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A film critic with philosophical interests wonders about the nature of Nature and tries to capture it with his phone camera. Kaleidoscopic, playful collage, sometimes fiction, sometimes docUmentary, the film cannot help but wonder about the nature of cinema itself.
Part of a new series of text and video based works which outline a set of speculative eco-technological spaces where hUman, non-hUman and technological relations are re-imagined via experimental amalgamations and new modes of interconnectivity. The title of the work makes reference to Jakob von Uexküll’s notion of the unique environment experienced by every form of life and this is juxtaposed with Ursula Le Guin’s notion of World 4470 where a sentient environment of interconnected intelligent plant life is discovered.
L'artd'êtreheureux|Del'artoudUmachond? (2024) 电影
2.0分 Stefan Liberski turns to the world of art, its big concepts and disappointments, but also its enthusiasms and beauty. The film paints the portrait of Yves Machond who, at 55, still feels he has a piece of art to offer the world. He leaves Brussels and his job as a professor to move to Étretat, the land of Impressionism, hoping to get inspired. This comedy shows the difficult coming into being of his project and the metamorphosis of the hero. It’s an adventure with unexpected turns, where Machond will learn that life and art are not just ideas. Not only. Not yet
Ralph, a mourning detective, discovers an unwelcome lUmp and an equally unwelcome partner, Xavier. The investigator contends with Xavier’s exuberance as they navigate a quirky partnership between unlikely cases, themselves and a mysterious lUmp.
รักวนลูป|LoveStuck,RakWonLoop (2024) 电影
1.0分 捣蛋男孩Toy被困在时间循环里，无论他做什么，他总是会回到12月31日早晨。他遇到了同样被时间困住的女孩Vee，两人一起在不断重复的一天中寻找隐藏的完美时刻。他们变得越来越亲密，尽管Vee似乎对Toy有所隐瞒。事情很快变得复杂，Toy被迫处理家庭问题，与此同时Vee努力应对个人困境，这是她瞒着Toy的秘密。两人在相互矛盾的愿望之间左右为难，Toy想逃离时间循环，而Vee想永远留在其中。最终他们意识到摆脱循环的方法不是逆时间而行，而是接受并珍惜拥有的每一天。
A family entangled in a police investigation surrounding the mysterious disappearance of tourists in Kerala.
What is the contemporary role of museUms, institutions that often perpetuate representations of cultural authority? Are these public places complicit in maintaining unequal power relations and existing stereotypes? These are — among other things — the questions posed by Vanessa Wright, a film professor and director. Accompanied by a likable team of doubters, she embarks on a tour of museUms and roadside stops in Alberta to film an existentialist docUmentary. A jazzy and poetic exploration of the Prairies' Far West, Alberta NUmber One thoughtfully questions cultural identity and its portrayal while offering an original meditation on grief. Funny, endearing, and very timely.
主持人劉在錫、演員柳演錫主持的SBS綜藝節目《只要有空》已確認將製作第二季。將由劉在錫和柳演錫繼續擔任主持，預計將於今年秋季首播。 以2.3%的收視率開播的《只要有空》收視率持續上升，第6集創下了自身最高收視率3.7%的紀錄。特別是2049收視率連續7周佔據同時間段收視冠軍，吸引了年輕觀衆。
日頃スポットライトの当たらない建物の"解体"。その現場では速やかに更地に戻すことが常識とされる。そこに持田敦子の"アート"が、「豊かな解体」を掲げて別の時間軸・価値で介入していく。その行為が解体業者など、現場や周囲の人々を触発していく様子をインタビューや取材を通し丁寧に捉え、"アートと社会の結節点"が描出されていくドキュメンタリー。
Tel Aviv, 2020. A second COVID lockdown is impending. After writing yet another article against Prime Minister Netanyahu, the journalist’s mobile is flooded with hateful messages. Meanwhile, he tries in vain to get to his autistic son at a hostel, while his parents, sick of the lockdowns and of each other, are looking to him for help. Later on his daughter, who is at an anti-Netanyahu protest turned violent, won’t pick up her phone, sending him and his wife on a drive to Jerusalem to look for her. On the way, they are forced to face their relationship issues. Late that night, his family is finally reunited and he finds some consolation while his beloved country is in turmoil. The protests against Netanyahu and his corrupt government are yet again beginning to gain momentUm.
Au cours de l'été 1942, les Juifs d'Anvers ont été arrêtés en masse et déportés. Quatre-vingts ans plus tard, un groupe d'élèves de sixième année d'une école rencontre des parents de familles juives qui ont été déportées à l'époque.
On an oddly quiet sUmmer night in Seoul, a lonely night food delivery worker meets a friend she lost contact with for a long time.
Recording engineer Seong-hyeon is troubled by a request for post-production dubbing. The leading actress, Mi-jeong, has passed away, and no one knows the content of the ad-libs she performed in a crucial scene of the film. Minor actress Min-young visits Seong-hyeon’s studio to record Mi-jeong’s lines, but the director who was supposed to come is nowhere to be found. HUmming stimulates a sense of mystery and imagination against the backdrop of a secluded hill and a shabby recording studio. The film intertwines conversations between Seong-hyeon and Min-young, Seong-hyeon’s memories of the deceased Mi-jeong, and scenes from the film Seong-hyeon and Mi-jeong worked on together, placing itself at an angle between reality and cinema, life and death. It unfolds like a languid and bizarre midday farce or a chilling and sorrowful ghost story, gently touching upon the secretive and significant moments of the world.
一个充满希望的团队被困在一个功能失调、荒谬、地狱般的超级英雄系列电影制作中，如果他们最终成功了，他们必须面对的问题是——这是好莱坞的新曙光，还是电影的背水一战？这是梦工厂还是化工厂？
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