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搜索"帕芙拉·贝雷托娃",共搜索到"3"个相关内容,当前第“1”
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YearoftheWidow|Rokvdovy (2024) 电影
2.0分
捷克,斯洛伐克,克罗/剧情片剧情
Year of the Widow. Stemming from a diary-esque article by Zuzana Pokorná, the narrative intimately charts her initial twelve months of widowhood.   The film traces the journey of Petra, thrust into an unanticipated world of grief following the sudden loss of her partner. More than grappling with her personal anxiety, she must contend with a labyrinth of bureaucratic hurdles reminiscent of a Kafkaesque nightmare. Presented from Petra’s perspective, the film explores the immediate emotional aftermath of loss, further complicated by the maze of social norms and legal proceedings she must traverse. Thus, the psychological drama morphs into a poignant societal commentary on grief, survival, and death in today’s world. The film captures the transformative narrative of a young widow reconstructing her life after the death of her partner and discovering newfound independence. “Our aspiration with Year of the Widow is to project a realistic yet suggestively portrayed story with a potent cathartic undertone on screen. It is about fresh starts, emancipation, and self-reliance. Further, it illustrates the importance of inner freedom and independence, which we need to find within ourselves before we can impart it to those we hold dear,” shares the director.
8.0分
捷克,斯洛伐克,瑞士/剧情片剧情
American Chick is inspired by the life story of a woman, called Ema Černá in the film, whom the director met during his period of homelessness and who tries to carry on living her life against all odds. Černá goes through an orphanage, foster care and a detention centre. She endures the ordeals – including bullying and beatings – driven by the desire to meet her father, who supposedly lives in the USA (she was born there and was brought to Czechoslovakia at the age of nine by her mother, who then abandoned her). The director calls American Chick “a probe into the history of the Czechoslovakia of the 1980s and 1990s” and “a contemporary drama about freedom, ostracism and the desire to live”.   The theatrical version centres on childhood, while the film will follow the protagonist through different moments in her life, into the present day. However, the stigma that the protagonist bears continues to have an influence on her life. The dream of finding her father in the USA is vanishing, and she has to learn to come to terms with her own faults and accept her fate.
年迈的兽医扬先生试图为自己牢笼般的婚姻找寻一条合适的出路,而他岳父的死亡成为压死骆驼的最后一根稻草。他岳父曾和他一样同婚姻做斗争。他岳母现在成了一名寡妇,但仍然主宰着一切事务。扬先生的妻子奥尔加也坚信是她主宰着他们二人的幸福,因此扬先生越来越怕自己步岳父的后尘。他不断用越发奇怪的方式去释放自己,甚至选择去进行一场荒谬又不自在的冒险,最终他发现即使实现了理想中的自由,但一切并没有那么简单。
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