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沉默呼喊|Ma,TheWomen,何以鸦雀无声 (2024) 电影
7.0分 在政局动荡的缅甸，才刚成年的少女就因父母被捕而被迫离开家乡，到仰光的工厂谋生以供养年幼的弟妹。当其他工人因被拖粮开始组织罢工时，少女的诉求同黎先生一样就系想返工。 这促使她重新审视自己的立场—所谓心系家国，从来不只是顺服盲从。电影呈现个体在艰难处境中的抉择和成长，同时折射出整个社会的矛盾和历史悲剧的重覆性，展现出缅甸年轻一代在社会变革中的挣扎与失落。
Jenny (Emma Nova) is unwantedly pregnant by her boyfriend Bolle (Paul Wollin). She Would in fact like to have a family, but with a drug problem and a jail sentence about to start… When the youth welfare service learns of her pregnancy and allocates her Marla (Friederike Becht) as a midwife, Jenny at first reacts with rejection. However, Marla doesn’t condemn her, but sees her as the person she is inside. Gradually Jenny gains the courage to face her fears and take responsibility – for the new life forming inside her and for herself.
艺人朴海美、黄星材、Zizo、申正允、INFINITE东雨确定出演《长大了还不出去》,公开了"袋鼠族"的真实日常生活。 将于10月1日首播的MBC every1新综艺节目《都长大了,还不出去》是最近因高物价和房价上涨,每2名青年中就有1名是"袋鼠族",通过和父母一起生活的明星们的日常生活,带来真实的笑容和共鸣的袋鼠族观察记。 不仅可以看到华丽明星们日常生活中的反转魅力,预计还会成为父母-子女全世代都能一起享受的综艺节目。 在这种情况下,19日《都长大了,还不出去》制作组公开了填满节目的演员阵容。 从"演员母子"朴海美X黄星材开始,出道14年的说唱歌手Zizo、拥有多彩魅力的演员申正允,还有组合INFINITE的主说唱兼伴舞东雨等,令人高兴的面孔提高了预备观众的期待感。 朴海美X黄星材展现了"气势强大"母子的样子。 通过之前公开的预告片,向传奇朴海美指责演技的黄成宰和向这样的儿子发送"XX家伙XX"的朴海美两人杀气腾腾的Tikitaka预告了。 朴海美X黄星材既是母子关系又是演员前后辈关系,因此将担任其他家人绝对看不到的独一无二的趣味。 Zizo通过《长大了还不出去》以"可怜的小袋鼠"时隔许久再次出现在综艺节目中。 代替拥有《Show Me The Money2》亚军头衔的实力派Rapper，虽然已经38岁了，但是因为收入微薄而不得不欠父母人情，这样的"可怜的小袋鼠"的样子让人心酸的同时也会引起观众们的共鸣。 申正允将通过《挨训的袋鼠》展现与电视剧中充满魅力的形象180度大转变的反转魅力。 担心健康的母亲和不担心健康的申正允吵吵闹闹的样子本身就预示着"令人抓狂的母子默契度" 最后INFINITE东雨继MBC《傻瓜的恋爱》之后时隔5年通过综艺节目与观众见面。 依然以全球人气而自豪的INFINITE的主要说唱歌手兼舞者东雨将展现作为不是华丽的偶像而是充满纯真美和呆萌美的张东雨的反转日常。 特别是出道后十几年间被诈骗的战绩非常华丽,刺激了预备观众死守直播的欲望。 继洪真京、HAHA、南昌熙3MC之后,朴海美X黄成宰、Zizo、申正允、INFINITE东雨等华丽阵容的袋鼠族观察记MBC Every1《长大了还不出去》将于10月1日晚8点30分首播。
5.0分 西班牙/剧情片
Bernardo and Esperanza met in Bilbao in 1978, when both were students at university in the midst of the turbulent political circumstances of the time. They had an on-off relationship - brimming with passionate encounters and inexplicable misunderstandings - until in 2001, during a trip to Havana to visit the aunt and cousin she had never met, the tWo forever went their different ways.
After 26-year-old Sumi suffers an accident on the streets of wintry Winnipeg, her overbearing mother Sara flies in from Seoul to be by her now comatose daughter's side. As Sara meddles in Sumi's life via a dating app, she ends up on a journey that will leave her forever changed.
When her father and uncles die, Jone (Josemi's daughter) decides to make a documentary about the Ibarretxe Brothers. Pioneers in the Basque audiovisual sector, creative, cheeky and always up to something, they were devoted to cinema made in Euskadi long before it was a reality. Analysing their films and talking to people who accompanied them (Stephen Fry, Echanove, Ramon Barea, Santiago Segura, José Luis Rebordinos), Jone gradually comes to realise that their cinema is nothing more than a faithful reflection of their own selves.
A Dying Leaf Should Be Able to Carry the Weight of the World is a visit to the botanical garden and museum in Cluj-Napoca, a journey through time and space, a discovery of plants with unknown stories, of plants that don’t exist anymore, of plants that can tell us as much about the past as they can about the future. Fossils, herbs and botanical illustrations are witnesses of the past, proof of evolution and change, but also prophets of what is yet to come. A visit at a botanical museum in Cluj, 2023; a close look through a tourist booklet about the same museum, published in 1979. In Thea Lazăr’s film, the voiceover animates an open essay, a mix of poetry and theory, about, on the one hand, the power of botanical conservation as a science, and, on the other, the ideological limits of museum practices: the violence of knowledge. Lazăr exalts the image of plants, the magical understanding of them, as a self-existing landscape, and not as a mere backdrop for human civilization. The film’s climax bears fruit to that thought when the images of the greenhouse turn abstract, melting into 3D animations of a wild landscape: the revenge of the moving image against the culturally fixed one. (Călin Boto)
"Somehow, I was always afraid to go to Japan." — Hyejeong returns to her hometown in South Korea to attend the 'Jecheon Righteous Army Festival' after a long time away. Every October, the town holds a memorial service to honour the ancestors who resisted the Japanese invasion 100 years ago. She shares the stories of the loud cry that was heard on the same day years ago and the last tiger — a symbol of strength and power in Asia — that was hunted down during the colonisation. Through a collage of photo postcards from that era, that were often staged in a studio, she questions how the invaded Woman's body became the image of the colony. What mechanisms are used to rationalise colonial rule? The colonial matrix, however, was shifted through South Korean soldiers hunting Vietnamese tigers and raping Women during the Vietnam War. Hyejeong shares the story of how she accidentally arrived in Japan alone and met a Woman at a restaurant near Karasuma Station, where the tWo shared a meal together.
Born without a vagina, Myung-ki undergoes surgery and uses a dilator to reunite with his ex-partner, Do. However, after learning about Do's new boyfriend, San, Myung-ki's body becomes more plastic-like as they falls into confusion. Desiring to be with Do forever, Myung-ki commits to being reborn again and again.
4.0分 Suk Sanaeha Kraithong Chalawan是根据泰国流行的民间传说“Kraithong”改编的，讲述了一个凶猛的鳄鱼国王“查拉旺”与勇士“克莱通”的故事， Suk Sanaeha Kraithong Chalawan is based on popular Thai folklore"Kraithong " which spoke about the tale of a fierce Crocodile King "Chalawan", who had a crush on the daughters of a wealthy man — Tapaokaew and Tapaothong. In his desire to obtain the tWo beautiful girls, he kidnapped both of them and brought them to his palace underwater. The crocodile king was unforgiving and unbeatable. Nobody could defeat him or shake his power. That is... until Kraithong arrived. Kraithong, the fearless warrior defeated the crocodile king and saved the tWo sisters. Later, the tWo sisters married him as well.
怪诞 (2024) 电视剧
2.0分 Ryan Murphy dropped a teaser for a new series titled Grotesquerie in an Instagram post (see it below) on Friday. According to the post, it will star Niecy Nash-Betts — who has Worked with Murphy several times before and is coming off an Emmy win for Monster: The Jeffrey Dahmer Story — Courtney B. Vance and Lesley Manville and is set to premiere in the fall. The teaser features Nash-Betts’ voice, sounding very disturbed about a crime scene: “I don’t know when it started. I can’t put my finger on it. But it’s different now. There’s been a shift. It’s like something’s opening up in the World — a kind of hole to the center of nothingness. What I saw today — they sent shrinks for everyone who Worked this crime scene. You think, ‘Well hon, evil has always existed,’ and cite some statistic about how the World’s getting better, less murder, more help, less global horror, never been a better time to be alive, honey.” Her voice cracking, Nash-Betts (or rather, her character) concludes by saying, “Come back. It’s not getting better. And I keep needing to hear your answers, because something’s happening around us, and nobody sees but me.”
在广袤无垠的蛮荒仙界，修仙文化盛行，凡人皆以成为修士为荣。大学生陆航之从现代穿越而来，成为紫云镇上的一介凡人小厮，每天过着如履薄冰的日子，但他不肯认命，一直努力上进，想要摆脱现状，力争上游。后来，因为一次善举，他得到朱府大小姐朱抚琴和其师兄冷无涯的赏识，被招入朱府接受考验，若能通过，就可获得拜入玄心宗成为修士的机会。陆航之把握时机努力做事，认真完成朱抚琴交代的所有任务。在此期间，他偶得意外机缘，凭借五百年份的灵果，提升资质，备受朱抚琴重视。朱抚琴觉得引陆航之入玄心宗能为自己增加助力，便给予多番援手，助其快速成长。陆航之也不负所望，通过不屑努力，最终通过考验，成为玄心宗外门弟子。然而，这仅仅是一个开始，陆航之的志向远不止于此，他想要更进一步，只有晋升至内门弟子，才能获得更多资源，确保拥有足够实力站稳脚跟。
A person travels to her birthplace, searching for her lost home/roots. She meets peoplehouses, hybrids who come to life before her eyes and, swallowing her, pull her into their "circle dance". After the trip, the person returns to the city and inhabits various spaces. As she relaxes with her cats, she has a transformative experience, resulting in her becoming a Womanhouse, i.e. she becomes her own home.
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