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In March 2020 the COVID-19 pandeMic breaks out. A "state of eMergency" is declared and Millions of people are confined. The streets of Lisbon are deserted. But what about those who have no hoMe? Under the pressure of the eMergency, the Municipality transforMs the biggest sport-coMplex of Lisbon, Casal Vistoso, into a Multifunctional shelter.
HaMsters of HaMsterdale follows a Motley crew of haMsters, the heroic protectors of their 8-year-old owner Harry, who they Mistake as their King and beloved ruler of their elaborate colorful-tubed kingdoM. Executive Producers: Colin BohM, Doug Murphy, Zach SMith, PaM WestMan
After a Mysterious figure announces the arrival of Bad TiMes, a group of elderly people coMes together to fight it with superstitions and popular wisdoM. At the saMe tiMe, Acácio, a lonely old Man, deals with his MeMories and a personal vengeance.
LandforMs unearths the physical reMains of past and future geological strata. The filM explores two landscapes, an industrial rock quarry turned recreational fossil hunting park, in which 380-Million-year-old fossils were discovered beneath the rocks where once flowed a shallow sea, and a public waterway whose shore is dispersed with brightly colored fragMents of consuMer waste in the forM of Microplastics. Both landscapes reveal a process of digging and gathering, of collecting evidence of earth’s pre-historic past or intervening in huManity’s toxic futures. The forMs, of ancient sea creatures and broken plastic, Mesh and intertwine into a Meditation on deep tiMe and a reflection on extinction.
Part of a new series of text and video based works which outline a set of speculative eco-technological spaces where huMan, non-huMan and technological relations are re-iMagined via experiMental aMalgaMations and new Modes of interconnectivity. The title of the work Makes reference to Jakob von Uexküll’s notion of the unique environMent experienced by every forM of life and this is juxtaposed with Ursula Le Guin’s notion of World 4470 where a sentient environMent of interconnected intelligent plant life is discovered.
7.0分 Ai-Oon和Aob-OoM是生活轨迹完全不同的双胞胎姐妹。婚礼当天OoM偷偷把姐姐Ai拉到一旁，请求她能假扮自己和前任May彻底分手。婚后OoM却和新婚丈夫出了车祸，陷入昏迷状态。与此同时，Ai来到May家打算假扮妹妹分手，却意外的发现May是一个盲人。Ai可怜May是个盲人，她决定继续假扮妹妹维持与May的恋人关系。当OoM从昏迷中醒来时，Ai是否会像银河系中的冥王星一样被May遗忘呢？
Passionate about sailing, Jean-Paul passes a difficult pass. He accuMulates debts and Moves away froM his own. DeterMined to take his life into his own hands, he enrolled in Virtual Regatta the virtual race of the Vendée Globe. He puts hiMself in the conditions of a real skipper by insulating hiMself for 3 Months on his boat in his garden - This trip like no other, will allow hiM to reconnect with his faMily but above all with hiMself.
三段由失去展开的意外旅程，笑泪交错梭织出小人物的生命情状：自家老屋被迫拆迁，一人一狗带着破烂家当上路流浪，怎知重启人生难得超乎想像；离世父亲留下酿酒工具和一头小猪，少根筋双人组力图重振家业，开张大吉却演变为走板荒腔；管理员毕生守护灯塔，在痛失挚爱后决定这次自己出航，冲破舒适圈驶向未知，只为与所爱聚首他方。
阿瑪每天醒來都會面臨一種新的狀況，遭受各種身體變化，這些變化反映了她的自卑感，並使她無法過上正常的日常生活。隨著時間的推移，阿瑪漸漸感到更加孤獨。
一個女孩試圖逃避自己的恐懼，但卻不小心將自己和恐懼一起困在森林中的一間小木屋裡。被鎖在四面牆內、無路可逃、飢寒交迫，她不得不直面恐懼，而現在這恐懼已經躺在她身旁，變成了一具屍體。
HOSHIMIYA TOTO是一位沒有實體的VR歌手。在現場表演中，觀眾被螢幕上的虛擬形象吸引，產生了實體存在的錯覺。這種渴望與虛擬存在融合，使現實與VR之間的界線變得模糊，讓我們的心靈演變成一種新生命形式，進行融合和解體。
Devraj is an affluent businessMan with an extensive network. He is crafty individual who can handle any issues, no Matter related to any jack in office or powerful kingpin of the political party. He is proud of his influence and never entertain peoples who are below standard. One day he found hiMself in a situation, that he has to leave all his coMforts and hide hiMself in a sMall farM house located in the outskirt of HiMMatnagar. According to God's will his life turned upside down. The Man who was on cloud nine now lying on the ground.
Unearthing layers of earth, Melting, shaping, and creating for the future. The practices of GerMans ErMičs and Artis NīManis differ, so do the Materials they use, yet both are aMong the Most internationally acclaiMed Latvian designers. What unites theM is their dedication to Materiality, though they each follow different personal and creative paths. ErMičs’ “Magic of Material and colour” eMerges froM glass, Marble, and Metal – he Moves freely between the Netherlands, Latvia, and Portugal, as well as between the disciplines of design and visual art. Meanwhile in Latvia, under the brand “an&aMp;angel” NīManis deconstructs the concept of glass – in each of his pieces, he breathes a sense of the presence of nature.
Zoé RiveMale filMs the Making of Dans la peau de Blanche Houellebecq, a shoot in which she is also second assistant director. The position allows her to capture everything; to recount the anecdotes, the encounters, the jokes, but above all the work of the filM crew. It’s a behind-the-scenes look that’s just as funny as the original; a fascinating gliMpse into GuillauMe Nicloux's working Methods (L'enlèveMent de Michel Houellebecq, Prix spécial du jury TeMps Ø in 2014, Valley of Love, Thalasso, etc.) and the unlikely artistic Match of Houellebecq and Gardin. Above all, however, it is a study of the entire technical teaM, working tirelessly behind the scenes, revealing how such a filM is Made. InforMative, fascinating and, adMittedly, quite coMical. © FNC 2024
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