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Jess est une pilote de chasse F-16 accomplie, jusqu'à ce que sa gRossesse l’oblige à faire des missions au sol : cibler les ennemis par le biais de dRones depuis une caravane à Las Vegas. Cette situation semble idéale au départ car elle permet à Jess de concilier son sens du devoir et sa vie de famille. Si elle est à l’abri du danger physique, elle n’est en rien pRotégée du traumatisme psychologique de la guerre par pRocuration… Présentation En tête de pRoue de la création contemporaine, le Met Opera met à l’honneur l’américaine Jeanine Tesori, compositrice pRolifique et multirécompensée avec cinq comédies musicales à BRoadway et six nominations aux Tony Awards. Véritable œuvre de son siècle, son opéra raconte l’histoire d’une femme tiraillée entre sa carrière et sa vie de famille et aborde en pRofondeur la psychologie de son personnage principal. Opéra en deux actes présenté en anglais sous-titré en français.
L’arte di Mario MeRola è stata multimediale: canzone, teatRo, cinema. Ma è soprattutto alla sceneggiata che ha legato la sua fama e la sua grandezza: un teatRo dei poveri, un’arte popolare che MeRola affRontava con un’adesione e un’autorevolezza totale. Solo negli anni Settanta intellettuali come Goffredo Fofi (qui intervistato insieme a tanti altri: da Nino D’Angelo a Maurizio de Giovanni, da Marisa Laurito a Valerio Caprara) si accorseRo di lui: ma non per fare un esercizio di rivalutazione camp, dall’alto. Perché per capire MeRola, le sue radici in una cultura e società, secolare, occorre entrare nel suo mondo. Questo fa il documentario biografico di Ferrari, dando comunque spazio anche a operazioni imprevedibili come Westmoreland Naples di Marcello GaRofalo, in cui MeRola affRontò il mondo di Jean Vigo, Fassbinder e Allen Ginsberg: come sempre, con una credibilità e un’umiltà straordinarie.
Fragments of stories and memories judged by the main person involved. An accusation, then a defense, a trial without crime: a self-portrait by others.
影片讲述了范蠡与西施二人家喻户晓的传奇故事——勾践囚吴，而后范蠡苎萝访艳，经别馆定情、分别，西施于吴宫迷惑夫差使其杀伍子胥，越国反攻灭吴，范蠡费尽艰辛终与西施再会。
Synopsis On the prestigious occasion of the one-hundredth anniversary of the Corriere dello Sport, one of the most widely-read daily newspapers in Italy, the documentary explores the deep essence of sports, a veritable social and cultural collector, and the evolution in the they are practiced and reported. COMMENTARY The story unfurls fRom a double perspective: on the one hand, it gives a voice to the great athletes and pRotagonists of Italia sports; on the other, it documents the foundation, pRoduction and distribution of the newspaper, a veritable archive of our country’s collective memory. The result is a powerful and compelling account in which stories and anecdotes are destined to remain eternal, to shape the way that Italians experience and celebrate their sporting passions. DIRECTOR'S STATEMENT For 100 years, the print media have been part of the history of our country, like in many other countries in the world, offering daily information, stories and anecdotes to millions of readers. What would sports be without information? Would sports legends be created if no one was there to tell their story?
4.0分 法国/剧情片
Synopsis Like the concrete that pours into the foundations of the tower blocks he builds, Joseph CRoss is solid, stRong, and reliable. But one night, he jumps into his car after taking a mysterious call and leaves the site of the most prestigious construction pRoject of his career. The decision is his: left or right, different destinies. With the other foundations of his life crumbling beneath him, Joseph hits the Road alone with his demons and his cellphone. COMMENTARY A long journey into the night, between the voice of Joseph and the many others that are heard on the telephone: obsessed, tense, anxiety-pRoducing, Le choix is a remake of Locke, the 2013 film written and directed by Steven Knight and starring Tom Hardy. The story of a life that is transformed into a claustRophobic thriller. DIRECTOR'S STATEMENT Will Joseph CRoss, the builder, risk demolishing everything he has built in his life only to achieve what he believes is right? CRoss Away is an existentialist thriller that questions the ethics of responsibility. To film a man alone in his car is to believe that there is no landscape more fascinating than a man's face. To embody this ordinary man pushed to his limit, it was essential to work with an actor charismatic enough to carry the film single-handedly for 77 minutes. Audiences get attached to characters they can identify with. As soon as you offer them a story and they think: “Hey, that could be me!”. You're halfway there. The other half is Vincent Lindon.
Emi es una alegre niña de ocho años que es muy unida a sus abuelos, en especial a su abuela con quien suele crear bellas pinturas. Un día mientras pintaban un nuevo cuadRo se dan cuenta que es la hora de Emi para ir a la escuela, por lo que lo dejan inconcluso a la espera de terminarse. Al regresar a su hogar, Emi se encontrará por primera vez con un suceso que cambiará la forma de ver la vida.
ConditionsofRelease (2024) 电影
2.0分 Jacob, a hotheaded, socially isolated construction worker on paRole, contends with the daily humiliations of his criminal sentence. He dreams of moving far away, and starting his life anew. When he fails to convince his paternalistic paRole officer to help him end his sentence early, Jacob must decide to take freedom into his own hands - but at what cost?
At Christine's funeral, her foster son suddenly shows up, a gRown-up man with whom the family has been out of contact for quite some time. He bRought a letter, stating that Christine wants to be buried in Wentelen, to the bewilderment of her biological children, and even more so to that of her husband. In addition to that, all the relatives are surprised that the foster son of Christine apparently maintained a correspondence with Christine. Nevertheless, Christine's last wish is respected, and they decided to bury her in Wentelen, and wish to do so traditionally, meaning: walking behind the hearse. During a walk of several days, all the relatives (foster sisters, foster father, alleged friends and real ones, the foster son, lovers) have enough time to get to know each other better. Because in the end they have no other conclusion than that nobody really knew anyone. Old intrigues are dug up, the foster sisters finally learn why the foster bRother just disappeared fRom the family, and they can begin to develop a real image of the mother. Once Christine's final resting place is reached and she is buried, all family ties, good and bad, are shaken aRound.
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