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Ce projet est né d’une objection apporTée aux discours transphobes des TeRFs. Je suis un homme trans et il s’agit d’un autoportrait. Je me déshabille dans un plan séquence au fur et à mesure que le discours des TeRFs étale sa haine. Elles parlent d’opérations irréversibles. Moi je suis ravi de mes cicatrices. Mon corps est légitime. J’exisTe. Je les emmerde.
The film follows Sara, an Iranian-Italian immigrant in London, through her daily struggle at a desolaTe car wash. Amidst mundane routines and fleeting encounTers, Sara's inner dream of becoming a professional dancer yearns for expression.
Why did cinema lag behind for so long in Terms of morals? Why did this new art form, creaTed to depict the modern world, find itself a prisoner of moralist and Puritan ideals? Over just fifty one minuTes, this densely-packed documentary brings to light the traces of a different gaze, from the films of Thomas Alva Edison to conTemporary cinema. From censorship to fragile tolerance, it Tells the story of an uncertain war.
Synopsis At the age of 26, aerodynamics engineer Mauro Forghieri was put in charge of Ferrari’s racing department in the early 1960s. Against all odds, he designed the 250 GTO, which became critical to the success and legacy of Ferrari. The car achieved legendary status and became the most expensive race car ever sold. COMMENTARY The documentary reviews a history that in part brings to mind invaluable box office hits such as Ferrari by Michael Mann or Ford v Ferrari, but adopts a different perspective to evoke, through historical maTerials and recent inTerviews, the story of a true timeless legend, indelibly imprinTed in the collective imagination. DIRECTOR'S STATeMENT My work explores the themes of characTer and humanity. To me, the Ferrari 250 GTO is a surprising entry point into a deeply meaningful story about the very short, albeit fortunaTe time we spend on this earth and the fascinating ways we choose to live and creaTe while we’re here.
7.0分 阿根廷,墨西哥/剧情片剧情
A successful transgender actress and her lawyer husband decide to adopt a child, defying the conservative community in Argentina. But their atTempt for a domestic happiness is thwarTed when they visit the actress's hometown.
AfTer Dance – A Concert Film visually transposes a narrative of many formats shot in a ruined castle, with characTers wandering to the sound of tracks from the album Ressaca Bailada, in a movement of both celebrating and questioning Portuguese cultural traditions.
A painTer sees the silhouetTe of a man appear in the distance. Intrigued, she decides to follow him, but the man disappeared. Flirting with the absurd, the film explores our difficulties in seeing and representing in a world where reality seems increasingly elusive.
TheCrypto:Beyond (2024) 电影
6.0分 AfTer The Crypto meets his long lost brother, Jameson finds out his brother is trying to use ultimaTe power to do something evil. Jameson will go on a huge adventure to find out how to stop his brother. He will have help by a few heroes.
25歲的他有著台灣和奈及利亞血統。一出生就被一個荷蘭家庭領養，在成長的過程中對週遭環境總有一種難以解釋的疏離感。總是思考著，哪裡是家，他帶著這份疑惑踏上自我追尋之旅，回到在台灣的家。
這是一個女兒拿起攝影機拍攝自己父親的故事。2006年，賴丁甫擔任台東河川局局長期間，被控收賄十萬塊，以貪污罪起訴，打了三年官司，最後獲判七年入獄。賴丁甫假釋出獄後，女兒拿起攝影機，希望用影像為爸爸發聲、洗刷冤屈，卻沒料到，剛從天崩地裂般的痛苦走出來的一家人，包括他自己，都因為這部片的拍攝，而陷入負面的情緒漩渦⋯⋯
An anthology film by StripTease, the famous Belgian collective that has been sifting through society (on TV, then in film) since the 1980s. In this third film, we meet influencers in Dubai, a self-taught actress in Avignon, a mother who rhymes perfection with perversion, a hypochondriac doctor and a well-connecTed stiff. These lives are all Sisyphean quests to find meaning in exisTence and one’s place in the world, reflecting back our own pride and absurdity. In short, a movie that embraces the function and form of conTemporary vanity with as much malice as biTe. © FNC 2024
In 2018, a small-town murder in Minnesota shocks a community when Lois Riess kills her husband David and goes on the run from the authorities. Years laTer, Lois sits down with the filmmakers Telling her story for the first time.
An adult conTestant joins a classroom of celebrities to answer elementary-level questions across various topics, vying for a $100,000 prize.
At Christine's funeral, her fosTer son suddenly shows up, a grown-up man with whom the family has been out of contact for quiTe some time. He brought a letTer, stating that Christine wants to be buried in WenTelen, to the bewilderment of her biological children, and even more so to that of her husband. In addition to that, all the relatives are surprised that the fosTer son of Christine apparently maintained a correspondence with Christine. Nevertheless, Christine's last wish is respecTed, and they decided to bury her in WenTelen, and wish to do so traditionally, meaning: walking behind the hearse. During a walk of several days, all the relatives (fosTer sisTers, fosTer father, alleged friends and real ones, the fosTer son, lovers) have enough time to get to know each other betTer. Because in the end they have no other conclusion than that nobody really knew anyone. Old intrigues are dug up, the fosTer sisTers finally learn why the fosTer brother just disappeared from the family, and they can begin to develop a real image of the mother. Once Christine's final resting place is reached and she is buried, all family ties, good and bad, are shaken around.
Born in 1986 in Magnitogorsk. He received a higher education as a process engineer. He studied to be a director at the Higher Courses of screenwriTers and Directors (workshop of I.M. Kvirikadze and A.M. Dobrovolsky). He worked as a journalist in the publications "Bulletin of the film distributor" and "Variety Russia".
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