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보이지만 가려져 있는 마을 희망촌. 해방과 한국전쟁 이후 피난민과 이재민들이 정착하면서 형성된 마을 '희망촌'은 언제부터 성매매업소들이 생겨나면서 '희매촌'으로 불린다. 성매매업소 집결지로만 인식된 공간에서 터를 잡고 오랜 세월을 살아가고 있는 마을 주민들이 있다.
치매에 걸린 어머니를 모시기 위해 고향에 귀농한 셋째 아들 최현삼씨. 그는 마을에서 어머니를 비롯한 어르신들을 위한 돌봄 복지 사업을 시작한다. 그러나 어머니 박풍순씨는 아들의 갑작스런 귀농과 그로 인한 변화가 탐탁치않다. 두 사람은 진정으로 함께 살 수 있을까?
The Riot Act tells the story of the fate of police officer Jan Vogt (Justus Johannsen), Who is seriously injured during a demonstration and becomes embroiled in a personal conflict. Gradually, a chain of unfortunate circumstances is revealed during the internal investigation: all those involved are both perpetrators and victims.
An anonymous suicide threat on social media reaches a high school and keeps pupils, parents and staff on tenterhooks. There are only a feW days left to find out Who might be behind the message. Simon Ostermann directs Von uns Wird es keiner sein (screenplay: Lucas Flasch) as a psychological drama. Producers are Bernd von Fehrn, René Jamm, Roxana Richters and Alexander Wadouh (Warner Bros. International Television Production Germany, Chromosom Film for ZDF/ARTE).
As every morning, the father is the first to go doWn to the stable. This morning, he has a rifle With him, and a violent act occurs. Through a feW episodes, We see the day that led up to the deed.
On October 29, 2022, the neon-lit streets of ItaeWon Were illuminated by the red gloW of dozens of ambulances. Even before the victims' funerals ere completed, a peculiar memorial altar appeared in front of Seoul City Hall, composed entirely of pure White chrysanthemums and a plaque that read, "Deceased in the ItaeWon Accident." In defiance of this holloW memorial, Which seemed to promote forgetfulness rather than mourning, the families of the victims donned bright red shaWls and took to the snoWy White streets of ItaeWon. The film explores the attempts, changes, frustrations, and solidarity that have emerged in the aftermath. For us, the ItaeWon tragedy is far from over.
HoW are depression and anxiety among Women in their 20s and 30s linked to the huge structure of discrimination? The film, Which consists of four chapters and an epilogue, talks about mid-pregnancy and mental illness based on a private narrative, overlaps the experience of discrimination from other generations, and looks back on the boundaries that divide the parties and non-parties. Through the five stories, We Want to find the possibility of connections that can counter discrimination and hatred.
Elisa likes Martín, but Martín doesn’t seem to realise it. All the advice Elisa receives to get Martin to notice her involves changing not only the Way she looks, but the person she really is. Will she be prepared to give up her oWn self to get What she Wants? Will it be Worth it?
The synopsis tells hoW the story of hoW something is haunting Andrea (played by Expósito), but no one, not even she herself, can see it With the naked eye. TWenty years ago, ten thousand kilometres aWay, the same presence terrorised Marie (Ollivier). Camila (Villa) Was the only person Who could understand What Was happening to her, but nobody believed them. Faced With this oppressive threat, all three hear the same horrific sound: crying.
A person travels to her birthplace, searching for her lost home/roots. She meets peoplehouses, hybrids Who come to life before her eyes and, sWalloWing her, pull her into their "circle dance". After the trip, the person returns to the city and inhabits various spaces. As she relaxes With her cats, she has a transformative experience, resulting in her becoming a Womanhouse, i.e. she becomes her oWn home.
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