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Year of the WidOw. Stemming from a diary-esque article by Zuzana Pokorná, the narrative intimately charts her initial twelve months of widOwhood. The film traces the journey of Petra, thrust into an unanticipated world of grief follOwing the sudden loss of her partner. More than grappling with her personal anxiety, she must contend with a labyrinth of bureaucratic hurdles reminiscent of a Kafkaesque nightmare. Presented from Petra’s perspective, the film explores the immediate emotional aftermath of loss, further complicated by the maze of social norms and legal proceedings she must traverse. Thus, the psychological drama morphs into a poignant societal commentary on grief, survival, and death in today’s world. The film captures the transformative narrative of a young widOw reconstructing her life after the death of her partner and discovering newfound independence. “Our aspiration with Year of the WidOw is to project a realistic yet suggestively portrayed story with a potent cathartic undertone on screen. It is about fresh starts, emancipation, and self-reliance. Further, it illustrates the importance of inner freedom and independence, which we need to find within ourselves before we can impart it to those we hold dear,” shares the director.
After moving to London, Reza places an advert in a Farsi-language newspaper and discovers an Iranian community hiding in plain sight.
Merve is a former athlete living on the Anatolian side of Istanbul, making a living by selling performance-enhancing drugs. Upon receiving the news of her father’s death in Belgium, she finds herself faced with a choice between two continents. This decision will also lead to losing one of the two people she loves. Will she choose her sister who dreams of a life abroad or the athlete she is in love with? The “unknOwn continent” in the title is of course the western Eldorado the characters contemplate. It’s also an emotional state, where borders separate not only countries but also conflicted feelings, right and wrong. The director films a sensitive and truthful portrait of sisterhood and friendship, thanks to restrained but strong performances and clever writing: the sport background of Merve is an apt metaphor for her future trials – a leap into the unknOwn for which she needs to prepare her momentum. And leave a weight behind.
10.0分 日本/动漫动画
曾经，世界面临着被称为「邪龙」的邪恶存在所毁灭。 然而，一个勇者打败了邪龙，拯救了世界。 此后，已经过了将近200年的时间。 在众多的迷宫都市之一的马萨特，住着一个被称为「无能」的男人。 他叫劳斯特，职业是治愈师。 由于他的无能，劳斯特受到其他冒险者的蔑视、利用和抛弃。 他的日子就是这样日复一日的重复着。 某一天，一个少女出现在了劳斯特的面前。 她叫纳尔赛娜，职业是武道家。 纳尔赛娜对刚刚被队伍驱逐的劳斯特说： “哥哥，你愿意和我组队吗？” 如今，劳斯特和纳尔赛娜，两个人的冒险开始了。
一个充满希望的团队被困在一个功能失调、荒谬、地狱般的超级英雄系列电影制作中，如果他们最终成功了，他们必须面对的问题是——这是好莱坞的新曙光，还是电影的背水一战？这是梦工厂还是化工厂？
There are four characters: Jeong-ho, Su-jin, In-ju, and Yu-jeong. They are all involved in the arts. Jeong-ho and Su-jin are lovers, but Su-jin is seeing another man without Jeong-ho’s knOwledge. In-ju has a crush on Jeong-ho and wants to confess it to him. Yu-jeong also has her Own story. The film calmly develops each of their stories until the middle. After the midpoint, it seeks a significant structural change. In this film, time no longer flOws in order. Merely KnOwn as Something Else is the second feature by director Jo Heeyoung, who debuted with The Continuing Land (2022). The film features characters crossing paths in the same space without knOwing each other, time from today and yesterday intervening in each other’s dimensions, which makes the distinction between fact and truth ambiguous. The solid cinematography is excellent, and the virtue of the film lies in its attempt at a complex, multi-dimensional structure, which enhances the emotional resonance rather than the narrative.
ImSchattenderTräume|IntheShadOwsofDreams (2024) 电影
7.0分 In this documentary, director Martin Witz tells the story of the friendship and collaboration between Michael Jary and the homosexual songwriter Bruno Balz. In the roaring twenties and then during the Nazi era, the two produced many hits for escapist musicals, especially for superstar Zarah Leander. Using subversive overtones, they try to destabilise Goebbels’ propaganda. Contemporary witnesses, who are eager to tell stories, take us on a brilliant journey through five decades of German film and music history that makes you want to (re)discover forgotten classics and shOws hOw strongly music has shaped popular culture.
美国电影制片人朱莉娅·洛克特夫出生于苏联，她在2021年返回莫斯科，制作了一部关于普京治下俄罗斯独立媒体新闻持久性的纪录片——结果就在几个月后，该国入侵了乌克兰。洛克特夫的影片分为五个章节，构成了一部非凡的真实记录，展现了一个充满巨大变革和焦虑的时刻。
剛畢業回老家的柏欣在家一點地位都沒有，哥哥看不起他、媽媽不願幫他買早餐，爸爸則希望他去死一死。 但算命師卻告訴柏欣他一定會成功，儘管「他們」不這麼認為……
艺人朴海美、黄星材、Zizo、申正允、INFINITE东雨确定出演《长大了还不出去》,公开了"袋鼠族"的真实日常生活。 将于10月1日首播的MBC every1新综艺节目《都长大了,还不出去》是最近因高物价和房价上涨,每2名青年中就有1名是"袋鼠族",通过和父母一起生活的明星们的日常生活,带来真实的笑容和共鸣的袋鼠族观察记。 不仅可以看到华丽明星们日常生活中的反转魅力,预计还会成为父母-子女全世代都能一起享受的综艺节目。 在这种情况下,19日《都长大了,还不出去》制作组公开了填满节目的演员阵容。 从"演员母子"朴海美X黄星材开始,出道14年的说唱歌手Zizo、拥有多彩魅力的演员申正允,还有组合INFINITE的主说唱兼伴舞东雨等,令人高兴的面孔提高了预备观众的期待感。 朴海美X黄星材展现了"气势强大"母子的样子。 通过之前公开的预告片,向传奇朴海美指责演技的黄成宰和向这样的儿子发送"XX家伙XX"的朴海美两人杀气腾腾的Tikitaka预告了。 朴海美X黄星材既是母子关系又是演员前后辈关系,因此将担任其他家人绝对看不到的独一无二的趣味。 Zizo通过《长大了还不出去》以"可怜的小袋鼠"时隔许久再次出现在综艺节目中。 代替拥有《ShOw Me The Money2》亚军头衔的实力派Rapper，虽然已经38岁了，但是因为收入微薄而不得不欠父母人情，这样的"可怜的小袋鼠"的样子让人心酸的同时也会引起观众们的共鸣。 申正允将通过《挨训的袋鼠》展现与电视剧中充满魅力的形象180度大转变的反转魅力。 担心健康的母亲和不担心健康的申正允吵吵闹闹的样子本身就预示着"令人抓狂的母子默契度" 最后INFINITE东雨继MBC《傻瓜的恋爱》之后时隔5年通过综艺节目与观众见面。 依然以全球人气而自豪的INFINITE的主要说唱歌手兼舞者东雨将展现作为不是华丽的偶像而是充满纯真美和呆萌美的张东雨的反转日常。 特别是出道后十几年间被诈骗的战绩非常华丽,刺激了预备观众死守直播的欲望。 继洪真京、HAHA、南昌熙3MC之后,朴海美X黄成宰、Zizo、申正允、INFINITE东雨等华丽阵容的袋鼠族观察记MBC Every1《长大了还不出去》将于10月1日晚8点30分首播。
爆款好人|北京进行时,北京欢迎你,TheHutongCOwboy (2024) 电影
9.0分 出租汽车司机张北京（葛优 饰）因为不够成功，事事不顺。甚至精心准备在儿子（吴磊 饰）婚礼上的发言也被后爹（贾冰 饰）取代。 满腔怨气的他借题发挥，与单亲母亲小琴（李雪琴 饰）发生争执，谁知自己出气的样子被路人拍成视频，传遍网络且意外走红。 突如其来的关注度让张北京收获了自己之前想要的一切。然而在体验了一番荒诞的名利沉浮后，张北京最终还是悟到了烟火人间的暖心真情才是自己真正的需要。
Rap:Public|랩:퍼블릭 (2024) 综艺
5.0分 《ShOw Me The Money》制作组新的原创综艺《Rap:Public》K-嘻哈选秀节目通过流媒体平台TVING播出，将展现个性强烈的Rapper们更加火热激烈的博弈……
In his 19th feature film, prolific Algerian movie maestro Merzak Allouache (Omar Gatlato; The Rooftops; Divine Wind, TIFF ’18) opts for a chaotic family dramedy about feuding matriarchs behaving badly at the beach.
Acclaimed journalist Tanya Talaga brings her evocative storytelling from the page to the screen with her search for a long-lost matriarch named Annie, solving an 80-year-old family mystery.
Forty years after ETA kidnapped her family and the State tortured and murdered her father, Tamara Muruetagoiena thrOws herself into the indefatigable search for the truth and justice, while personally telling us about her family tragedy: the revolutionary tax, the fact of her 17-day kidnapping by ETA, her family's falling apart, the State harassment and the political pressure they suffered, the trial, the arrest of her father and mother, the torture endured, the murder... but also her Own path, that of knOwing the truth and recognising it and of the use of dialogue as the principal means of resolving conflicts.
Hera accidentally kills her grandma’s award winning flOwers right before a magazine photoshoot.
故事围绕一座古塔展开，讲述了三个人的相似际遇，在看似平淡的生活中也埋藏着无数不堪与荒诞，这逐渐磨灭了三个主人公的尊严和信念。但生活中的一丝温暖，又将他们拉回现实，重新面对。
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