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Because I could not stop for Death, he kindly stopped for me; the carriage held but just ourselves and immortality” – Emily Dickinson  If Death took a holiday, the guns would go silent in Iraq, the slaughter on our nation’s highways would cease, and the news media would be compelled to cover positive events in the humanities, arts, and sciences. Unfortunately, Death has not had a vacation in recorded history, but Mitchell Leisen’s 1934 fantasy, Death Takes a Holiday, allows us to consider the possibility. Co-written by Maxwell Anderson and Gladys Lehman and based on the play La Morte in Vacanza by Alberto Casella, Death Takes a Holiday stars Frederic March as the Grim Reaper who takes on human form in an attempt to discover why men fear him so much. Why he has waited 5,000 years to satisfy this curiosity is not explained.  [Spoiler] After a brief tryout as a shadowy figure who scares the daylights out of those that cross his path, Death shows up at, of all places, an upscale party at an Italian villa, posing as the mysterious Prince Sirki. Only one person knows who he really is, the host Duke Lambert (Guy Standing), and he is sworn to secrecy. Sirki proceeds to fascinate the guests. Given to bursts of wit and poetry, he can just as quickly turn sullen and threatening, and some soon find out that it is better not to look too deeply into his eyes. During the three days in which the Prince is at the villa, however, people all over the world miraculously escape death and potential suicides are doomed to frustration.  To see what’s behind all the conversation about love, the suave but naïve Prince Sirki falls for the irresistible Grazia (Evelyn Venable), the daughter of one of Duke’s friends. Grazia knows who Death is but does not fear him, much to the chagrin of her fiancé, Corrado (Kent Taylor) who has developed a strong disdain for Prince Charming.  More sinister than Brad Pitt in the 1998 remake Meet Joe Black, March turns in a very convincing performance as the creepy yet strangely appealing guest. Although the ending is melodramatic, the emotions are very real and the suggestion that Death may in reality be a friend disguised as a foe is quite touching.  (Howard Schumann, talkingpix.co.uk)  In this wearisome and predictable plot line, Death falls in love and bores us to death talking about it.  (Dennis Schwartz, homepages.sover.net)  I've heard DRACULA was advertised with the tag line The Weirdest Love Story ever told! (this is probably a paraphrase), but at heart, I've never felt that you could honestly call that movie a love story. The tag line would be much more appropriate for this one, since it ultimately boils down to what amounts to a love story. This movie is very good indeed, particularly if you consider that it is built around a concept that could have easily been handled in a cute or facile manner. Instead, it is handled as seriously as possible, with some real thought put into how death would try to come to terms with a life and an outlook that was to that point totally unfamiliar to him; much of the credit does go to Fredric March in the title role. It's quite scary when it needs to be, particularly during the first twenty minutes. From then on, it deals with its themes with subtlety, a quiet wit, an enduring sadness, and an everpresent tension on how Death might react if crossed. It's not perfect; some of the dialogue is self-conscious and artificial, as if the writers knew they were dealing with weighty issues and were trying to be profound. But I am certainly glad they didn't try to turn it into a musical comedy of sorts.  (Dave Sindelar, scifilm.org)  See also the remake Death Takes A Holiday (1971)
苏联挽歌 (1989) 电影
10.0分
其它/剧情片
“It is a film from an extended series. It is hard to say who is the main character of “The Soviet Elegy.” There are more than a hundred faces of our compatriots. But, of course, it is not by chance that it is the destiny of a famous political figure, Boris Nikolayevitch Yeltsin, that bears a special accent in the film. Though he got to power following quite typical ways, his uncommon character puts him out of the ordinary, and in the author’s opinion it may be determined by his uncommon human nature. Our hero exists within the tragic pattern of the soviet socialist life. He is a character of a drama, of which he is one of the authors. “The Soviet Elegy” can hardly be called a documentary film in the proper sense. Of course, the author guarantees the accuracy of chronology, but he insists on an artistic mode of thinking, not on a political or historical investigation.”
舍我其谁 (2011) 电影
8.0分
其它/剧情片
伯恩瓦特(奧古斯特·迪赫 August Diehl 饰)的父亲是希特勒御用的纳粹诗人,发表过一系列的赞颂纳粹精神的诗歌。如今,伯恩瓦特和妻子恩斯林(莉娜·莱西米兹 Lena Lauzemis 饰)正在整理那些未经发表的作品,希望这些作品能够给现在的文学界注入新的力量。在整理作品的过程中,伯恩瓦特和恩斯林的政治立场也在渐渐发生着变化。  伯恩瓦特有一个秘密交往多年的情人罗斯(玛利亚-维多利亚·德拉古斯 Maria-Victoria Dragus 饰),天真的恩斯林以为他们可以组成一个独特的三口之家,却因为嫉妒而常常同丈夫发生口角。之后,恩斯林也成为了安德里亚斯(亚历山大·斐林 Alexander Fehling 饰)的情人。
第一集的病毒再次袭来!自从他的朋友遭殃之后,保罗这次能否逃过劫难呢?  这一次恐怖事件的场景被设在了高中,一种极具腐蚀性的污染水源被装瓶送入校园,出现在高中返校舞会上,毫不知情的学生们在饮水后,开始吐血、腐烂、最终死亡。
塔拉·麦可米克的妹妹被汤米·斯普纳托谋杀。法庭上,汤米被判无罪释放,塔拉不满法庭的判决,一气之下当场枪击汤米,塔拉因此入狱。塔拉在狱中结识了好友杰西,联邦调查员到狱中与塔拉达成协议,只要他可以除掉汤米,可以还她自由。塔拉要求要同时释放杰西,当塔拉完成任务后,发现自己似乎陷入了一个骗局。
布拉德(本·斯蒂勒 Ben Stiller 饰)一直以来都是一名坚定的理想主义者,如今,他和妻子梅兰妮(珍娜·费舍 Jenna Fischer 饰)共同抚养着儿子特洛伊(奥斯汀·艾布拉姆斯 Austin Abrams)饰,与此同时,他还在经营着一家非营利性的组织,该组织专门在有需要的人和资本家之间牵线搭桥,帮助这些人获得资本的支持。  某日,布拉德开始审视自己的这大半辈子,忽然产生了自己一文不值的感觉。他觉得他这么多年来所有的理念,所做出的的全部努力都没有任何的意义。他不能给人带来实质性的帮助,同时也无法给家人带来更优渥的生活条件,而和他同龄的那些大学同学们现在都成为了各领域内的中坚分子。布拉德的整个人生都被自己否定了。
在二战悲苦的末期,一个德军逃兵和一位年轻女子与一群寻找藏匿黄金的纳粹分子陷入了一场血腥斗争。
根据马修·蒂格为《时尚先生》杂志撰写的获得国家杂志大奖的文章改编,布拉德·英格尔斯比操刀该剧本。故事讲述在得知伴侣妮可(约翰逊饰)只有六个月的生命后,马修(阿弗莱克饰)意外地得到了他们最好朋友(席格尔饰)的支持。他搬到了他们家,暂时搁置了自己的生活。…
瑞贝卡(泰莉莎·帕尔墨 Teresa Palmer 饰)早早离开了母亲索菲(玛丽亚·贝罗 Maria Bello 饰),独自生活,之后索菲和保罗(比利·伯克 Billy Burke 饰)结婚,瑞贝卡有了一位名为马丁(加布里埃尔·贝特曼 Gabriel Bateman 饰)的同母异父的弟弟。然而,保罗在一场事故中死于非命,索菲因此陷入了悲伤和绝望之中,与此同时,马丁发现,妈妈常常会对着黑暗窃窃私语,似乎那里隐藏着一位“不速之客”。  精神备受折磨的马丁向瑞贝卡求助,瑞贝卡因此想起了自己童年时代发生过的与此极为相似的事件。经过调查,这位隐藏在黑暗之中的神秘人物名为戴安娜(艾丽西娅·维拉-贝利 Alicia Vela-Bailey 饰),曾是母亲住院其间最好的朋友,之后死于一场医疗事故,如今,戴安娜的亡魂再度回到了索菲的身边,她要这位她最好的朋友永远的和她在一起,任何企图接近的人都将面临死亡的威胁。
一艘名为“格罗莫夫号”的极地破冰船突然遭遇一座移动的冰山。剧烈的碰撞导致一位极地探险家跌入海中。为了对落水者施救,船体受到重创。得知这一情况的船舶总部立刻向“格罗莫夫号”派去一位叫舍普琴科的新船长。舍普琴科比起前船长彼得罗夫更有船长的威严,但他的高压政策也引起了船员们的不满。令船员们更加感到绝望的是,“格罗莫夫号”被困在坚冰中不能动弹,只能等待总部的救援。在燃料即将耗尽之时,他们终于见到了曙光,摆脱困境。
大脑越狱 (2015) 电影
8.0分
英国/恐怖片
薇卡(苏菲•玛索 饰)是个13岁的女孩,不同于班上的其他同学父母离异的状况,她拥有一个完整的家庭,虽然她总是觉得被母亲忽略,伴随青春期到来的,除却敏感的对父母之爱的需要,还有对异性情感的渴望。然而,父母的感情出现了裂痕,母亲与薇卡的德语老师燃起了爱火花;而在舞会上认识的拉乌尔,让她感受到初恋的美好同时也领会了爱情的伤害。  有了初吻之后,爱情就能保鲜吗?13岁的初恋能持续到多久?  苏菲•玛索凭借此片成为欧洲影坛著名的小明星。
这是2006年戛纳电影节的开幕影片,众多著名导演参加了这部包含有十多个小故事的影片,其中包括科恩兄弟、杜可风等等。制片人希望通过这部众多导演参与的影片讲述发生在巴黎的几乎所有的情感。片中的十多个小故事有的看似荒诞不经、有的看似毫无头绪,但是细细品味,你会发现其中 每个导演想表达的“真理”。  一个还算小有成就的中年男友,在路边停车时,突发感概,为什么满街上的人,只有自己形单只影?就在这时,一个女人因为低血糖晕倒了在他的车旁,热心的男人将她扶进了自己的小车后座休息,两颗孤独的心由此靠近。  塞纳河畔,三个年轻人在调戏着路过的年轻女子。其中一个发现了就在他们旁边有一个戴头巾的漂亮女孩,女孩离开时不小心摔倒了,那个年轻人跑过去把她扶了起来。爱情在两人中间慢慢滋长。  一间画室里,一个法国男孩对另一个男孩一见钟情,絮絮叨叨的讲着自己是如何抑制不住和他谈话,讲着自己是如何被对方的气质所吸引……然而另一个男孩对他却无动于衷,最后,法国男孩留下了自己的联系方式离开了。这时,男孩用英语问旁人,“刚才他在讲什么?我法语不好。”随后,男孩冲出了画室,奔跑着去追寻自己的爱情。  ……  一个美国中年妇女来到巴黎旅游,她望着川流不息的人群,此时她多么希望自己就是法国人,能长此居住在这个陌生而又极具魅力的城市。她想起了自己的前男友,虽然两人已经分手了十一年,他也有了自己的家庭。最后,他参观了巴黎的公墓,看到历史上叱咤风云的人物安静的躺在那里,她也感悟了。
泰尔素日只想玩牌,而奇克是一个脆弱易怒的年轻人,奇克正在寻求帮助,来执行他对军事上校(达福饰)的复仇计划。泰尔也在奇克身上看到了复仇的希望。得益于神秘的赌博金主拉·琳达(哈迪斯饰)的支持,泰尔带领奇克在赌场间辗转,直到三人的目光投向赢得在拉斯维加斯举行的世界扑克大赛。但事实证明,令奇克保持专注是行不通的,同时泰尔也被拖回了他过去的黑暗阴影中。
管道工接到报告说某个住满底层群众的筒子楼水管崩裂,去勘察时发现大楼豆腐渣工程即将在24小时内倒塌,于是通过母亲好友联系到女镇长,女镇长和手下考虑了自身利益,又经扶植女镇长上位的经济操手怂恿,大家决定放弃转移大楼中的820名住客并暗中杀害了两个头头当做替罪羊。  其中被杀的 负责建筑的头临死替管道工求了情,允许他闭嘴带着家人远走他乡,管道工心中良心未死,不听父母及妻子的劝告执意去救人……
一支佣兵团队在圣诞夜突袭一栋富有人家的豪宅,并且挟持豪宅内的所有人为人质时,他们竟然遇到一个完全意想不到的强劲对手:圣诞老人(大卫·哈伯 饰),而且他会让他们知道圣诞老人并不是一个面容慈祥、心地善良的圣人。
After false reports of his demise put him and his work on the map, an artist decides to continue the charade by posing as his own brother. Soon, a reporter enters his life and has a profound effect on him.
丹·克劳斯执导,基于他导演的同名纪录片,讲述美国入侵阿富汗期间,一名年轻士兵Adam目睹自己队上的其他新兵杀害无辜平民,考虑将他们报告给上级。而这支全副武装、越来越暴力的小队,也开始怀疑自己的队伍中有人背叛了他们。斯卡斯加德饰演的中士强迫Adam杀死平民,不然就杀死他。
电影改编自同名小说,讲述15岁少女Minnie因陷入与妈妈的男友Monroe秘恋,而逐渐迷失自我的故事。
爱的遗产 (2016) 电影
8.0分
美国/剧情片
安德烈去巴黎瞻仰祖父的墓地,他的祖父曾是白军中的一名军官。以两条线平行的方式讲述百年间祖孙二人的经历,以祖父的内战经历为主线
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