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HOSHIMIYA TOTO是一位沒有實體的VR歌手。在現場表演中，觀眾被螢幕上的虛擬形象吸引，產生了實體存在的錯覺。這種渴望與虛擬存在融合，使現實與VR之間的界線變得模糊，讓我們的心靈演變成一種新生命形式，進行融合和解體。
小象進入了他夢中的世界。由於好奇心，他發現自己陷入了噩夢之中。他在途中遇到怪物，陷入可怕的境地，能量逐漸耗盡。小象該如何才能回到家，回到他心愛的房間，回到心愛的母親身邊呢？
一次公路旅行描繪了從悲傷到接受的過渡，穿越山谷、交匯點和迂迴路徑。這是一場對孤獨的沉思，也表達了我和地方不斷變化的關係。
devraj is an affluent businessman with an extensive network. He is crafty individual who can handle any issues, no matter related to any jack in office or powerful kingpin of the political party. He is proud of his influence and never entertain peoples who are below standard. One day he found himself in a situation, that he has to leave all his comforts and hide himself in a small farm house located in the outskirt of Himmatnagar. According to God's will his life turned upside down. The man who was on cloud nine now lying on the ground.
Unearthing layers of earth, melting, shaping, and creating for the future. The practices of Germans Ermičs and Artis Nīmanis differ, so do the materials they use, yet both are among the most internationally acclaimed Latvian designers. What unites them is their dedication to materiality, though they each follow different personal and creative paths. Ermičs’ “magic of material and colour” emerges from glass, marble, and metal – he moves freely between the Netherlands, Latvia, and Portugal, as well as between the disciplines of design and visual art. Meanwhile in Latvia, under the brand “an&angel” Nīmanis deconstructs the concept of glass – in each of his pieces, he breathes a sense of the presence of nature.
Zoé Rivemale films the making of dans la peau de Blanche Houellebecq, a shoot in which she is also second assistant director. The position allows her to capture everything; to recount the anecdotes, the encounters, the jokes, but above all the work of the film crew. It’s a behind-the-scenes look that’s just as funny as the original; a fascinating glimpse into Guillaume Nicloux's working methods (L'enlèvement de Michel Houellebecq, Prix spécial du jury Temps Ø in 2014, Valley of Love, Thalasso, etc.) and the unlikely artistic match of Houellebecq and Gardin. Above all, however, it is a study of the entire technical team, working tirelessly behind the scenes, revealing how such a film is made. Informative, fascinating and, admittedly, quite comical. © FNC 2024
Virginia Tangvald never knew her father, the famous Norwegian ocean racer Peter Tangvald, whose boat sank off the West Indian coast in 1991. His son Thomas also took on the life of a great adventurer before his yacht disappeared in 2014. Overwhelmed by her family's story, the director questions and lifts the veil on the mystery. From an idealized father figure to siblings living far from each other, archival footage is combined with interviews in this exploration of transmission, trauma and grief. An intimate and universal documentary, coupled with a gripping and moving international investigation.
Re-envisioning various traces of Albert Lamorisse’s final film, a documentary commissioned in 1968 by the increasingly autocratic Imperial State of Iran, LOVERS’ WINd and POSTSCRIPT offer a critical, contemporary variation of the original film’s intention to document the Iranian condition.
Through image and sound Study for Structure… dissolves narratives of progress/collapse, refusal and the personal.
The aim of my approach is to bring together in these dialogues what separates us from what is essential, to build a special relationship between sound and visuals that I wish to share with everyone in their differences. Finally, these dialogues are built and created over time.
Letters made of sounds and images, a reel of Super 8 film, analog tapes, the passing of a train, were the guidelines for this attempt to join, to make a song out of distance.
The film follows Sara, an Iranian-Italian immigrant in London, through her daily struggle at a desolate car wash. Amidst mundane routines and fleeting encounters, Sara's inner dream of becoming a professional dancer yearns for expression.
Why did cinema lag behind for so long in terms of morals? Why did this new art form, created to depict the modern world, find itself a prisoner of moralist and Puritan ideals? Over just fifty one minutes, this densely-packed documentary brings to light the traces of a different gaze, from the films of Thomas Alva Edison to contemporary cinema. From censorship to fragile tolerance, it tells the story of an uncertain war.
Synopsis Since 1584, in the heart of Rome, in the middle of the Tiber River, the Tiberina island is a place dedicated to the care of patients and pilgrims, where the Isola Tiberina – Gemelli Isola Hospital stands. Shrouded in myth, this small island has witnessed the transition from the mysterious Pagan rituals to the spirituality of the Christian world, from the Emperors to the Popes, from the Priest-doctors of Antiquity, to the avantgarde specialists of today, without ever losing its vocation for hospitality and healing. COMMENTARY directed by Alex Grazioli, the documentary reconstructs the thousand-year-old history of the island, with appearances by Giuseppe Fiorello, the art historian Filippo Cosmelli, the architect Ilaria delsere and Father Raphael Barbato. PROdUCERS' STATEMENT To quote Margaret Mead: “Helping others in need is the exact point at which civilisation begins. We are at our best when we serve others”. Giuseppe and I are happy and honoured to have been a part of this project, involving friends, professionals and philanthropists for the Hospital.
Synopsis At the age of 26, aerodynamics engineer Mauro Forghieri was put in charge of Ferrari’s racing department in the early 1960s. Against all odds, he designed the 250 GTO, which became critical to the success and legacy of Ferrari. The car achieved legendary status and became the most expensive race car ever sold. COMMENTARY The documentary reviews a history that in part brings to mind invaluable box office hits such as Ferrari by Michael Mann or Ford v Ferrari, but adopts a different perspective to evoke, through historical materials and recent interviews, the story of a true timeless legend, indelibly imprinted in the collective imagination. dIRECTOR'S STATEMENT My work explores the themes of character and humanity. To me, the Ferrari 250 GTO is a surprising entry point into a deeply meaningful story about the very short, albeit fortunate time we spend on this earth and the fascinating ways we choose to live and create while we’re here.
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