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l'artd'êtreheureux|Del'artouduMachond? (2024) 电影
2.0分 Stefan liberski turns to the world of art, its big concepts and disappointments, but also its enthusiasms and beauty. The film paints the portrait of Yves Machond who, at 55, still feels he has a piece of art to offer the world. He leaves Brussels and his job as a professor to move to Étretat, the land of Impressionism, hoping to get inspired. This comedy shows the difficult coming into being of his project and the metamorphosis of the hero. It’s an adventure with unexpected turns, where Machond will learn that life and art are not just ideas. Not only. Not yet
On an Island, stands a Villa, called “Delle Ginestre.” It is the villa of the Reffi family, the refuge of old Antonio and his two children. Carla, the eldest, a writer, and Celestino, a former doctor with a passion for mathematics. life on the island flows quietly, sheltered from everything, even emotions, until two thieves on the run land there: Guido, a gambler, and Beatrice, his accomplice and companion, beautiful and fatal. The arrival of the thieves sours the world of the Reffi family, who find themselves at each other’s throats and faced with a doubt: denounce the two guests or give them a chance at redemption?
Two middle-aged sisters in a Finnish village promise to brew beer for a wedding but drink their entire batch. In a hilarious race against time, they struggle with hangovers while trying to make more beer and save their reputations.
MarkoPolo (2024) 电影
10.0分 The film does look set to be incredibly personal: when Elisa realises that the film she’s been working on for years is dead, it impacts everything in her life, including her faith. She wanted to talk about her conversion to Catholicism, but maybe she wasn’t enough of a believer? "In God or in the film?", we ask ourselves, but not even she can answer this question. When faced with failure, all she’s ever been able to do is lose herself. "Because you’re tedious and you don’t know how to look after other people", the Madonna tells her the first time they speak, desacralizing her crisis and inciting her to react. As a result, Elisa, her sister, her screenwriter and the failed film’s lead actor set off on a journey on board a ship, headed for a sanctuary which they know little to nothing about. Each of them has something to resolve, a knot to untie, much like all the other pilgrims on the boat.
4.0分 法国/剧情片
Synopsis like the concrete that pours into the foundations of the tower blocks he builds, Joseph Cross is solid, strong, and reliable. But one night, he jumps into his car after taking a mysterious call and leaves the site of the most prestigious construction project of his career. The decision is his: left or right, different destinies. With the other foundations of his life crumbling beneath him, Joseph hits the road alone with his demons and his cellphone. COMMENTARY A long journey into the night, between the voice of Joseph and the many others that are heard on the telephone: obsessed, tense, anxiety-producing, le choix is a remake of locke, the 2013 film written and directed by Steven Knight and starring Tom Hardy. The story of a life that is transformed into a claustrophobic thriller. DIRECTOR'S STATEMENT Will Joseph Cross, the builder, risk demolishing everything he has built in his life only to achieve what he believes is right? Cross Away is an existentialist thriller that questions the ethics of responsibility. To film a man alone in his car is to believe that there is no landscape more fascinating than a man's face. To embody this ordinary man pushed to his limit, it was essential to work with an actor charismatic enough to carry the film single-handedly for 77 minutes. Audiences get attached to characters they can identify with. As soon as you offer them a story and they think: “Hey, that could be me!”. You're halfway there. The other half is Vincent lindon.
這是一個女兒拿起攝影機拍攝自己父親的故事。2006年，賴丁甫擔任台東河川局局長期間，被控收賄十萬塊，以貪污罪起訴，打了三年官司，最後獲判七年入獄。賴丁甫假釋出獄後，女兒拿起攝影機，希望用影像為爸爸發聲、洗刷冤屈，卻沒料到，剛從天崩地裂般的痛苦走出來的一家人，包括他自己，都因為這部片的拍攝，而陷入負面的情緒漩渦⋯⋯
在目睹一朵古老的黑暗暴風雲痛苦地降雨並悲傷地消逝後，朵朵白雲諾瑪意識到她的女兒米克斯特利，一朵黑暗的暴風雲，正面臨早早降雨的危險。
上甘岭|狙击上甘岭,BattleofShangganling (2024) 电影
10.0分 抗美援朝进入最关键的决胜阶段了。美军在板门店谈判期间，暗中调集大量军队，发动突然袭击。美军目标很明确，就是攻占上甘岭，以此作为据点，进而夺取五圣山，一次增加谈判的筹码。 在上甘岭守卫的是中国人民志愿军某部八连。面对比我方多得多的敌军，志愿军没有退缩，而是选择了顽强抵抗， 以此拖延美军时间，粉碎敌人阴谋。连队在连长张忠发（高保成 饰）的带领下，与美军浴血奋战。虽然坑道里的环境恶劣，而且面临着断水断粮的危险，但是志愿军硬是坚守了24天，为中朝联军大反攻奠定了坚实的基础。
Seweryn, a 30-year-old musician, is about to sign a contract with a small music label. His life takes a radical turn after a concert when he becomes the victim of rape by Michael, a wealthy businessman. At first Seweryn can't remember what happened, but his body rebels and Seweryn loses his most important asset, his voice. Seweryn navigates this harrowing ordeal alone and does not share the truth with his girlfriend, Caro. In order to reconcile his feelings and repair their damaged relationship, his voicelessness and lack of energy to live, he has to confront a hidden trauma from the past, from his childhood days in Poland. Seweryn must deal with what he has carefully hidden and denied in his soul all his life...
An anthology film by Striptease, the famous Belgian collective that has been sifting through society (on TV, then in film) since the 1980s. In this third film, we meet influencers in Dubai, a self-taught actress in Avignon, a mother who rhymes perfection with perversion, a hypochondriac doctor and a well-connected stiff. These lives are all Sisyphean quests to find meaning in existence and one’s place in the world, reflecting back our own pride and absurdity. In short, a movie that embraces the function and form of contemporary vanity with as much malice as bite. © FNC 2024
The closure of the Cochran bar in Valparaíso confronts the forgotten rocker Ricky Palace with the dilemma of retiring to the South and starting a new life, or fighting for the hit that was stolen from him, risking becoming a ghost in his beloved port.
Ralph, a mourning detective, discovers an unwelcome lump and an equally unwelcome partner, Xavier. The investigator contends with Xavier’s exuberance as they navigate a quirky partnership between unlikely cases, themselves and a mysterious lump.
To expropriate industrial filmic landscapes to reduce them to raw material, utopian abstraction, transfigured lands. The voices and rhythms of the Chilean agrarian revolution shake the earth, stirring up sediments, confronting mineral strata and digging through the geomorphological layers of the recent history of the Chilean territory.
Tras volver del extranjero, un joven poeta chileno se encuentra sumido en un profundo desarraigo que no le permite escribir. Como solución desesperada, decide ir a buscar inspiración a lautaro; tierra que parió y sirvió de musa a su poeta favorito, Jorge Teillier. Errando por el pueblo, el poeta descubre pistas que le acercarán a Teillier y a la sugestión creativa, involucrándose en un puzzle en el que parecen faltar piezas.
Emi es una alegre niña de ocho años que es muy unida a sus abuelos, en especial a su abuela con quien suele crear bellas pinturas. Un día mientras pintaban un nuevo cuadro se dan cuenta que es la hora de Emi para ir a la escuela, por lo que lo dejan inconcluso a la espera de terminarse. Al regresar a su hogar, Emi se encontrará por primera vez con un suceso que cambiará la forma de ver la vida.
Bastián vive un día cotidiano en una población de Santiago, donde día tras día lleva una rutina para ser un apoyo en su familia. Comienza la jornada trabajando junto a sus familiares al amanecer, comparte con sus amigos del barrio a mediodía y recibe a su hermano del colegio a la tarde para facilitarle la tarea a su madre. A la noche, como de costumbre, se junta con el mecánico de la esquina que le enseña a reparar autos. Con él, mantiene una conversación acerca del presente y el futuro.
Chaitén, sur de Chile, 2 de mayo de 2008. Una erupción volcánica inunda en cenizas la ciudad y queda al abandono. Quince años después, el pueblo ha vuelto a surgir. Brotes de vida en un paisaje cruzado de cicatrices. Remoto. Herido. Intacto.
Cortometraje compuesto por imágenes registradas por la autora –algunas caseras y otras de experiencias en actuación para televisión– y por referencias a la iconografía producida por el género en otros países. Todo este material da paso a lo experimental y forma un collage de texturas sonoras y visuales. Así, se aproxima a los tópicos que la producción dramática televisiva ha levantado como una red de símbolos que se retroalimentan y terminan consumidos en un universo restringido y codificado.
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