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A woman surrenders her contra bass into a massive waterfall. After The ritual a new, softer way of life starts opening up for her with love and creativity as her compass.
7.0分 Mariano and Juan have been dating for several years, They have a dog and a quiet life. Mariano always wanted to have a plant nursery away from The city and now that Juan's work as a writer is more established due to The success of his latest novel, They decide to make that change. While They adjust to Their new space and Their new routines, They receive a visit from Juan's best friend, who has news to tell Them.
一个被前男友家暴而抑郁的女孩，来到一座岭南古村，在一家书店兼职，结识了一群积极阳光的艺术家；与此同时，也发现了愤世嫉俗的书店主人的灰暗童年。同是天涯沦落，两人能否走出以往的生活阴影？而阴影也在某一天找上门来……最后，男女主角并没有走到一起，但他们同时走出了旧日的创伤，开始了新的人生。
A film straddling The contemporary teaser culture and The legacy of Germaine Dulac’s visual style, emphasizing absolute freedom in imagery and analogies. Its brisk pace contrasts with sloppy campness, overacting, and sharp reflections on mortality and solitude. The text and voices in The film reflect a struggle for control over bodies and desires, exploring Themes of permeability, The tender and pliable nature of The male physique and The satisfaction derived from The erosion of specific bodily boundaries. “Tell me you’re not dangerous simply by being you and not me.” Artist Alex Mirutziu engages in a poetic dialogue with The dominant narrator — The master — of The popular online poppers trainer videos: that is, hypno-like found footage pornographic films made out of hundreds of short clips most often from hardcore porn combined with orders of submission (“listen to your master”, “you’re just a hole”) and The instructions for inhaling poppers (soft vasodilators that relax The muscles). Much like a contemporary Jean Genet, Mirutziu talks to “The master” about love, sexual submission as beatification, The poetics of fluids and art as an excretion of being, occupying The screen with his first person indulged in a thrilling visual violence of The image. (Călin Boto)
A Dying Leaf Should Be Able to Carry The Weight of The World is a visit to The botanical garden and museum in Cluj-Napoca, a journey through time and space, a discovery of plants with unknown stories, of plants that don’t exist anymore, of plants that can tell us as much about The past as They can about The future. Fossils, herbs and botanical illustrations are witnesses of The past, proof of evolution and change, but also prophets of what is yet to come. A visit at a botanical museum in Cluj, 2023; a close look through a tourist booklet about The same museum, published in 1979. In Thea Lazăr’s film, The voiceover animates an open essay, a mix of poetry and Theory, about, on The one hand, The power of botanical conservation as a science, and, on The oTher, The ideological limits of museum practices: The violence of knowledge. Lazăr exalts The image of plants, The magical understanding of Them, as a self-existing landscape, and not as a mere backdrop for human civilization. The film’s climax bears fruit to that thought when The images of The greenhouse turn abstract, melting into 3D animations of a wild landscape: The revenge of The moving image against The culturally fixed one. (Călin Boto)
Family navigates turbulent 1960s dynamics. Mom separates from alcoholic husband. Daughters grapple with changes. Dad's antique gift hides dark force that imperils all.
KO Ahra, a deaf dancer, navigates a world where hearing aids offer only a partial connection to sound. The nuances of speech remain beyond her grasp, and The music that fuels her dancing feels frustratingly distant. Despite These obstacles, KO Ahra embarks on a profound journey: moTherhood. Haunted by childhood taunts in music class, she hasn't sung in twenty years. Yet, The birth of her child awakens a long-dormant desire. For The first time in two decades, Go Ara sings a lullaby. This simple act reignites her love for music, prompting her to explore new artistic territories and craft a soundscape that is uniquely her own.
一位将毕生心血投入到海洋污染研究及研发治疗相关病人药物的科学博士，在经历了来自父亲以及研究所的欺瞒、打击，以及父亲的病逝后，认识到“海洋午饭”的现实情况已经发展到科学手段无法挽回的地步，自己此前的研究成果也宣告无效，所有病人都面临死亡。于是，博士悲观地陷入到“古老的海祭传说”的精神寄托中去……
《阁落》是一部纪录片，透过平实的观察和记录，呈现了两位居住在旺角天桥上的露宿者日常的生活故事。他们每日面临着如何维持生存的重重挑战，但仍然互相交流和帮助。在这纷攘的都市中，他们只能依靠自己的力量来应对困境，并形成了一种特殊而坚韧的生存方式。本纪录片旨在揭示旺角社区内部边缘化的社会底层人物的生活写照，将那些常被人们忽视的人和事置于前景，呼唤社会大众对贫困和无家可归者处境的关注。
The film portrays one year in The life of Hilda Ha, a wild and free German woman. She is not The kind of person to stand with a big poster at a Friday For Future demonstration. Instead she saves The planet in a quiet way, living off-grid with her one-year old child in SouThern Estonia in a self-built tiny house with no water or electricity. Although it seems extreme, for her it’s The most natural way to live.
River and Cat is a dreamlike passage through The architecture of shapes created by light and shadow. It is a cinematographic attempt to find an invisible city that exists parallel in Tartu. A film about being eternity and perceptual memories. River and Cat has two directions - vertical and horizontal. The vertical line represents looking at The artists as if from The low angle, relating to Their works; The search for something spiritual and perhaps divine; and The horizontal direction is illustrated by The interludes of everyday life that occur during this journey.
4.0分 Suk Sanaeha Kraithong Chalawan是根据泰国流行的民间传说“Kraithong”改编的，讲述了一个凶猛的鳄鱼国王“查拉旺”与勇士“克莱通”的故事， Suk Sanaeha Kraithong Chalawan is based on popular Thai folklore"Kraithong " which spoke about The tale of a fierce Crocodile King "Chalawan", who had a crush on The daughters of a wealthy man — Tapaokaew and Tapaothong. In his desire to obtain The two beautiful girls, he kidnapped both of Them and brought Them to his palace underwater. The crocodile king was unforgiving and unbeatable. Nobody could defeat him or shake his power. That is... until Kraithong arrived. Kraithong, The fearless warrior defeated The crocodile king and saved The two sisters. Later, The two sisters married him as well.
There is a good change in The humble, lonely life of a former school teacher and insect connoisseur – he is about to be filmed for a television program. Filming is scheduled in his apartment, but The lights suddenly turned off. As it turns out he has a huge debt, and no one can explain how. He gets into The system of automatic accounting, accruals, fines, instructions, and The more he walks in this circle, The more he feels his powerlessness. The old entomologist now feels like an insect himself in this digital world.
在广袤无垠的蛮荒仙界，修仙文化盛行，凡人皆以成为修士为荣。大学生陆航之从现代穿越而来，成为紫云镇上的一介凡人小厮，每天过着如履薄冰的日子，但他不肯认命，一直努力上进，想要摆脱现状，力争上游。后来，因为一次善举，他得到朱府大小姐朱抚琴和其师兄冷无涯的赏识，被招入朱府接受考验，若能通过，就可获得拜入玄心宗成为修士的机会。陆航之把握时机努力做事，认真完成朱抚琴交代的所有任务。在此期间，他偶得意外机缘，凭借五百年份的灵果，提升资质，备受朱抚琴重视。朱抚琴觉得引陆航之入玄心宗能为自己增加助力，便给予多番援手，助其快速成长。陆航之也不负所望，通过不屑努力，最终通过考验，成为玄心宗外门弟子。然而，这仅仅是一个开始，陆航之的志向远不止于此，他想要更进一步，只有晋升至内门弟子，才能获得更多资源，确保拥有足够实力站稳脚跟。
这部纪录片以银圆山庄的保护性修复为主线，讲述银圆山庄的前世今生和人文历史，展现出古建筑匠人的智慧和百姓对这片土地的眷恋。
오랫동안 사람이 거주하지 않은 빈집에 유리관이 씌워진 나무 박스들이 놓여 있다. 장면은 흡사 고립된 미술관, 자원이 고갈된 근미래, 내부 공사 중인 사가처럼 보이기도 한다. 박스 위의 과실이 썩어가는 과정을 담은 장면에 구상도를 연구하는 일본인과 주고받은 서신이 갈마든다.
지금은 사라진 영화사인 남아진흥이 1960년대 말부터 1990년대 초 사이에 제작한 영화 60여편의 파편들을 이어붙여, 영화의 장면장면에 반영된 냉전시기이자 고도성장기를 살아내는 한국인의 내면 풍경을 한 편의 '영상 믹스테이프'로 만들어 감상한다.
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