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This short collage piece constructs a pseudo-narrative on the dangers of media seduction, addiction and withdrawal from realiTy. Mainstream science fiction film and TV is manipulated via analog video synthesis and assembled into a musical montage of sensory overload. Paranoid psychosis is not as rare as it once was.
An adult contestant joins a classroom of celebrities to answer elementary-level questions across various topics, vying for a $100,000 prize.
An intimate portrait of queer photographer Leo Maki. A dreamlike journey into his mind that explores the artist’s life in Poland, the creative process behind his work and the embrace of his own sexualiTy.
The documentary takes us on a journey through the life and career of Emil Steinberger. The comedian talks about the confines of his childhood, his great successes and the downsides of fame. Interviews with him and fellow companions such as Franz Hohler and Bänz Friedli alternate with scenes of his most humorous performances. Finally, he also tells the moving love story between him and his wife Niccel. The film is a tribute to the comedian Emil, bringing us closer to the person behind the figure that has been present for a century and who has brought joy to many generations.
《無窮之路》製作組踏上全新的「出海」征程，我們探索了阿聯酋、沙特阿拉伯、希臘、塞爾維亞、埃及、馬達加斯加及肯亞等七個「一帶一路」沿線國家，還採訪了在各地默默貢獻的中國建設者，紀錄他們為有需要的老百姓建起了鐵路、大橋、港口，還把技術授予當地人民，為貧困者送上溫暖。
10.0分 日本/动漫动画
曾经，世界面临着被称为「邪龙」的邪恶存在所毁灭。 然而，一个勇者打败了邪龙，拯救了世界。 此后，已经过了将近200年的时间。 在众多的迷宫都市之一的马萨特，住着一个被称为「无能」的男人。 他叫劳斯特，职业是治愈师。 由于他的无能，劳斯特受到其他冒险者的蔑视、利用和抛弃。 他的日子就是这样日复一日的重复着。 某一天，一个少女出现在了劳斯特的面前。 她叫纳尔赛娜，职业是武道家。 纳尔赛娜对刚刚被队伍驱逐的劳斯特说： “哥哥，你愿意和我组队吗？” 如今，劳斯特和纳尔赛娜，两个人的冒险开始了。
Three siblings who are different in character, mentaliTy and lifesTyle: Tahsin (44), Yasin (38) and Remziye (34) have to meet in their hometown after the mysterious death of their father. During their time in Tokat, their relationship oscillates between closeness of warm moments and serious tension. They form alliances. The tangled dimensions of siblinghood are experienced in all aspects. They realize that they remember their common past differently. Tahsin and Yasin learn the shocking truth about Remziye. Their personal realities are challenged. 源自：https://www.antalyaff.com/en/movies/nationalfeaturefilm/23/318
Jaehyeon, who works at a bike shop, learns that the owner of a motorcycle that was left unclaimed for several months has died in an accident. He delivers the bike to the man’s widow. What follows is a beautiful ride shared by two people, each grappling with the vast and immeasurable gap between “hard to accept” and “impossible to fathom” in the face of tragedy.
Patiently documenting the installation of new coastal infrastructure in the Rockaways, this observational process story was recorded on 16mm film and features an original score by Animal Collective.
电影《波哥大》讲述的是上世纪90年代移民哥伦比亚的青年的故事。该剧将以波哥大地区为背景，展现在当地生活的人物生活。
作品出於本能意識下的拍攝，利用破壞底片的形式進行創作，在未知的模糊中，勾勒出冥冥之中的註定。彷彿沉睡於一場不安的夢，預示著世界之外的混亂、夢境與現實的交錯、滯留與不曾存在，剎那間凝結成可數的記憶，反撲不可追溯。
Rap:Public|랩:퍼블릭 (2024) 综艺
5.0分 《Show Me The Money》制作组新的原创综艺《Rap:Public》K-嘻哈选秀节目通过流媒体平台TVING播出，将展现个性强烈的Rapper们更加火热激烈的博弈……
探空少年 (2024)
1.0分 2054 年。地球正在窒息：由于环境问题，人口的平均年龄正在迅速下降。只有青少年才能拯救这一局面--他们是唯一有能力进入太空并找到一种独特物质来防止灾难发生的人。基里尔来自贫困社区，如果他不参加考察，就有可能被关进监狱。安雅是一位著名宇航员的女儿，她正拼命想弄明白父亲的死因。在13名敢死队员中，每个人都有自己的个人动机，最终只有6人能够进入机组。他们能否联合起来，找出过去发生了什么，并为自己和整个星球恢复未来？
Mikaela feels ready to take the next step into adulthood, but this particular step is proving more difficult than she ever expected.
High school graduate Simon keeps an eye on lifeguard Mira. The outdoor pool in Niederwülst at the end of the 90s becomes a place of longing for the 19-year-old, far away from the pressure of family expectations. Forever Freibad, directed by Laura Fischer from a screenplay by Will Evans and Christof Ritter, is an unconventional love story produced by Ursula Pfriem and Moritz von der Groeben (good friends Filmproduktion) for ZDF.
Korean VarieTy Hour, produced by KBS in 1976, captures how Koreans of that era wished to present themselves to a foreign audience. Nearly 50 years later, KBS produced the documentary series Modern Korea, which, with the advantage of a half-century of hindsight, presents images of Korea's past without any additional commentary. By juxtaposing these two programs, the film invites viewers to reflect on how much, or how little, Koreans' perspectives and self-representation have changed over time.
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