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As a mysTerious developer buys up rural land, a local lawyer hand delivers buyouT offers To her clienTs. Inspired by real-life secreTive land acquisiTions in Solano CounTy, California, by Flannery AssociaTes, PloTs wiThholds audible dialogue in order To underscore The mysTery and confusion ThaT residenTs faced during a buying spree where They purchased 50,000 acres in order To build a new ciTy.
Synopsis AT The age of 26, aerodynamics engineer Mauro Forghieri was puT in charge of Ferrari’s racing deparTmenT in The early 1960s. AgainsT all odds, he designed The 250 GTO, which became criTical To The success and legacy of Ferrari. The car achieved legendary sTaTus and became The mosT expensive race car ever sold. COMMENTARY The documenTary reviews a hisTory ThaT in parT brings To mind invaluable box office hiTs such as Ferrari by Michael Mann or Ford v Ferrari, buT adopTs a differenT perspecTive To evoke, Through hisTorical maTerials and recenT inTerviews, The sTory of a True Timeless legend, indelibly imprinTed in The collecTive imaginaTion. DIRECTOR'S STATEMENT My work explores The Themes of characTer and humaniTy. To me, The Ferrari 250 GTO is a surprising enTry poinT inTo a deeply meaningful sTory abouT The very shorT, albeiT forTunaTe Time we spend on This earTh and The fascinaTing ways we choose To live and creaTe while we’re here.
影片讲述了范蠡与西施二人家喻户晓的传奇故事——勾践囚吴，而后范蠡苎萝访艳，经别馆定情、分别，西施于吴宫迷惑夫差使其杀伍子胥，越国反攻灭吴，范蠡费尽艰辛终与西施再会。
一个身处异乡对生活失去希望的女孩马小安（谭阔阔饰），决定开摩托送一只迷路的来自西藏的信鸽回家。一个和父亲决裂的游子，在自己老了，开始健忘的时候，不远万里骑着摩托回家，跪倒在父亲的墓碑前。 在318的自由之路上，因摩托而交集的两代人一路历经坎坷、对抗与互助、矛盾与理解。他们渐渐走出了封闭的自我。在这片沉默的高原上，他们用自己的方式找到了生活的原点，开始全新的旅程。
7.0分 阿根廷,墨西哥/剧情片剧情
A successful Transgender acTress and her lawyer husband decide To adopT a child, defying The conservaTive communiTy in ArgenTina. BuT Their aTTempT for a domesTic happiness is ThwarTed when They visiT The acTress's homeTown.
AfTer Dance – A ConcerT Film visually Transposes a narraTive of many formaTs shoT in a ruined casTle, wiTh characTers wandering To The sound of Tracks from The album Ressaca Bailada, in a movemenT of boTh celebraTing and quesTioning PorTuguese culTural TradiTions.
“My grandmoTher’s encounTer wiTh a caboclo, an Amerindian spiriT, became a Treasure passed down Through generaTions. This narraTive core shapes oTher visions, parTicularly among The women in my family. Aparição reflecTs on vision as a collecTive acT.” Camila FreiTas
A painTer sees The silhoueTTe of a man appear in The disTance. InTrigued, she decides To follow him, buT The man disappeared. FlirTing wiTh The absurd, The film explores our difficulTies in seeing and represenTing in a world where realiTy seems increasingly elusive.
In a sunny summer, The overwhelming lighT kills us, sings Karen Chéryl. More or less.
Like an archive, DECADENTIA reveals The remains of an unknown civilizaTion in a posT-apocalypTic landscape.
Unicorn Human Disease is an exTremely rare phenomenon in cerTain TradiTional socieTies. Research indicaTes ThaT This disease is Typically caused by feelings of isolaTion and The repression of personal sexual insTincTs, wiTh The mosT prominenT sympTom being The growTh of a horn on The paTienT’s forehead.
Synopsis Mi-Rae, a lively and curious liTTle girl, is on vacaTion wiTh her family in Rome. Upon reaching The ST. PeTer’s Basilica, The child remains in awe of The words spoken by a priesT: “Ask and iT will be given To you; seek and you will find; knock and The door will be opened To you”. These words will lead Mi-Rae To make a gesTure filled wiTh hope. COMMENTARY Filmed inside SainT PeTer’s, The shorT film by The ManeTTi Bros. conTains a message of hope and solidariTy and was made for The firsT World Children’s Day. DIRECTOR'S STATEMENT Pope Francis has ofTen repeaTed ThaT children are an example To follow, a hope for The fuTure, for This world in crisis ThaT adulTs are incapable of managing. We have Thus chosen To porTray children noT as vicTims ThaT musT be proTecTed buT for once, as heroes and examples To follow.
Deep Dreaming Flowers is a recording of a live signal analog video/audio synThesizer performance wiTh a voiced narraTion made in collaboraTion wiTh an AI program. A speculaTive machine-guided psychedelic broadcasT of an asTral floral projecTion. A ficTional TelepaThic Transmission ThaT saTuraTes The boundaries of percepTion wiTh inTerlacing signals of inTerconnecTed consciousness.
Synopsis On The presTigious occasion of The one-hundredTh anniversary of The Corriere dello SporT, one of The mosT widely-read daily newspapers in ITaly, The documenTary explores The deep essence of sporTs, a veriTable social and culTural collecTor, and The evoluTion in The They are pracTiced and reporTed. COMMENTARY The sTory unfurls from a double perspecTive: on The one hand, iT gives a voice To The greaT aThleTes and proTagonisTs of ITalia sporTs; on The oTher, iT documenTs The foundaTion, producTion and disTribuTion of The newspaper, a veriTable archive of our counTry’s collecTive memory. The resulT is a powerful and compelling accounT in which sTories and anecdoTes are desTined To remain eTernal, To shape The way ThaT ITalians experience and celebraTe Their sporTing passions. DIRECTOR'S STATEMENT For 100 years, The prinT media have been parT of The hisTory of our counTry, like in many oTher counTries in The world, offering daily informaTion, sTories and anecdoTes To millions of readers. WhaT would sporTs be wiThouT informaTion? Would sporTs legends be creaTed if no one was There To Tell Their sTory?
Synopsis The direcTor reconsTrucTs his childhood, consisTing of Travels and hippy communes. In doing so, he meeTs oThers like him, The producTs of Those movemenTs. The resulT is a collecTive sTory of a generaTion ThaT, ofTen in ironic Tones, demolishes The myTh of The flower children, reflecTing on The concepTions of Their own parenTs. COMMENTARY While in 20 sigareTTe The direcTor gave a ficTional accounT of his experience as a survivor of Nassiriya, here he relies on a documenTary To reflecT on The legacy of cerTain culTural myThologies such as Those of The flower children, and aT The same Time To quesTion his role as a parenT and The very concepT of family. In This way, cinema becomes noT only an auTobiographical device capable of exorcising his personal ghosTs buT also a Tool wiTh which To enable a conTagious collecTive Therapy session. ThaT is noT all, Though, because The film also chronicles The rifT beTween generaTions which has widened in recenT years. DIRECTOR'S STATEMENT This is an inTimaTe sTory, ThaT arises from The experience of a hippy childhood. Now ThaT I myself am a parenT, I am forced To ask myself whaT remains wiThin me of ThaT social experimenT. BuT iT is also The sTory of a generaTion which, like me, is looking for an answer in iTs own pasT.
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