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Drowning in debt, unemployed boxer Jorge is on the verge of losing his young son and his Brazilian wife. He is one of shocking amounts of Portuguese families and companies unable to repay their loans in the time of European troika bailout measures. Jorge needs to pay off his debts and convince his unhappy wife to not leave Portugal to make a living. Due to his intimidating physique, Jorge must reluctantly accept a job with a collection agency which drags him into a world of violence and crime...
Russian operatives hijack a commercial American jet, planning to crash it into a nuclear power plant near Washington, D.C. resulting in fallout that will devastate the Eastern seaboard. With little time for Air Force fighters to shoot it down, the passengers and crew aboard the aircraft must rely on their own military and civilian training to stop the terrorists before it's too late.
Miss Happy stars Pancake Khemanit as a happy-go-lucky woman named Happy, who often annoys her best friend Golfie (Ben Chalatit). Unfortunately, Happy is diagnosed with having an irregular heartbeat that will likely cause her death within a month. In an effort to survive, Happy looks up information and finds a YouTube video made by Tul, played by Jitpanu Klomkaew (Ball). Tul's video claims that Happy can stay alive if she dances in the way shown in the video.
玛丽莲（克劳蒂亚·艾辛格 Claudia Eisinger 饰）写了一封电子邮件寄往来客杂志社，却在阴差阳错之下寄到了一个名叫里昂（亚历山大·费林 Alexander Fehling 饰）的男人的邮箱里。不知情的玛丽莲三番五次的给里昂发去邮件，一来二去之间，两人就这样相识了。 里昂刚刚结束了一段失败的感情，和玛丽莲之间的通信逐渐治愈了他内心里的创伤。而玛丽莲一直以为自己拥有一段完美的婚姻，直到遇见里昂，她才察觉到自己的婚姻早就失去了灵魂。随着时间的推移，玛丽莲和里昂都开始觉得仅仅靠通信再也无法抑制彼此对对方的感情了，但与此同时，他们亦在犹豫，不知道见面是否是正确的选择。
Te Ata (TAY' AH-TAH) is based on the inspiring, true story of Mary Thompson Fisher, a woman who traversed cultural barriers to become one of the greatest Native American performers of all time. Born in Indian Territory, and raised on the songs and stories of her Chickasaw tribe, Te Ata's journey to find her true calling led her through isolation, discovery, love and a stage career that culminated in performances for a United States president, European royalty and audiences across the world. Yet of all the stories she shared, none are more inspiring than her own.
15世纪一座巨大的白色城堡里，正在举行盛大的节日庆祝会。魔鬼派遣他创造的人混在杂技艺人当中。在这个却是很美的开始场景中，服装师，演员们和音乐师全都沉醉在法国传统中，他们都以一种完美而准确的风格重现古代细笔画中的人物形象。在这个开头场景以后，在中古时代的服饰下，编剧和导演所表现的世界一直没有变化。但他们的论点发生了改变。影片一方面表现的是善良人，被爱情变得圣洁的人——则那位吟诗人和年轻的领主夫人，另一方面是魔鬼亲自率领的那些邪恶的人，魔鬼在这里同命运混成一体。 本片受到了最热烈的欢迎。卡尔内原想把这部神话故事放在当前的时代中来演出。后来，由于慎重考虑，他把时代背景改为迷信魔鬼与巫术的中世纪。原来剧作者的心目中，魔鬼是希特勒的形象。但在影片中这一影射却很难看出来。魔鬼使用妖法，把那些情人化成石像，伫立在喷水池旁，池水反映出骑士们比武，邪恶获得胜利。但是那对被链条锁住，受尽折磨的情人，最后还是不顾一切地聚会在一起，他们的心在石像里面不停的跳动着。人们可以看出这正是被囚禁的法国形象、在卡尔内和普莱卫的影片中，人们第一次看到命运与邪恶无力征服爱和善。
业内前五 (2014) 电影
4.0分 片中洛克饰演安德雷·艾伦，因搞笑脱口秀而走红，通过出演欢脱无脑的电影（扮成一只棕熊）跻身好莱坞，即将与一位真人秀女星结婚。未婚妻希望将他们的婚礼在她的真人秀节目中直播，经理人则告诉他这样会损害他的形象和事业，降低身价。 同时，一位《纽约时报》记者（罗莎里奥·道森饰）的采访，她那些诸如“你怎么不搞笑了呢？”之类的尖锐问题，则迫使他重新审视自己的过去，自己的生活和事业。两人在朝夕相处之间，似乎也生出不一样的情愫。
弗莱迪（罗伯特·英格兰德 Robert Englund 饰）将榆树街孩子残杀殆尽，只留下约翰一人，约翰在梦中重返榆树街，历经梦中的混乱后被丢弃在陌生的城镇。在“青年之家康复中心”里，一群问题少年斯宾塞、翠西等人正接受教师玛姬（丽萨·赞恩 Lisa Zane 饰）的管理与矫正，失去记忆的约翰也被发现后送到了这里，玛姬发现约翰和自己的梦境相关联，他们有同样的关于榆树街的记忆。为调查真相，玛姬与约翰驾车来到没有一个孩子的春木镇，而翠西等三个少年也偷偷爬上车跟来了这里。翠西等人在榆树街的老宅中遭遇了弗莱迪的梦中追杀，另一边，玛姬与约翰却发现了弗莱迪的真实身份，更惊人的是，玛姬居然是弗莱迪的女儿……
The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.
操着一口伦敦腔的塞浦路斯移民，安迪（Marios Ioannou 饰），在伦敦的一家炸薯条店辛勤工作了大半辈子。为了圆他母亲落叶归根的梦想，安迪决定回到故乡塞浦路斯。在故乡，安迪开了一家炸薯条店。然而，在他的女儿卷入了一个不良团伙后，他的梦想变成了梦魇。《鱼和薯条》获得了众多奖项，囊获希腊电影学院颁发的“导演最佳处女作”和“最佳希腊语电影”的题名奖，塞浦路斯电影节的“环球影像” 、“最佳男主角”和“最受观众欢迎”奖以及科林蒂安的“最佳剧本奖”。
美国曾经有“家族世仇”的传统，马凯和康菲尔就是两个世代仇杀不止的家族，1810年，约翰·马凯与詹姆斯·康菲尔在雨夜中交火，双双身亡。约翰的遗孀为了让儿子摆脱世仇，带幼子远赴纽约生活，而詹姆斯的父亲则发誓将两个孙子养大以后报仇。 二十年后，威利·马凯（巴斯特·基顿 Buster Keaton 饰）长大成人，他要赶回老家继承父亲的遗产，在经历了一场缓慢又状况百出的火车旅行之后，威利与同行的姑娘维吉妮亚结为朋友。到达目的地的威利拜访维吉妮亚家，而这位姑娘居然是康菲尔一家的小女儿，维吉妮亚的两个哥哥在知晓威利身份以后要加害他，但是“待客之道”的传统让他们不能在家中下手，于是威利赖在康菲尔家中以求自保……
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