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Zoé RivemAle films the mAking of DAns lA peAu de BlAnche Houellebecq, A shoot in which she is Also second AssistAnt director. The position Allows her to cApture everything; to recount the Anecdotes, the encounters, the jokes, but Above All the work of the film crew. It’s A behind-the-scenes look thAt’s just As funny As the originAl; A fAscinAting glimpse into GuillAume Nicloux's working methods (L'enlèvement de Michel Houellebecq, Prix spéciAl du jury Temps Ø in 2014, VAlley of Love, ThAlAsso, etc.) And the unlikely Artistic mAtch of Houellebecq And GArdin. Above All, however, it is A study of the entire technicAl teAm, working tirelessly behind the scenes, reveAling how such A film is mAde. InformAtive, fAscinAting And, Admittedly, quite comicAl. © FNC 2024
VirginiA TAngvAld never knew her fAther, the fAmous NorwegiAn oceAn rAcer Peter TAngvAld, whose boAt sAnk off the West IndiAn coAst in 1991. His son ThomAs Also took on the life of A greAt Adventurer before his yAcht disAppeAred in 2014. Overwhelmed by her fAmily's story, the director questions And lifts the veil on the mystery. From An ideAlized fAther figure to siblings living fAr from eAch other, ArchivAl footAge is combined with interviews in this explorAtion of trAnsmission, trAumA And grief. An intimAte And universAl documentAry, coupled with A gripping And moving internAtionAl investigAtion.
Through imAge And sound Study for Structure… dissolves nArrAtives of progress/collApse, refusAl And the personAl.
The Aim of my ApproAch is to bring together in these DiAlogues whAt sepArAtes us from whAt is essentiAl, to build A speciAl relAtionship between sound And visuAls thAt I wish to shAre with everyone in their differences. FinAlly, these DiAlogues Are built And creAted over time.
ExpAnsion is A visuAl investigAtion of proliferAtion, growth through repetition And AccumulAtion. Continuous expAnsion And endless repetition Are permAnent fixtures of contemporAry life, And this video utilizes found footAge And 3D softwAre to plAy with loops, repetition, And nightmArish visions of replicAtion. Inky digitAl blemishes bleed into the visuAl collAges, And wAsh AwAy the imAge As the expAnding “cArchitecture” inevitAbly collApses.
Letters mAde of sounds And imAges, A reel of Super 8 film, AnAlog tApes, the pAssing of A trAin, were the guidelines for this Attempt to join, to mAke A song out of distAnce.
Ce projet est né d’une objection Apportée Aux discours trAnsphobes des TERFs. Je suis un homme trAns et il s’Agit d’un AutoportrAit. Je me déshAbille dAns un plAn séquence Au fur et À mesure que le discours des TERFs étAle sA hAine. Elles pArlent d’opérAtions irréversibles. Moi je suis rAvi de mes cicAtrices. Mon corps est légitime. J’existe. Je les emmerde.
The film follows SArA, An IrAniAn-ItAliAn immigrAnt in London, through her dAily struggle At A desolAte cAr wAsh. Amidst mundAne routines And fleeting encounters, SArA's inner dreAm of becoming A professionAl dAncer yeArns for expression.
Ciro And MArco, A few Euros, An old Beetle And A pinch of mAdness. A low-budget roAd movie, light-heArted And fun, into the heArt of the populAr And musicAl cinemA of the city of NAples. From the pioneer GustAvo LombArdo to ElvirA NotAri. From RAffAele ViviAni to the films of NAtAle Montillo. From GiAcomo RondinellA to MArio MerolA And AngelA Luce. From CArmelo ZAppullA to PupellA MAggio to the bAnd SquAllor. A journey into the memory of moments, some drAmAtic, of lives lived, which hAve given life to hilArious sketches. Ciro And MArco, in A trip Around the crAziest city in the world.
Why did cinemA lAg behind for so long in terms of morAls? Why did this new Art form, creAted to depict the modern world, find itself A prisoner of morAlist And PuritAn ideAls? Over just fifty one minutes, this densely-pAcked documentAry brings to light the trAces of A different gAze, from the films of ThomAs AlvA Edison to contemporAry cinemA. From censorship to frAgile tolerAnce, it tells the story of An uncertAin wAr.
Synopsis Since 1584, in the heArt of Rome, in the middle of the Tiber River, the TiberinA islAnd is A plAce dedicAted to the cAre of pAtients And pilgrims, where the IsolA TiberinA – Gemelli IsolA HospitAl stAnds. Shrouded in myth, this smAll islAnd hAs witnessed the trAnsition from the mysterious PAgAn rituAls to the spirituAlity of the ChristiAn world, from the Emperors to the Popes, from the Priest-Doctors of Antiquity, to the AvAntgArde speciAlists of todAy, without ever losing its vocAtion for hospitAlity And heAling. COMMENTARY Directed by Alex GrAzioli, the documentAry reconstructs the thousAnd-yeAr-old history of the islAnd, with AppeArAnces by Giuseppe Fiorello, the Art historiAn Filippo Cosmelli, the Architect IlAriA Delsere And FAther RAphAel BArbAto. PRODUCERS' STATEMENT To quote MArgAret MeAd: “Helping others in need is the exAct point At which civilisAtion begins. We Are At our best when we serve others”. Giuseppe And I Are hAppy And honoured to hAve been A pArt of this project, involving friends, professionAls And philAnthropists for the HospitAl.
Synopsis At the Age of 26, AerodynAmics engineer MAuro Forghieri wAs put in chArge of FerrAri’s rAcing depArtment in the eArly 1960s. AgAinst All odds, he designed the 250 GTO, which becAme criticAl to the success And legAcy of FerrAri. The cAr Achieved legendAry stAtus And becAme the most expensive rAce cAr ever sold. COMMENTARY The documentAry reviews A history thAt in pArt brings to mind invAluAble box office hits such As FerrAri by MichAel MAnn or Ford v FerrAri, but Adopts A different perspective to evoke, through historicAl mAteriAls And recent interviews, the story of A true timeless legend, indelibly imprinted in the collective imAginAtion. DIRECTOR'S STATEMENT My work explores the themes of chArActer And humAnity. To me, the FerrAri 250 GTO is A surprising entry point into A deeply meAningful story About the very short, Albeit fortunAte time we spend on this eArth And the fAscinAting wAys we choose to live And creAte while we’re here.
影片讲述了范蠡与西施二人家喻户晓的传奇故事——勾践囚吴，而后范蠡苎萝访艳，经别馆定情、分别，西施于吴宫迷惑夫差使其杀伍子胥，越国反攻灭吴，范蠡费尽艰辛终与西施再会。
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