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魔幻现实主义影片。  10岁的斯塔谢克Staszek(托马什•克雷夏克饰)在他的日记中记录了他的同学约瑟夫的一些事。约瑟夫来自波皮耶拉瓦赫(Popielawach)地区美丽乡村一个铁匠世家,历代长子的名字都叫约瑟夫,由于他是第6代长子,所以有个意为排行第六的绰号“舒斯泰克” Szustek(米哈乌•亚辛斯基饰)。舒斯泰克自小就有打破家庭传统,拒绝成为一名铁匠的信念,而一直对祖传的一部电影放映机和其机械原理感兴趣。  一天晚上,放置这套放映设备的小屋被一个流浪的残疾音乐家库拉维克Kulawik(马里乌什•萨尼泰尔尼克)酒后纵火焚毁。在被赶来的、怒火中烧的舒斯泰克和他的父亲约瑟夫第五Józef V(克日什托夫•迈赫扎克饰)揍过一顿后,库拉维克悄悄告诉约瑟夫第五,说他常常跟约瑟夫第五的妻子哈努特卡第五Chanutka V(格拉日娜•布文茨卡-科尔斯卡饰)约好了在此屋偷情,这次是因为投石块打暗号恰巧砸翻了油灯而引发了火灾。  震惊之下的约瑟夫第五不再责备眼前这个令人瞧不起的乞丐,反倒放过了他。哈努特卡第五是个向往生活的女人,她不乐意生活在乡下,但她性功能低下的丈夫偏偏要继承祖传的家业,久而久之,她便在其他男人,包括通往乡间长途汽车的司机身上寻找做个真正女人的那种欢愉。  1860年,波皮耶拉瓦赫乡下。舒斯泰克的祖先约瑟夫第一Józef I(巴尔托什•奥帕尼亚饰)是个手艺精湛、充满想象力的铁匠。他不能违背父亲(维斯瓦夫•科特饰)的意愿,在跟与乡绅(扬•诺维茨基饰)有染的村姑亚戈达Jagoda(伊莎贝拉•布科夫斯卡饰)结婚的那天起,就下决心要摸透光的原理,提升照相机的工作性能,使照相机能放出会动的照片来,借此逃脱这桩婚姻的现实。凑巧同一天,乡绅的独生女(玛丽亚•格瓦德科夫斯卡)学习绘画完师后从巴黎回乡,而这个女继承人的习作给了他极大的灵感。儿子出生后,约瑟夫第一心知这其实就是女画家的弟弟,他越发把时间都用在了他的梦想上。  心爱的设备被毁令舒斯泰克伤心,他央求父亲重新制作,而感到被生活剥离得仅存一个肉体身躯的约瑟夫第五根本不愿理会儿子的想法。是舒斯泰克未能学到祖传手艺的、喜欢电影放映的、老迈的亚内克伯父给了他支持,舒斯泰克试图在幸存的电影放映机设计图上找到他自己能制作这套设备的诀窍。此时,哈努特卡第五在私情暴露后,不愿受丈夫的气,决定外出做工。  向高贵挑战,情欲最终战胜了阶级差别。约瑟夫第一在赢得女画家身体的同时,迸发出极大的创作热情,他将她优雅的舞姿用平行尺绘制在了鱼鳔制作的“胶片”上,终于完成了一部用马匹驱动、以木质为框架的电影放映机的制作。  1863年,波兰爆发了反对沙俄殖民统治和反对封建的民族大起义。“红党”起义军的戎装女流哈努特卡第一Chanutka I(约安娜•奥尔良斯卡饰)慕名来到约瑟夫第一的铁匠铺征求他制作武器的帮助。这使他有了人生唯一的一次爱情。不久,起义遭沙皇军队镇压,他也染上了伤寒,被“红党”和他的爱人运到了炮火中的冰天雪地里待毙。  战火燃向了波皮耶拉瓦赫。倒是沙皇的官兵没有丝毫破坏他们的战利品——约瑟夫用心血倾注的留世之作——电影放映机,而是对它发生了转眼即逝的兴趣。这是卢米埃尔兄弟发明电影技术之前的事。  舒斯泰克因体弱住院治疗,为了不让护士(玛格德莱娜•奥斯托尔斯卡饰)知道他在悄悄研究机械原理,跑开时又摔断了腿。约瑟夫五世为儿子的不懈所感动,同意为儿子照原样重新制作一部电影放映机,同时,他的生活激情也有了积极的转变,他来到妻子做工的工厂门口——他要接哈努特卡第五回家,他需要她的帮助,他想让她与他一同来完成儿子的这个最大的心愿……
在挣脱他的监禁后,查理切断了船的电源再次开始了一场凶残的暴行。当奥利维亚发现自己离瑞秋更近了一步时,格洛丽亚从王尔德身边抽离。
In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil.  The Devil's Trap is a film directed by František Vláil, based on a novel by Alfréd Technik, adapted by František A. Dvorák and Miloš Kratochvíl. It was the first of three historical dramas that Vláil made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968).  Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav VejRazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace.  As expected from Vláil, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery.  Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door.  The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more.  Acting is great all around. Particularly the villains Miroslav Macháchek as the priest, casting a sinister and imposing shadow wherever he goes, and Cestmír Randa as the weasel like regent behind all the persecution. While Vít Olmer brings a charismatic leading man presence in his role as the miller's son Jan, in love with the lovely orphan girl Martina (Karla Chadimová), who becomes a dangerous object of rivalry between Jan and other young men of the village.  The film also features the evocative music of Zdenk Liška (perhaps the most prolific composer of the Czech New Wave). In this his second of eleven collaborations with Vláil, his compositions are used sparingly, but to great effect, complimenting but never overpowering a scene. The best example of which can be heard in an amazingly shot celebration and dance sequence at the end of the second act.  The Devil's Trap might not be a masterpiece, but it is still a strong effort, with a fascinating straightforward story and a glorious historical setting captured beautifully by Vláil's unmistakable visual prowess. A fine work that would also be the perfect starter plate to prepare yourself for the challenging feast of Marketa Lazarová or The Valley of the Bees. It even has an easy to digest running time. It's therefore puzzling why this gem remains largely overlooked and ignored.
A satire on anti-communist paranoia in the days of fascist dictatorship in Portugal. The series follows the adventures of the Lusitanian superhero, the ultra-patriotic Captain Falcão, a man who follows the direct orders of António de Oliveira Salazar in the fight against the red menace. Starring Gonçalo Waddington, as Captain Falcão, David Chan Cordeiro (also responsible for coordinating the work of doubles) as his sidekick Puto Perdiz and José Pinto in the role of portuguese dictator, António de Oliveira Salazar.
我想我是基 (2019) 电影
5.0分
美国/喜剧片
Zach's life is upended when performance anxiety in bed leads to a life-shattering accusation his girlfriend says she thinks he's gay, and Zach wonders if she's right.
一名舞者决心要将传统的邦拉舞搬上世界舞台,并准备与另一名有着自己梦想的竞争对手进行一场国际比赛。
在一个禁止约会的国度,三名追寻幸福的少女决定加入一个由魅力领袖领导的隐居社区。
卡兰达尔之夜 (2015) 电影
2.0分
其它/剧情片
Mehmet is a man living with his family in a mountain village in Black Sea. He earns his life breeding a few animals, while looking for a mineral reserve on the mountains but his pursuit is seen as useless by his family. Destroyed in search of a mineral reserve, his hope is renewed with the news of a competition.
每个人的青春期都或多或少的有过迷茫,躁动,愤怒和困惑。电影主人公贾斯汀(卢•泰勒•普奇 Lou Taylor Pucci饰)有着吮拇指的幼稚习惯。贾斯汀一直想要克服这个难缠的习惯,其实这个习惯只是一个青少年青春期困惑的一个缩影,其他的困惑还包括性和家庭等。在改变这个习惯的意愿下隐藏的,是贾斯汀对成长的不自觉的渴望。每个人成年人都可以在这部电影中找到自己曾经的影子,这个故事中的严肃,真挚,诙谐,都是那段青春时光不可抵抗的魅力。
美国中央情报局的特种兵炸弹专家雷(西尔维斯特•史泰龙 Sylvester Stallone 饰)因为过失引咎辞职,辞职后的他靠当职业杀手为生。这天他接到了神秘女子美(莎朗•斯通 Sharon Stone 饰)的生意,美要他杀死当地的黑社会头子。其实美就是那个黑社会头子的情妇,因他早前曾杀害了美的父母,所以美不惜一切要报父母之仇。美甚至以身体作为引诱,雷接下了这单生意,两人也暗暗互生情愫。  雷在准备行动中,发现了黑社会头子的贴身保镖就是自己当年在特种兵部队里的死对头立特,旧恨新仇交织在一起,于是一场生死大战在两个前特种兵之间展开了!
一颗求偶的心 (2000) 电影
9.0分
法国/剧情片
第53届嘎纳电影节金摄影机奖奖
Scott(卡斯帕·凡·迪恩 饰)过去曾是一名消防员,这次他与一群生态学家组成了一支队伍前往一处油井,目的是在那里悬挂写有生态标语的横幅。但是十分不巧的是,他们在错误的时间去了错误的地方,那里居然有一颗在几秒内即将爆炸的定时炸弹!当Scott一行人躲起来之际,炸弹爆炸了,并引起了强烈的火龙卷!火龙卷所到之处无一幸免,全部都被摧毁。原来,这处油井中所含的并不是普通燃料,而是由Synco公司研发的MT-11实验燃料。好不容易逃过一劫,Scott等人又被起诉制造恐怖事件,遭到Synco公司的追捕,他们必须赶在洛杉矶被摧毁之前阻止火龙卷的肆虐。
When star high school quarterback AJ Montoya breaks his hand his only hope is to team up with his longtime rivals, the cross country team--a group of nerds and misfits with potential for high school glory.
莫妮卡(萨尔玛·海耶克 Salma Hayek 饰)是一名教师,史蒂夫(罗素·克劳 Russell Crowe 饰)是一名摄影师,这两个人从相识相知到相爱,已经携手走过了许多个年头,然而,他们目前依然只是情侣关系,结婚的议题并没有提上日程。  当最初爱的激情随着时间的流逝渐渐退却之后,莫妮卡和史蒂夫之间开始了没完没了的争吵,争论的都是一些他们根本就无法解决的问题。甚至有时候,仅仅只是一两句无心的话语就可以点燃两人彼此脑海里的怒火。终于,他们决定分手。然而,对于已经习惯了彼此存在的莫妮卡和史蒂夫来说,分手太过于痛苦了,于是,他们复合了,决定再试一试。
由瓦尔丹·托兹加编剧执导,主要讲述年轻人在犯罪道路上的经历。在一个由权力决定公平的国度,主人公菲利浦生活在青少年收养中心,在一个腐败警察的胁迫下,他被迫参与了一次可怕的案件,因而产生无法痊愈的心理创伤。尽管菲利浦拥有其老师的帮助、收养中心的照料、朋友佩塔尔的安慰,他最终还是未能战胜那次案件后的心理创伤带给他的痛苦。痛苦吞噬了他的理智,产生复仇之念,致使他将更多年轻人拉入他残酷命运的深渊。最终菲利浦通过其暴力、凶猛的手段,将迷失的年轻人带进了黑暗、暴力的犯罪世界。
告别秋天 (1990) 电影
3.0分
其它/剧情片魔幻
又一部东欧魔幻现实主义佳作,别被片名给骗了,故事远不是像片名那么浪漫...  Decadence, homosexuality, excess wealth, infidelity, alcoholism and drugs all played a major role in the decline of aristocracy.
The film is set in southern Georgia, which until the end of XIX century was dominated by the Ottoman Empire. The tragic time to be born people of high strength of spirit, such as Antimoz Iverieli - the philosopher-educator. Having experienced in childhood cruelty and injustice, it becomes the path of serving others. Having been removed by the Turks in Romania, a hero at any cost wants to return home. However hard and long this way. Sentenced to death, Antimoz remains in the memory of his countrymen champion of justice.
十年前,麦克(克里斯•波特 Chris Potter 饰)和他的搭档黑猩猩明奇侦探界的明星搭档,他们屡破奇案。但一次任务的失利却使得麦克心灰意冷,于是他退出了侦探界,专心照顾他的女儿阿梅利亚;而明奇也加入了马戏团开始了它的新生活。转眼间,阿梅利亚(艾玛•罗伯茨 Emma Roberts 饰)12岁了,凭借聪明的头脑她改进的钻孔机获得了国家科学奖,更获得了法尔里博士(理查德•坎德 Richard Kind 饰)邀请前往日本参加研讨会。然而法尔里博士其实另有阴谋,麦克和明奇这对老搭档必须再战江湖,救出身陷囫囵的阿梅利亚!
来自小镇的女子渴望成为舞者,她打扮成男子在一家经营不善的变装酒吧表演。
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