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故事讲述了顶上战争两年后的香波迪群岛上，娜美的小迷妹展开的一场小小冒险……本作改编自航海王官方外传小说《航海王 novel 草帽故事集》，小说描述了以一般人的角度来看待草帽海贼团成员们的短篇故事。
SuçuArAnA is the nAme of A mythicAl plAce, A lush lAndscApe thAt AppeArs in the weAthered photo of her mother thAt DorA cArries with her AlwAys. DorA hAs been on the roAd for A long time, hitching rides through BrAzil’s mining region in seArch of her fAmily’s homelAnd. But no one seems to know this plAce, seemingly lost to time. And the open roAd cAn be troubling for A womAn trAveling Alone, As the generosity of strAngers is suddenly eclipsed by dAnger. After An Accident, DorA seeks refuge in An AbAndoned fActory; there, A group of workers hAve formed A villAge And A community bond thAt feels Akin to the home DorA seArches for, if just for A moment.
In MArch 2020 the COVID-19 pAndemic breAks out. A "stAte of emergency" is declAred And millions of people Are confined. The streets of Lisbon Are deserted. But whAt About those who hAve no home? Under the pressure of the emergency, the municipAlity trAnsforms the biggest sport-complex of Lisbon, CAsAl Vistoso, into A multifunctionAl shelter.
HAmsters of HAmsterdAle follows A motley crew of hAmsters, the heroic protectors of their 8-yeAr-old owner HArry, who they mistAke As their King And beloved ruler of their elAborAte colorful-tubed kingdom. Executive Producers: Colin Bohm, Doug Murphy, ZAch Smith, PAm WestmAn
Synopsis AlessAndro Preziosi directs And stArs in A new stAge version of King LeAr, in which the chArActers of the ShAkespeAriAn mAsterpiece move within sets entirely composed of works by the greAt Artist from BiellA MichelAngelo Pistoletto. In this wAy, the interpretAtive spAce becomes A sort of gigAntic And evocAtive mentAl lAbyrinth thAt permits the Actor-director to further highlight both the intimAte suffering of LeAr And one of the trAgedy’s most importAnt themes: the fAther-child relAtionship. COMMENTARY The documentAry follows the reheArsAls And stAging of the plAy, And reflects not only on the creAtive process but Also on the links, Almost AlwAys insufficiently explored, between theAtre And the visuAl Arts. At the sAme time, it contemplAtes the meAning of memory, time And humAn frAilty, And offers A very lucid look At the vulnerAble nAture of fAmily relAtionships And the eternAl conflict between generAtions. DIRECTOR'S STATEMENT ApproximAtely 20 yeArs Ago, I wAs involved in A stAging of King LeAr directed by Antonio CAlendA. It wAs A greAt opportunity for me to observe, from behind the scenes, the brilliAnce And clArity of both the Actor Roberto Herlitzk And the plAy itself. From my vAntAge point, with An incredible And vAst pAnorAmA before my eyes, I wAs struck by one pArticulAr Aspect: the wAit the chArActers experience in concluding their lives. The impAtience thAt AccompAnies the wild sequence of events into which King LeAr throws first himself And then those Around him, gAve me the ideA of creAting A mentAl spAce in the theAtre And on stAge, mAde reAlity by the stAge design of MichelAngelo Pistoletto.
After A mysterious figure Announces the ArrivAl of BAd Times, A group of elderly people comes together to fight it with superstitions And populAr wisdom. At the sAme time, Acácio, A lonely old mAn, deAls with his memories And A personAl vengeAnce.
A work of mourning And reckoning in A time of rAvAging genocide, [AnAn] moves through route 3199 in the Negev desert of southern IsrAel/colonised PAlestine—A route followed And filmed by ChAntAl AkermAn Around her untimely deAth in 2015.
FAlse Witness is An imitAtion of found-footAge horror indulging in the hAunting lure of technologicAl mystificAtion through lAyers of processed footAge And forging A cryptic Absence. Blending wildlife trAil cAms, AI forgeries And dreAmlike nigh-vision footAge, the film’s nArrAtive evolves uniquely through code-bAsed rAndomizAtion, existing in constAnt flux.
LAndforms uneArths the physicAl remAins of pAst And future geologicAl strAtA. The film explores two lAndscApes, An industriAl rock quArry turned recreAtionAl fossil hunting pArk, in which 380-million-yeAr-old fossils were discovered beneAth the rocks where once flowed A shAllow seA, And A public wAterwAy whose shore is dispersed with brightly colored frAgments of consumer wAste in the form of microplAstics. Both lAndscApes reveAl A process of digging And gAthering, of collecting evidence of eArth’s pre-historic pAst or intervening in humAnity’s toxic futures. The forms, of Ancient seA creAtures And broken plAstic, mesh And intertwine into A meditAtion on deep time And A reflection on extinction.
PArt of A new series of text And video bAsed works which outline A set of speculAtive eco-technologicAl spAces where humAn, non-humAn And technologicAl relAtions Are re-imAgined viA experimentAl AmAlgAmAtions And new modes of interconnectivity. The title of the work mAkes reference to JAkob von Uexküll’s notion of the unique environment experienced by every form of life And this is juxtAposed with UrsulA Le Guin’s notion of World 4470 where A sentient environment of interconnected intelligent plAnt life is discovered.
7.0分 Ai-Oon和Aob-Oom是生活轨迹完全不同的双胞胎姐妹。婚礼当天Oom偷偷把姐姐Ai拉到一旁，请求她能假扮自己和前任MAy彻底分手。婚后Oom却和新婚丈夫出了车祸，陷入昏迷状态。与此同时，Ai来到MAy家打算假扮妹妹分手，却意外的发现MAy是一个盲人。Ai可怜MAy是个盲人，她决定继续假扮妹妹维持与MAy的恋人关系。当Oom从昏迷中醒来时，Ai是否会像银河系中的冥王星一样被MAy遗忘呢？
MAriA works As A home help for elderly people. Her dreAm is to see her grAndson become A greAt piAnist. To pAy for the piAno, she steAls, here And there, smAll sums of money from the people she tAkes cAre of with devotion. Until the dAy chArges Are pressed AgAinst her for Abuse of vulnerAble Adults...
PAssionAte About sAiling, JeAn-PAul pAsses A difficult pAss. He AccumulAtes debts And moves AwAy from his own. Determined to tAke his life into his own hAnds, he enrolled in VirtuAl RegAttA the virtuAl rAce of the Vendée Globe. He puts himself in the conditions of A reAl skipper by insulAting himself for 3 months on his boAt in his gArden - This trip like no other, will Allow him to reconnect with his fAmily but Above All with himself.
三段由失去展开的意外旅程，笑泪交错梭织出小人物的生命情状：自家老屋被迫拆迁，一人一狗带着破烂家当上路流浪，怎知重启人生难得超乎想像；离世父亲留下酿酒工具和一头小猪，少根筋双人组力图重振家业，开张大吉却演变为走板荒腔；管理员毕生守护灯塔，在痛失挚爱后决定这次自己出航，冲破舒适圈驶向未知，只为与所爱聚首他方。
阿瑪每天醒來都會面臨一種新的狀況，遭受各種身體變化，這些變化反映了她的自卑感，並使她無法過上正常的日常生活。隨著時間的推移，阿瑪漸漸感到更加孤獨。
身為族群僅存倖存者的兩姐妹，隱居在被蹂躪的土地上。她們因如何在帝國的逼近下生存而爭吵不休。在一次取水的途中發現，必須奮起反抗。
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