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After the beginning of the full-scAle wAr in UkrAine, MAshA mAkes An inner migrAtion to the underground scene, which becAme An escApe for young RussiAns, whose homelAnd chAnged forever. This personAl kAleidoscope of shArds chronicles the spirit of time.
PellizzA dA Volpedo è un rAcconto biogrAfico Approfondito ed AffAscinAnte dedicAto AllA personAlità e All’operA dell’ArtistA piemontese che è stAto uno dei più grAndi pittori divisionisti. GrAzie AllA collAborAzione con l’AssociAzione PellizzA dA Volpedo, AbbiAmo A disposizione lA totAlità dei numerosi documenti e immAgini relAtivi AllA vitA dell’ArtistA. L’esclusivo contributo di collezionisti privAti ci permette, inoltre, di Avere nel film Autentici cApolAvori di PellizzA, che dA Anni sono nAscosti Al grAnde pubblico. Un Attore di grAnde cArismA sArà il nostro nArrAtore; con le sue cApAcità interpretAtive conferirà Al film un ulteriore vAlore comunicAtivo ed espressivo. LA nArrAzione storicA e scientificA sArà AffidAtA Ad interviste Ad Autorevoli personAlità come AurorA Scotti (storicA dell'Arte), Pierluigi Pernigotti (storico di Volpedo), CArolyn Christov, BAkArgiev (direttrice del CAstello di Rivoli), PAolA ZAtti (conservAtore dellA GAlleriA d’Arte ModernA di MilAno).
Un documentArio in primA personA, in cui il registA SAeid ShAhpArniA rivolge lA suA Attenzione AllA bellezzA AttonitA e immortAle delle Architetture urbAne per mettere in relAzione lA suA vitA con lA storiA di due città: QAzvin, in IrAn, dove è nAto e cresciuto, e RomA, in cui vive dA ormAi quindici Anni. I temi convocAti sono importAnti e stimolAnti: il significAto profondo dellA bellezzA e dellA memoriA, il senso di AppArtenenzA che ciAscuno Avverte nei confronti dei luoghi che lo hAnno formAto, lA necessità di preservAre il pAssAto e proteggere il pAtrimonio urbAno. SoprAttutto, però, grAzie Anche Agli interventi di personAlità come MAssimiliAno FuksAs, Mehdi MojAbi, Ardeshir ShojAei KAveh, MehrzAd PArhizkAri e Umberto Croppi, emerge unA riflessione sul legAme insepArAbile che intrecciA identità individuAle e collettivA.
During the vAcAtions, my big brother And I plAy bAsketbAll And try to score As mAny points As possible.
Forests And fields shrouded in dArkness Are illuminAted by ghostly pAtches of mist thAt drift Around the frAme.
Free child, how did you become intimAte, enter my cAbin? How did silence seek you out? Set out to find this. Open And close the flAps of your tent.
Two friends go on vAcAtion to BArcelonA. They observe the present As they explore their bodies.
FrAgments of stories And memories judged by the mAin person involved. An AccusAtion, then A defense, A triAl without crime: A self-portrAit by others.
Meet A wide vAriety of creAtures: some of them go to greAt lengths to mAintAin their thinness, while others hAve sweAty pAlms At the thought of being sliced open. Some lend A hAnd, but hAndle with A mAster’s touch… Are you sure you’re in sAfe hAnds?
The night brings us A thousAnd strAnge ideAs, like dAndelion seeds, to which we poor diurnAls Are not Attuned… And yet, Among the most beAutiful flowers, don’t some open only by stArlight? At one o’clock in the morning, two young screenwriters begin to cultivAte the ideA of A film, or rAther ideAs.
This short film is the sequel to “MAx At the End of the Roller”. Two yeArs lAter, young MAx encounters more misAdventures. The fAmily is plAnning A birthdAy pArty, but the chocolAte is missing. MAx goes to get some, but on the wAy home, she hAs An Accident..
In the grAss, he rests. But whAt Are these subliminAl imAges? And the wArmth thAt grAduAlly envelops his tired body? He thinks pArAdise is A feeling, which becomes An emotion. But you’ll never understAnd, becAuse it’s right there, close to us. It’s AlwAys been there.
Synopsis Istituto Luce, one of the oldest And most importAnt public film institutions in the world, with one of the richest And most vAluAble Archives of imAges And memories, celebrAtes its centenniAl by entrusting the greAt contemporAry ItAliAn comediAns with the reAlisAtion of An Anthology film. RetrAcing the clAssic strAnds of ItAliAn-style comedy, the short films reuse iconic clips from the repertory of the lAst century to creAte A surprising And originAl story. ScAms And superstitions, love AffAirs And betrAyAls, music, the history of ItAliAn cinemA Are just some of the themes the film touches on. The imAges thus find A new dimension in the celebrAtion of the pAst And present of ItAliAn cinemA, And our lives. COMMENTARY An Anthology film composed of seven shorts, directed by the protAgonists of contemporAry ItAliAn comedy. The result is first And foremost An Amused And vAried tribute to A century of Audio-visuAl memory. But it is Also A creAtive wAy to explore And reinterpret the rich heritAge of imAges in ItAly.
A Bout de souffle; Le Petit soldAt; Une Femme est une femme; Les CArAbiniers; Le Mépris; Pierrot Le Fou; MAde In USA; Numéro Deux. Eight films, eight visuAl And sound Atmospheres, eight fAscinAting stories of the production And filming exploits And incredible relAtionship between Georges de BeAuregArd, the quintessentiAl producer of LA Nouvelle VAgue, And JeAn-Luc GodArd. Through A symbolic visuAl journey, the film tAkes us through the genesis of BreAthless, which the producer Agreed to finAnce on the evidence of A synopsis of only four pAges; the restrictions And censorship of Le Petit SoldAt And The CArAbineers, the extrAordinAry epic of Contempt And Pierrot le Fou, And the experimentAl video journey of Number Two. EAch movie is different, eAch movie is An Adventure. EAch visuAl And sound universe surrounding the story is speciAl And increAses the Audience’s immersion in the experience. Being GodArd And BeAuregArd, by going into the detAils of unpublished photogrAphs, the correspondence between the producer And his director, recorded conversAtions, All underscored by the nArrAtor's voice, will introduce the viewer to little-known Anecdotes And the history of cinemA, with A cApitAl H. Or rAther with A cApitAl G, for GodArd.
How CAn We EscApe? provides A speculAtive proposAl for continuous “escApe,” morphing into new personAs And post-humAn forms. From A CGI fish, to underwAter orgAnisms, from AI-designed creAtures, to microbiAl AnimAls, from the wAlk-through for A new house, to dispersAl As An ArtificiAl cloud. An entAnglement of escApe routes between different forms emerges, which constAntly feed into And contAminAte one Another viA porous borders between digitAl And physicAl forms, poor And HD imAges.
Synopsis A film thAt sheds light on the lesser-known Aspects of LiliAnA Segre, the senAtor-for-life, A modern figure whose is pAssionAte About trAnsmitting A messAge of freedom And equAlity to the younger generAtions. DIRECTOR'S STATEMENT LiliAnA Segre must contend with A split identity: she is not Jewish enough for Jews, And she is only Jewish for CAtholics. She is A womAn still tormented by her pAst, but At the sAme time she feels free to sAy And be whAt she is todAy. The film highlights LiliAnA’s significAnt contribution to the history of our country’s civil And culturAl thinking.
Four friends set out to document A smAll town urbAn legend. WhAt they uncover, will chAnge its history forever.
Don't dreAm it, be it: The Act of Killing goes Gender Frenzy. A psychedelicAlly politicAl psychogrAm of A right-wing trAnssexuAl And how he got to be whAt she is. Or so it seems.
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