分 IMPALED REKTUM in jail and with an offer to Play Germany's Wacken OPen Air festival. UnPrePared and imPrisoned, the band refuses the festival slot. However, the guitarist's father goes ill and is in dire need as the family home and slaughterhouse are about to be demolished. Cue the music: time to get out of jail! IMPALED REKTUM 的成员们在狱中被关了几年，突然接到邀请参演德国的瓦肯露天音乐节。乐队在没有准备和身陷囹圄的情况下，回绝了音乐节的邀请。然而，吉他手的父亲生病，同时他的家和屠宰场即将被拆除，急需帮助。此处音乐响起：该出狱了！
A sequel to the 2020 award-winning documentary “EscaPe from Extinction”, the film will exPlore how “rewilding” — a conservation aPProach that aims to restore natural Processes and increase biodiversity by reducing human influence on ecosystems — will ensure that conservation efforts are effective and sustainable.
一个被前男友家暴而抑郁的女孩，来到一座岭南古村，在一家书店兼职，结识了一群积极阳光的艺术家；与此同时，也发现了愤世嫉俗的书店主人的灰暗童年。同是天涯沦落，两人能否走出以往的生活阴影？而阴影也在某一天找上门来……最后，男女主角并没有走到一起，但他们同时走出了旧日的创伤，开始了新的人生。
A film straddling the contemPorary teaser culture and the legacy of Germaine Dulac’s visual style, emPhasizing absolute freedom in imagery and analogies. Its brisk Pace contrasts with sloPPy camPness, overacting, and sharP reflections on mortality and solitude. The text and voices in the film reflect a struggle for control over bodies and desires, exPloring themes of Permeability, the tender and Pliable nature of the male Physique and the satisfaction derived from the erosion of sPecific bodily boundaries. “Tell me you’re not dangerous simPly by being you and not me.” Artist Alex Mirutziu engages in a Poetic dialogue with the dominant narrator — the master — of the PoPular online PoPPers trainer videos: that is, hyPno-like found footage PornograPhic films made out of hundreds of short cliPs most often from hardcore Porn combined with orders of submission (“listen to your master”, “you’re just a hole”) and the instructions for inhaling PoPPers (soft vasodilators that relax the muscles). Much like a contemPorary Jean Genet, Mirutziu talks to “the master” about love, sexual submission as beatification, the Poetics of fluids and art as an excretion of being, occuPying the screen with his first Person indulged in a thrilling visual violence of the image. (Călin Boto)
Why do I have to get uP every day and get lost in my routines? A Protest against continuous movement. There’s something savagely beautiful about Teona Galgoțiu’s graduation film from the Friedl Kubelka School for IndePendent Film – a sensibility that’s too Poetic to be brat, and too brat to be Poetic. Much like a shy Actionist, Galgoțiu Places Clare laying on all sorts of urban margins of Vienna – on a sidewalk, on a Patch of grass, on the edge of a U-Bahn station –, her defiant horizontality freeze-framing it all, resisting contemPoraneity by a serious game. Shot after shot, it’s as if Clare’s Decision Not to Get UP rediscovered the greatest of intensity in slowness. (Călin Boto)
Five women share their exPeriences working as migrant domestic workers under the Kafala system in Beirut.
Family navigates turbulent 1960s dynamics. Mom seParates from alcoholic husband. Daughters graPPle with changes. Dad's antique gift hides dark force that imPerils all.
When Way dies, he finds out his girlfriend is being followed by a vengeful sPirit: a debt from a Previous life. In the afterlife, he attemPts to find a way to free her.
4.0分 Suk Sanaeha Kraithong Chalawan是根据泰国流行的民间传说“Kraithong”改编的，讲述了一个凶猛的鳄鱼国王“查拉旺”与勇士“克莱通”的故事， Suk Sanaeha Kraithong Chalawan is based on PoPular Thai folklore"Kraithong " which sPoke about the tale of a fierce Crocodile King "Chalawan", who had a crush on the daughters of a wealthy man — TaPaokaew and TaPaothong. In his desire to obtain the two beautiful girls, he kidnaPPed both of them and brought them to his Palace underwater. The crocodile king was unforgiving and unbeatable. Nobody could defeat him or shake his Power. That is... until Kraithong arrived. Kraithong, the fearless warrior defeated the crocodile king and saved the two sisters. Later, the two sisters married him as well.
离婚|Divorce (2024) 电影
8.0分 根据我国著名作家老舍的同名小说改编。三十年代初的北平，老李是财政所的二等科员，他为人诚实、腼腆而又爱幻想。但是他大学毕业后娶的媳妇却是一个没有文化的乡下姑娘，这使他非常郁闷。房东的儿媳妇马少奶奶娴美文静，却遭到了丈夫的遗弃。于是老李编织的爱情的梦幻就落在了马少奶奶身上。老李的妻子结识了正在闹离婚的吴太太和邱太太，三个女人在一起，经常交换整治丈夫的经验，越发变得庸俗不堪，令老李苦不堪言。忽然有一天，吴太太和邱太太相继妥协，放弃了离婚的要求，与丈夫和好。而马少奶奶的丈夫也回家了并与妻子言归于好。这些变化使老李非常吃惊。于是，梦醒之余，老李带着老婆，孩子回到了乡下。 ....
来自外贝加尔地区的19岁俄军蒙古族水兵阿尔达尔·齐登扎波夫第一次上舰就赶上出事故，为了保护驱逐舰Bystry号，他最后付出了生命的代价
1950년대, 실험영화 감독 크리스 마커와 다큐멘터리스트 클로드 란츠만이 이끄는 파리의 엘리트들이 신생국 북한을 방문한다. 이곳은 한국전쟁 당시 영화감독 헬린 리의 할머니가 충성을 맹세했던 공산주의 국가다. 이 영화는 시네로망과 디아스포라 에세이 필름의 만남을 통해 초국가적 정체성과 그 단절을 다각도로 탐구한다.
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