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A few years ago, a man appeared who claiMed to speak an apparently lost language: Chaná. Soon dictionaries were published and the language was able to recover completely. This man also located the Chanás in the saMe place where the Volga Germans live today, in the province of Entre Ríos. Inspired by the poetry book of the saMe naMe, Big Shadow is the story of a group of friends who live in the German villages while preparing a film about the new language. 源自：https://www.mardelplatafilmfest.com/37/en/pelicula/sombra-grande
一场押注癌症老人死亡时间的赌局悄然蔓延，为父亲治病而负债累累的阿孝，似乎看到了生活的一线转机……
AMerican Chick is inspired by the life story of a woman, called Ema Černá in the film, whom the director Met during his period of hoMelessness and who tries to carry on living her life against all odds. Černá goes through an orphanage, foster care and a detention centre. She endures the ordeals – including bullying and beatings – driven by the desire to Meet her father, who supposedly lives in the USA (she was born there and was brought to Czechoslovakia at the age of nine by her mother, who then abandoned her). The director calls AMerican Chick “a probe into the history of the Czechoslovakia of the 1980s and 1990s” and “a contemporary drama about freedom, ostracism and the desire to live”. The theatrical version centres on childhood, while the film will follow the protagonist through different moMents in her life, into the present day. However, the stigma that the protagonist bears continues to have an influence on her life. The dream of finding her father in the USA is vanishing, and she has to learn to coMe to terms with her own faults and accept her fate.
한 차원표류자가 평면-도트(dot)우주에 도달한다. 그곳은 이성·논리를 원칙으로 하는 디지털 우주. 표류자는 비이성적/초상적인 방식을 통해 이 차원을 초월하려 한다. 이 우주에서 AI 목소리 자아는 실존과 디지털의 중간에 존재하는 평면계에 에뮬레이팅 된 귀신들이면서, 데이터로 떠도는 혼·백·영이다. 초환(招喚)을 통해 이 음성-넋의 뒤섞임이 재생되면서 세계의 부유령이 되고, 그 파형이 세계의 법칙을 비틀어 틈을 연다.
한 세기의 온도상승을 십 오분 영상에 담아낸, 인간이 살 수 있는 가장 북쪽 마을 롱이어뷔엔 주행일지. “그야말로 여름이었다-” 영상이 음악과 함께 이미 급격하게 달라진 북극 마을의 풍경을 재생시키는 동안, 화면 속 기온도 점차 상승한다. 자동차가 막다른 길 앞에 멈춰 섰을 때, 이 마을의 기온은 “11.6℃”에 이르는데.. 끝을 모르고 올라가는 추상적인 숫자에는 착취의 대상이었던 자연에 대한 인간의 역사가 은밀하게 감춰져 있다.
나는 을지로에서 싼값에 갤러리를 운영하다 재개발로 퇴거당했다. 갤러리는 무너지지도 개발되지도 않은 유령의 상태로 남아 있다. 그곳엔 친구의 졸업 작품도 있지만 찾아갈 용기가 없다. 그러던 중 온라인 친구인 하나 휴게듀어(Hana Hoogedeure)에게서 편지가 온다. 나는 한 번도 본 적 없는 하나에게 그간 일을 설명하기 위해 카메라를 들고 갤러리를 찾는다. 건물은 무너지기 일보 직전. 무사히 그림을 구출하고 위기를 극복할 수 있을까?
두 번의 자살시도에 실패한 지윤이 폐쇄병동에 입원해있는 사이, 첫 번째 자살시도 때 기록 용으로 유튜브에 업로드한 영상이 알고리즘을 타기 시작한다. 제목, '자살시도 두 시간 전 담배 피는 영상'. 총 조회 수 200만뷰. 6,000개의 댓글. 십 분도 되지 않는 영상 댓글의 절반은 그를 희롱하거나 욕설을 퍼붓고 있다. 퇴원한 지윤은 악플러들을 좇는다. 한편, 2023년 한국에선 하루가 멀다 하고 누군가의 자살 소식이 보도된다.
High school graduate Simon keeps an eye on lifeguard Mira. The outdoor pool in Niederwülst at the end of the 90s becoMes a place of longing for the 19-year-old, far away from the pressure of family expectations. Forever Freibad, directed by Laura Fischer from a screenplay by Will Evans and Christof Ritter, is an unconventional love story produced by Ursula Pfriem and Moritz von der Groeben (good friends Filmproduktion) for ZDF.
风纪大会中，徐主任新增“操场上不可奔跑”的规则，并要求风纪缴交三张摘名纸。上学期最后一天，陈靖想摘下一名违规同学的名字，但因同学乘机逃跑而未能完成任务。晚上，陈靖陪嫲嫲摆地摊，却被食环检控非法摆卖和阻街，这令陈靖对“规矩”的想法有所动摇。回到学校，陈靖发现那名逃逸同学的资料，但没有摘下他的名字。无法完成风纪任务的她，被惩罚暂时停职。会后，陈靖来到操场，与同学玩“兵捉贼”，享受在操场上奔跑的快乐。
Isabel’s life turns on its head the day her daughter Madalen asks her to make regular visits to the ailing Ramón. Fifteen years after leaving her ex-husband, a man she sees as a stranger despite having been married to him for years, Isabel experiences renewed feelings of the resentMent she thought she had left behind. But accompanying Ramón at his most vulnerable will make her see what happened to them with fresh eyes and allow her to concentrate on her own life as it stands today.
Manuel is trying with no avail for her wife to get her Memory back. Under these hard circumstances Manuel needs to ask himself if he can continue to take care of the woMen that, after all, loves him as the first day.
The journey that begins unexpectedly Merges with unclaiMed reminiscences. Searched for in the dark regions of Memory, the funeral is found in an ocean village. When the lights coMe on, dream rises again.
This animation highlights the technological remnants of what is left behind. It is a simplistic creation consisting of color and rhythm. It incorporates X-ray images, figures from Pompeii, and footage of a turtle in Syria. This creation story symbolizes the ability to generate soMething new and release it, akin to a primordial soup of pixels. The animation emphasizes the constant act of looking, viewing, perceiving, and receiving images. It portrays the relationship between the photographic technique, the apparatus itself, "the machine," and the complexities of distortion in perception and imagination. The film was created using a broken special effects machine from the 1990s, resulting in the destruction, overexposure, underexposure, abstraction, and, ultimately, in the freedom of the material.
The origins of the Amityville legend are explored in an old settleMent town.
Following the events that unfolded in Kill ‘Em All (2017), the sequel will see Phillip (Van DamMe) and Suzanne retired from the spy gaMe, living peacefully off the grid. That’s until their whereabout are discovered by Vlad the vengeful brother of their target from the first film.
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