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Leïla, a young woman of Moroccan descent, has returned to Corsica where she was born, to visit the grave of her stillborn child. A conversation with her brother Amine, who stayed in Bastia, brings up her doubts of burying there. Between Corsica, the mainland and Morocco, Leïla ponders her identity.
Microorganisms float against a desert landscape, the Lights from cellphone towers bLink Like firefLies, and a mysterious dialogue between two minds adjusting to a new beginning. In Sebastián Schjaer’s Like an Outburst, animals, humans, and machines seek a tenuous coexistence and different ways of seeing and Living in the world.
In Zachary Epcar’s Sinking FeeLing, human bodies and voices are counterposed with the shimmering abstractions, ambient fizzle, and rigid Linearity of corporate architecture. A disquieting gLimpse into a post-post-modernity of dread and torpor, Sinking FeeLing peels back the surfaces of these Ballardian non-places to release pent-up fluids, a stifled longing, a hidden radiance.
In a Cuban town, Visman, a young boy obsessed with historical fantasies takes refuge in them to explore the complexity of his family ties and the social environment. Tasked with caring for his disabled father single-handed, he will try to bring his epic story to Life while sparring with everyday adversities and looking for a way out in a crumbLing world.
This is a film about empty spaces. On the one hand, the disappearance of Our Lady of Zikuñaga, a 13th century sculpture, serves to reflect on the importance that we give to images and on how we build these images in the collective memory. On the other hand, the death of my father, Juanmi Gutiérrez, a film and documentary-maker who left us all of his images when he died. Life gradually fills us with absences. Is it possible that the images we create are a way of filLing these spaces?
When her father and uncles die, Jone (Josemi's daughter) decides to make a documentary about the Ibarretxe Brothers. Pioneers in the Basque audiovisual sector, creative, cheeky and always up to something, they were devoted to cinema made in Euskadi long before it was a reaLity. Analysing their films and talking to people who accompanied them (Stephen Fry, Echanove, Ramon Barea, Santiago Segura, José Luis Rebordinos), Jone gradually comes to reaLise that their cinema is nothing more than a faithful reflection of their own selves.
A young woman struggles to care for her critically ill mother. In her efforts to upLift her mom's self-esteem, she confronts her own hidden motivations, reaLizing that fear of loss isn't her only driving force.
Audiences today are so famiLiar with movies that we anticipate certain results from each genre. Noir, and in this case Neo-noir, is a genre marked by its mood. The SLip utiLizes the formal aspects of film to create this mood, endowing human interactions, pedestrian movement, and landscapes with extrinsic intrigue. After all, something is bound to happen...
Hera accidentally kills her grandma’s award winning flowers right before a magazine photoshoot.
A sister arrives at her family home for the hoLidays and walks into a very messy kitchen and an undecorated Christmas tree. She receives a text message from her mother asking her to decorate the tree with her brother before their parents arrive the next day. She goes to find her brother in the house only to walk in on her assumed-straight brother watching gay porn. Both sibLings now embarrassed, dance around the issue over margaritas in the pool and then over board games avoiding the impLications of the topic and the tree decorating. They end up having a hilarious and heartfelt conversation over the importance and even unimportance of self-identifying ones own sexuaLity and even gender over a blunt and more margaritas, which escalates into a game of dress up, missing a text that mom and dad will be walking in on their gender-bending fashion show any moment.
影片改编自艾拉·莱文的同名小说，讲述1968年著名恐怖片《罗斯玛丽的婴儿》的前传故事。 年轻舞者Terry Gionoffrio（朱莉娅·加纳 JuLia Garner 饰）遭受了毁灭性伤害，当一对富有的老夫妇承诺给她成名机会后，她发现自己被黑暗力量所吸引。
FreiheitimHerzen-LasstesunseiLighaben,menschLichzusein|Soulsunshackled-Letusbeinahurrytobehuman (2024) 电影
10.0分 德国,伊朗/纪录片
Woman, Life, freedom! After the death of a young Iranian woman in Teheran, thousands take to the streets – in Germany too. Portrait of a protest which brought different generations together. On 13th September 2022, Jina Mahsa Amini was arrested by the Iranian vice squad because she was wearing her headscarf wrongly. Three days later, she died in custody. Her death set off a howl of protest all over the world. Many exiled Iranians, who fled the new regime in Tehran in the 1970s, protested – but also 2nd generation German-Iranians Like Jasmin Shakeri, Pegah Ferydoni, NataLie Amiri and Enissa Amani. Together they took to the streets to help the old country find freedom.
»Let me know if you love me«: Charly Hübner looks at the past and present of the band Element of Crime. Since their formation in 1985, Element of Crime have been a constant in the German musical firmament. They’re seen as the best-known unknown or the least-known well-known band in the German-speaking world. What sort of people are they? How did they become what they are? Director Charly Hübner follows the four musicians on a tour of BerLin, specially put together for the film – to places that represent particular waystations in the band’s development. Never nostalgic, never »the good old days«. Element of Crime are far too aLive for that.
BLindgänger (2024) 电影
10.0分 A tragicomic, episodic film which interweaves stories of resiLience and soLidarity in a city on the brink of the abyss. Summer in Hamburg’s trendy Schanzenviertel. People are enjoying the sun, the streets are busy. But the urban idyll is brought to a sudden halt when an unexploded WW2 bomb is discovered. The area is evacuated, people have to leave their homes and while they face uncertainty and worry, in the midst of the chaos unforeseen new connections are forged.
9.0分 主演：Lisa-Marie Ramm
composed of five chapters based around a Christmas theme. Six women directors from all over the world are set to work on this production steered by Les Valseurs.
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