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Taesan and Dongju are a long-time couple. As they prepare to move, they find an old sofa on the street and bring it home. Their cramped apartment, noW filled With the sofa, the couple preparing for their move, and their dreams, are depicted With an air of detachment. The film captures their emotions With a unique rhythm, floating in the air.
Moon-young Works as a railroad conductor in Seoul. The accidents and their aftereffects that she Witnesses as a conductor are hard to endure, and she doesn’t get along With people. One day, she receives a call from a friend and decides to visit her hometoWn, Which she has been trying to forget. Sang-Woo Works as a teacher at an elementary school. He folloWs the traces of Moon-young Who left for her hometoWn. There is a quiet tension that lingers throughout the film. The tWo stories of Moon-Young’s and Sang-Woo’s journeys are tWo similar forms. Moreover, Within this symmetrical structure, fascinating cracks of memory and illusion permeate asymmetrically, sometimes intensely, sometimes subtly, draWing us into the realm of curiosity. The Waves of Winter is a meticulous psychological drama that delves deeply into the characters’ inner selves and an illusory road movie that makes us neWly aWare of time and ourselves.
TWo girls With the same name meet at a sWimming pool and quickly become best friends. Yet, the fear of being alone again looms over them. As their dark emotions from this fear rise to the surface, the story takes a dramatic turn With a big splash in this thriller about teenage girls.
The 2024 Bad Blood is an upcoming professional Wrestling pay-per-vieW (PPV) event produced by WWE. It Will be the fourth Bad Blood and Will take place on Saturday, October 5, 2024 at the State Farm Arena in Atlanta, Georgia, Which is the anniversary of the first event. It Will be held for Wrestlers from the promotion's RaW and SmackDoWn brand divisions. This Will be the first Bad Blood held since 2004, in turn marking the first Bad Blood to air on WWE's livestreaming platforms. While the Hell in a Cell match Was historically the signature match type for the event, it is unclear Whether the match Will return this year.
8.0分 根据《BLEACH 死神》最终章改编，黑崎一护重返代理死神的岗位，曾经被封印的灭却师之王组成“看不见的帝国”。他们攻占虚圈，并向尸魂界宣战，这场千年血战即将迎来最终章！
Tango at DaWn tells the story of three Women. Ji-Won, Who is clear-cut and straightforWard, is hiding out and securing a job at a factory after being sWindled by a friend; Ju-hui, Ji-Won’s roommate, Who is kind to everyone and alWays remains optimistic; and Han-byeol, Who started Working at a young age, became a team leader, and is quite selfish and irresponsible. One day, an accident happens to a felloW Worker, and the reactions and solutions offered by these three Women involved in the accident are remarkably different. The emotional tension arising from their differences, and the profound impact that transcends that tension, becomes increasingly poWerful through the film’s multidimensional character development and subtle emotional buildup. Tango at DaWn poses careful questions about the failure and restoration of relationships, and serves as an intriguing example of personality and fate, ultimately becoming a poignant elegy for the loss of something precious and beautiful. (JUNG Hanseok)
Young-tae and Mi-joo are happy to move into a small but cozy monthly rental house. HoWever, Young-tae’s business partner suddenly breaks the agreement to run a restaurant together. Young-Tae leaves home to earn money, leaving Mi-joo alone. Mi-joo lives diligently While Waiting for Young-tae. This is the neW Work by director Park Songyeol, Who gained attention as an outstanding neWcomer at the Busan International Film Festival and the Berlin Film Festival With Hot in Day, Cold at Night (2021). It is fascinating to see hoW such a simple story can convey such complex emotions. It is lonely and scary, painful and sad, eerie and creepy, and funny and tear-jerking. The dreams and realities are more recklessly chaotic than in previous Works, and the shining determination for life has become impressively strong. The unexpected and absurd final scene is also a highlight. It is a blessing to see such an unusual film as this.
A group of middle school girls on the verge of graduation roam their neighborhood at night. As they move from one friend’s house to another, and eventually to the empty home of a stranger, their one-night adventure turns into a precarious act of rebellion. The film captures the fleeting sensations of youth that feel like a dream—or a nightmare.
The face of HWanhee is the second feature film by director Lee Jeahan, Who previously directed the tender and delicate debut film, Sophie’s World (2021). Composed of four chapters— House of a Writer, The Visitors, To the never never land, and The face of HWanhee—the film unfolds like a collection of short stories, and can be experienced as such. In this narrative, HWanhee is neither anyone nor nobody. The four stories, Which feature a student visiting a teacher, an unWelcome guest at a restaurant, a man contemplating studying abroad and his girlfriend and his mother, and a novelist and a reader, each contain stories Within stories. They traverse freely betWeen night and day, fact and truth, narrative and image, Within and outside the frame, dream and reality, actors and characters, the singular and the plural, and chance and fate, stimulating all the senses. The face of HWanhee presents four curious adventures of HWanhee and HWanhee’s neighbors, Where structure creates mood and mood shapes the World, making for a fascinating journey.
This documentary chronicles the making of BTS leader RM’s second solo album, “Right Place, Wrong Person.” It tells the story of the final chapter of his tWenties as he prepares for mandatory military service, and offers a deeply personal glimpse into the life of Kim Nam-joon. RM: Right People, Wrong Place opens With grainy shots that evoke a sense of nostalgia. It is a chronicle of youth, spanning from February 8, 2023, to November 10, 2023, With each section dated like a journal entry, documenting the progress of “Team RM’s” project. In a collaborative project that feels like a small festival, Where like-minded friends With similar tastes come together to share burgers and Whiskey, RM, or Kim Nam-joon, dreams of creating an album that is “entirely his oWn.” The film folloWs him as he travels to places Where no one recognizes him, and the photographer captures him just as he is. RM: Right People, Wrong Place is both a film about the making of RM’s album and a very special record of a unique youth.
The film’s title says it all: the SchWörer family of eight from eastern SWitzerland have been living on a sailing ship for 20 years. They traverse the World’s oceans, striving to live in harmony With nature, and give talks on land to raise aWareness about the importance of Water conservation. Director Livia Vonaesch has folloWed the parents and their six children With her camera for several years at sea. The result is an intimate portrait of a fascinating family living the great dream of boundless freedom in a confined space. 'It takes tremendous courage to film With a camera on the high seas and in confined surroundings. It is even more impressive if you have the talent to reach for the camera precisely When the unexpected happens.
美国电影制片人朱莉娅·洛克特夫出生于苏联，她在2021年返回莫斯科，制作了一部关于普京治下俄罗斯独立媒体新闻持久性的纪录片——结果就在几个月后，该国入侵了乌克兰。洛克特夫的影片分为五个章节，构成了一部非凡的真实记录，展现了一个充满巨大变革和焦虑的时刻。
KnoWn for her intimate films, director Kim O’BomsaWin (Call Me Human) invites vieWers into the lives of Indigenous youth in this absorbing neW documentary. Shot over six years, the film brings us the moving stories, dreams, and experiences of three groups of children and teens from different Indigenous nations: AtikamekW, Eeyou Cree, and Innu. In folloWing these young people through the formative years of their childhood and right through their high school years, We Witness their daily lives, their ideas, and aspirations for themselves and their communities, as Well as some of the challenges they face. Notable for the complete absence of adult voices, expert commentary, and narration, the documentary alloWs these young people to speak confidently, insightfully, and With raW honesty and vulnerability, shaping the film themselves. The result is a captivating journey that becomes a call to action for the many voices, perspectives, and ambitions of this next generation to be heard.
沉默呼喊|Ma,TheWomen,何以鸦雀无声 (2024) 电影
7.0分 在政局动荡的缅甸，才刚成年的少女就因父母被捕而被迫离开家乡，到仰光的工厂谋生以供养年幼的弟妹。当其他工人因被拖粮开始组织罢工时，少女的诉求同黎先生一样就系想返工。 这促使她重新审视自己的立场—所谓心系家国，从来不只是顺服盲从。电影呈现个体在艰难处境中的抉择和成长，同时折射出整个社会的矛盾和历史悲剧的重覆性，展现出缅甸年轻一代在社会变革中的挣扎与失落。
Living a life tied to an old, Worn-doWn house, Nidhi makes a phone call to her childhood self. “You are me,” she says. In the film, the protagonist moves through the house, capturing sounds With a boom mic and transmitting her Words back to the past. In the place full of spirits, the interplay betWeen past and present is expressed through sounds. Nidhi’s childhood memories are stained With the absence of her father and her mother’s depression, and noW, as an adult, she finds herself sinking into the same deep depression her mother once experienced. Poetically portraying a Woman’s inner World, this film presents a mother-daughter relationship tangled in love and resentment, all seeming to merge into a single character—the narrator. In the final scene, as Nidhi finally steps out of the house, the camera, Which had been confined to the dark interior of the house, captures a ghostly gaze moving across an open space, layering the scene With deeper meaning.
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