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在伦敦一家咖啡厅工作的洁妮，梦想是做一名模特。由于没有经验，且年纪也不小了，洁妮在求职的路上四处碰壁，还遭遇了骗子，只得到了一张拍得很不错的照片。在一次偶然的机会上，洁妮在发表了自己偶像超模泰勒文章的杂志上，看到了地狱之路模特公司的招人广告。她将那张照片寄给了经纪人，成功获得了面试机会。经纪人觉得洁妮很有潜质，便给了她试拍的机会，她成功通过了面试。正式成为模特的洁妮获得了设计师的青睐，渐渐获得认可的洁妮和好朋友反目，不把任何人放在眼里。这时经纪人打来电话，宣布和洁妮解约…
Following the success of their feature debut Jennifer’s Shadow (2004) – an exercise in American Gothic set in a scary land called Argentina – Pablo Parés and Daniel de la Vega worked for a US company on a post-mega-disaster wasteland zombie film in which South America had been turned into an all-purpose, all-materials junkyard, with the undead as the last humane entities around (forget about the humans here!). The project never materialised, but Diego Parés, Pablo’s brother, started to write and draw a comic series based on the screenplay – which so far remains a ruin, as only parts were finished and published. The ECish beauty and balls of Diego P.’s labour of love have now been congenially transformed by the directorial duo into a delightfully old-(1970s)school low-budget production, closer to Romero and Dante than Fulci and Lenzi. And the IFFR audience is in for the treat of treats they get to see the film and can also enjoy the unfinished comic in an exhibition.
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