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导演提莫·塔哈亚托近日在INS账号上晒出了他最新完成的电影剧本并宣布在完成最新作《四大杀手》（The Big 4,,2022）后回归黑暗犯罪风电影。新电影命名为The Shadow Strays，与提莫前作《嗜人之夜》（The Night Comes for Us, 2018）有剧情关联。
佩德罗·巴拉莫 (2024) 电影
9.0分 Uno de los anuncios más esperados y que más expectativa ha causado es la adaptación cinematográfica del clásico de la literatura universal Pedro Páramo de Juan Rulfo. Bajo la producción de Netflix, el debut como director del cinefotógrafo nominado al Oscar, Rodrigo Prieto ya tiene su elenco, el cual estará encabezado por Manuel García-Rulfo y Tenoch Huerta. La novela, considerada una de las más importantes del idioma español y fundacional para el boom latinoamericano por su uso del realismo mágico, se sitúa en la época de la Guerra Cristera y narra la historia de Juan Preciado -que será interpretado por Tenoch Huerta- quien llega a Comala en busca de su padre, un hombre llamado Pedro Páramo a quien Manuel García-Rulfo dará vida.
In 1960 a young Irish woman named Edna O'Brien wrote a sexually frank debut novel, The Country Girls. She became a literary sensation, writing for The New Yorker, delivering provocative interviews, and authoring screenplays. Her success enraged her writer husband and made her a pariah in her native Ireland, where her books were banned and burned. She would make her home in London, where she conducted numerous love affairs, hosted star-studded parties, and made and lost a fortune. In July 2024, Edna passed away and this film provides a final testimony from her, aged 93, as she reflects upon her extraordinary life for filmmaker Sinéad O'Shea's camera. Granting the director access to her personal journals - read aloud in the film by the Oscar-nominated Irish actress Jessie Buckley - and with additional perspectives offered from Gabriel Byrne, Walter Mosley and an array of renowned writers, Edna does not shy from any subject. Blue Road is as candid, dark, and enchanting as O'Brien's wonderful novels.
8.0分 意大利,法国/剧情片
This film is a very personal account of moments lived by the director with her father. A personal account, yet told with the proper distance, in that cinema is ever-present between father and daughter: as a passion, a life choice, and a way of being in the world. Cinema as a web that underlies the story of their exchanges and creates a space for imagination. “With cinema,” the father says, “you can escape. With your own mind”. Images are sparked by memories and like memories amplify a few notable markers while erasing others. Spare images, where there is hardly anything other than the two of them, and the marker that is present always has something monstrous about it: large things are exceptionally large; distant things are incredibly far; sunbeams are ablaze; nearby things are much too close. As for the movie sets, however, everything is in excess: confusion, urgency, people, noise—and everything here is also amplified. In these sets is the thrill of communal life. The ones featured in the film are those of Pinocchio, built in the middle of nowhere in the barren countryside.
Un padre e una figlia. Il cinema e la vita. L’infanzia che sembra perfetta e poi diventare grandi sbagliando tutto. Cadere e rialzarsi, ricominciare, invecchiare, diventare fragili, lasciarsi andare ma non perdersi mai. Il tempo che ci vuole per salvarsi.
After a car crashes into his front yard, a family man develops an unhealthy obsession with being ready for the next accident. And the next.
Beloved Tropic tells the story of the encounter of two women; Ana Maria is a Colombian immigrant who works caring for Mercedes, a distinguished lady of high society who is being consumed by Alzheimer's disease. From very distant worlds, these women recognize each other in the experience of loneliness. In a tropical garden they build a bridge and for a time save each other from solitude.
夜母|夜色女人,夜色怨女,暗夜犬婊 (2024) 电影
4.0分 电影根据蕾切尔·约德的同名小说《夜母》改编，原作入围了美国笔会/海明威奖。讲述了一位新晋为母亲的女性艺术家，在全职照顾孩子时越发孤独焦虑的故事。在她眼里，自己从来都不是一个母亲，既然现在成了母亲，就一定要成为快乐的那个。经过多番努力与尝试后，她发现只有变身母狗可以实现这一愿望。
继母因无力负担生活，将苏菲和她的两个妹妹都送到了制帽店去当学徒。两个妹妹很快先后就离开了制帽店去追寻各自的梦想，只有苏菲坚持了下来。一天，小镇旁边来了一座移动堡垒，传说堡垒的主人哈尔专吸取年青姑娘的灵魂，所以小镇的姑娘都不敢靠近。 一个恶毒的巫婆为了报复苏菲与哈尔见面，用巫术把她变成了一个80岁的老太婆，而且苏菲还不能对别人说出自己身中的巫术。无奈，苏菲决定独自一人逃离小镇。天黑了，虚弱的苏菲没走多远，来到了移动城堡。心想自己已经是老太婆了，苏菲壮着胆子走进了城堡。不想，遇到了和她遭遇相同的火焰魔。两人约定彼此帮助对方打破各自的咒语……
猩球崛起：新世界|猩球崛起4：新世界 (2024) 电影
6.0分 故事设定在“猿流感”病毒蔓延全球的背景下，人类几近毁灭，而进化为高级智慧生物的猿类一跃成为食物链顶端的王者。时移世异，暴虐的猿类首领赛撒（凯文·杜兰 Kevin Durand 饰）在一片废墟中建立起猿族历史上的第一个帝国——“猩球”崛起，这是世界新秩序诞生的黎明时分。神秘的人类女孩诺娃（弗蕾娅·艾伦 Freya Allan 饰）的出现，引起了赛撒的警觉。她似乎掌握着一个巨大的秘密，不仅关乎人类的存亡，甚至可能再度颠覆整个“猩球”。被迫逃亡的诺娃在躲避赛撒军队的过程中，与青年猿类诺亚（欧文·泰格 Owen Teague 饰）的命运交汇，揭开了一段冒险的旅程。
越今朝和越祈二人在乌岩村相伴三年，有着神奇的“共鸣”关系，却对各自的身世一无所知。二人携手闯荡江湖，希望找回过往记忆。双越二人被卷入启魂圣宗作乱和洛家堡血祭等神秘事件之中，而在对抗圣宗过程中意外让越祈被封印的回忆和情感被开启。随着事件发展，双越结识了洛家堡双子洛埋名和洛昭言、千年狼妖闲卿、顾寒江和明绣师徒以及居十方等一众江湖人士，二人的真实身份也逐渐揭开。正武盟、启魂圣宗、衡道众、禺妖族，几大势力接踵而至，谁才是真正的幕后设局人？计中有计，局中有局，不惜舍身改命，只为今朝再聚。
物語は閑静な住宅街にある赤い屋根の家から始まる。18年前、この家で両親を殺害し遺体を切り刻んだのは、実の娘の青田彩也子と、その恋人・大渕秀行だった。大渕は裁判中に「早すぎた自叙伝」を出版し、過去に女子児童を手に掛けたことを告白する。裁判では彼に洗脳された彩也子が凶行に及んだとされ、主犯の大渕は死刑、彩也子は無期懲役が確定。それから数年後、「早すぎた自叙伝」を担当した編集者・橋本涼のもとに、新人作家の小椋沙奈が、事件をモチーフにした小説の企画を持ち込む。小説の連載を実現すべく、大渕と獄中結婚した大渕礼子や、大渕のかつての愛人である元敏腕編集者・市川聖子ら関係者への取材を進める橋本と沙奈。しかし2人はやがて、関係者が抱える嫉妬や劣等感などの黒い感情に引きずり込まれていく。
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