搜索"Ema"，共搜索到"237"个相关内容，当前第“1”页
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Un documentario in prima persona, in cui il regista Saeid Shahparnia rivolge la sua attenzione alla bellezza attonita e immortale delle architetture urbane per mettere in relazione la sua vita con la storia di due città: Qazvin, in Iran, dove è nato e cresciuto, e Roma, in cui vive da ormai quindici anni. I temi convocati sono importanti e stimolanti: il significato profondo della bellezza e della memoria, il senso di appartenenza che ciascuno avverte nei confronti dei luoghi che lo hanno formato, la necessità di preservare il passato e proteggere il patrimonio urbano. Soprattutto, però, grazie anche agli interventi di personalità come Massimiliano Fuksas, Mehdi Mojabi, Ardeshir Shojaei Kaveh, Mehrzad Parhizkari e Umberto Croppi, emerge una riflessione sul legame inseparabile che intreccia identità individuale e collettiva.
Why did cinEma lag behind for so long in terms of morals? Why did this new art form, created to depict the modern world, find itself a prisoner of moralist and Puritan ideals? Over just fifty one minutes, this densely-packed documentary brings to light the traces of a different gaze, from the films of Thomas Alva Edison to contemporary cinEma. From censorship to fragile tolerance, it tells the story of an uncertain war.
4.0分 法国/剧情片
Synopsis Like the concrete that pours into the foundations of the tower blocks he builds, Joseph Cross is solid, strong, and reliable. But one night, he jumps into his car after taking a mysterious call and leaves the site of the most prestigious construction project of his career. The decision is his: left or right, different destinies. With the other foundations of his life crumbling beneath him, Joseph hits the road alone with his demons and his cellphone. COMMENTARY A long journey into the night, between the voice of Joseph and the many others that are heard on the telephone: obsessed, tense, anxiety-producing, Le choix is a rEmake of Locke, the 2013 film written and directed by Steven Knight and starring Tom Hardy. The story of a life that is transformed into a claustrophobic thriller. DIRECTOR'S STATEMENT Will Joseph Cross, the builder, risk demolishing everything he has built in his life only to achieve what he believes is right? Cross Away is an existentialist thriller that questions the ethics of responsibility. To film a man alone in his car is to believe that there is no landscape more fascinating than a man's face. To embody this ordinary man pushed to his limit, it was essential to work with an actor charismatic enough to carry the film single-handedly for 77 minutes. Audiences get attached to characters they can identify with. As soon as you offer them a story and they think: “Hey, that could be me!”. You're halfway there. The other half is Vincent Lindon.
拉夫利（萨尔曼·汗 Salman Khan 饰）的父亲是一名保镖，在一场意外中不幸身亡。萨勒塔吉救下了拉夫利的母亲，因此才有了拉夫利。长大之后，拉夫利继承了父亲的职业亦成为了保镖，一次任务中，拉夫利要保护的是萨勒塔吉的女儿迪维亚（卡琳娜·卡普 Kareena Kapoor 饰）。 因为迪维亚父亲的关系，拉夫利对这次任务十分的上心，鞍前马后对迪维亚寸步不离，这让迪维亚感到十分烦恼，因此心生一计。迪维亚假冒“查雅”给拉夫利打去了匿名电话，一来二去之中，拉夫利深深的爱上了这个其实并不存在的女人，但与此同时，迪维亚亦被拉夫利的正直所吸引，坠入了爱河。这段建立在谎言之上的感情能否开花结果呢？
Helena is a paramedic, a professional caretaker who paradoxically doesn’t know how to care for her teenage daughter Stefi when she gets on a dangerous and self-destructive path. As a woman of action rather than talk, Helena prepares an extreme plan to secretly kidnap and lock the girl up, far away from the evil world. But things don't work out as planned. An unexpected chain of events throws Helena into a state of shock and forces her to find an entirely new meaning for her motherly love.
Struggling between college and a job in a luxury hotel, Fernanda wonders if she will ever achieve something meaningful in her life. The arrival of The Man of Shit will give her an unexpected opportunity.
SinEmaHakikatininİçindeUzunBirYolculuk:NecipSarıcı|ALongJourneyIntotheTruthofCinEma:NecipSarıcı (2024) 电影
4.0分 土耳其/纪录片
主演：
Necip Sarıcı is one of the shining lights of our cinEma. Sound engineer, photographer, writer, producer, collector, who felt as if he entered the treasure room of Topkapı Palace when he entered the sound room at Lale Film Studio... He is one of the most important building blocks of our cinEma. The history of cinEma in our country is carried to the present day thanks to his enormous collection.
取材于印尼的真实故事，在2016年的夏天一群学生正在参加夏令营活动，但是到了夏令营的第三天，开始发生很多离奇的事情，就在当晚话剧表演的时候，演员们开始被一个可怕的灵体复仇，混乱接踵而至。
The film tells the story of Paula, whose will to live is extinguished after her little brother Tim drowns in the sea in Trieste. But when she meets old Helmut, who wants to take his ex-wife's urn to Italy, she finally sees a glimmer of hope. She decides to travel to the beach in Trieste, where her brother died, to find closure. During the journey, she not only picks up a new zest for life but also develops an unexpected friendship with Helmut.
4.0分 秘鲁,西班牙,乌拉圭/剧情片剧情
Titled “Un lugar para Ramon” (“A Place for Ramon”), the drama is set against the backdrop of Peru’s months-long COVID-19 lockdown where two men, a Peruvian national who is confined to his apartment with the ashes of his estranged father, meets a Spaniard who is unable to leave the country because Lima’s airport has been shut down. Thrown together by the unusual circumstances, their friendship evolves into deeper and more ambiguous terrain.
2001年从庆尚北道永川移居大邱寿城区的庆焕是一名日本文化爱好者。这样的庆焕得知坐在自己旁边的班长在民也听日语歌曲，两人变得亲近起来。因为在民经常帮助难以适应寿城区环境的庆焕，所以两人总是形影不离。与此同时，庆焕听到了在民的秘密，庆焕也决定向在民说出自己的秘密。然而，在庆焕说出这个秘密后，在民开始对庆焕变得冷淡，他的学校朋友也开始排斥他。尽管如此，庆焕仍然想和在民做朋友。
8.0分 意大利,法国/剧情片
This film is a very personal account of moments lived by the director with her father. A personal account, yet told with the proper distance, in that cinEma is ever-present between father and daughter: as a passion, a life choice, and a way of being in the world. CinEma as a web that underlies the story of their exchanges and creates a space for imagination. “With cinEma,” the father says, “you can escape. With your own mind”. Images are sparked by memories and like memories amplify a few notable markers while erasing others. Spare images, where there is hardly anything other than the two of them, and the marker that is present always has something monstrous about it: large things are exceptionally large; distant things are incredibly far; sunbeams are ablaze; nearby things are much too close. As for the movie sets, however, everything is in excess: confusion, urgency, people, noise—and everything here is also amplified. In these sets is the thrill of communal life. The ones featured in the film are those of Pinocchio, built in the middle of nowhere in the barren countryside.
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