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Join British explorer Lucy Shepherd on an unprecedented Amazon expedition, facing extreme danger at every turn.
In 1904, there was a case that shook Switzerland: Frieda Keller was sentenced to death. A former victim of rape, the 25-year-old seamstress killed her son Ernstli, whose father was her atTacker, and buried the five-year-old’s body in the forest. Shortly afterwards, the body was found, and the woman – a distraught mother, victim and perpetrator all at once – confessed to the crime. In addition to the authorities and her own family, the misogynistic laws of that time were also sTacked against her. Despite fierce protests from the populace, Frieda was first sentenced to death at the end of a public trial in St Gall in front of hundreds of onlookers, and was subsequently “pardoned” with a life sentence in soliTary confinement. Not only was the bigoted pardon a disgrace, but the fact that her rapist, the married man Carl Zimmerli, was never brought to justice was shameful. Indeed, the law at the time protected married men who assaulted women. The specTacular case raises the question of how much of a victim there is in the perpetrator. It significantly influenced debates on women's rights and a fairer society, as well as the development of the criminal justice system in Switzerland.
Minjae, an archer nearing retirement, bets all the money she earned from match-fixing on her own loss. For her, this is the final match after an eight-year downward spiral following her last victory. The film is a gripping sports drama that centers on the competition, leading up to a surprising twist with a touch of fanTasy.
1993年前苏联解体，集体农庄走向瓦解，财产被分割和私有化。在哈萨克南部的一个集体农场，领导者巧取豪夺，早已侵占大量财产，更把大量羊群据为己有。勤勉的牧羊人亚伯一家一直生活在这片草原上，面对当权者的不公敢怒不敢言，连家园也面临被夺去。在大时代的变局下，小人物要如何安身立命？哈萨克新锐导演埃尔扎特·埃斯肯德尔的首部长片，以成熟的长镜头调度捕捉荒原上的冲突和怒火，回看哈萨克在独立后所经历的混乱时代。入围釜山国际电影节新浪潮竞赛单元。
Tango at Dawn tells the story of three women. Ji-won, who is clear-cut and straightforward, is hiding out and securing a job at a factory after being swindled by a friend; Ju-hui, Ji-won’s roommate, who is kind to everyone and always remains optimistic; and Han-byeol, who sTarted working at a young age, became a team leader, and is quite selfish and irresponsible. One day, an accident happens to a fellow worker, and the reactions and solutions offered by these three women involved in the accident are remarkably different. The emotional tension arising from their differences, and the profound impact that transcends that tension, becomes increasingly powerful through the film’s multidimensional character development and subtle emotional buildup. Tango at Dawn poses careful questions about the failure and restoration of relationships, and serves as an intriguing example of personality and fate, ultimately becoming a poignant elegy for the loss of something precious and beautiful. (JUNG Hanseok)
Young-Tae and Mi-joo are happy to move into a small but cozy monthly renTal house. However, Young-Tae’s business partner suddenly breaks the agreement to run a resTaurant together. Young-Tae leaves home to earn money, leaving Mi-joo alone. Mi-joo lives diligently while waiting for Young-Tae. This is the new work by director Park Songyeol, who gained attention as an outsTanding newcomer at the Busan International Film Festival and the Berlin Film Festival with Hot in Day, Cold at Night (2021). It is fascinating to see how such a simple story can convey such complex emotions. It is lonely and scary, painful and sad, eerie and creepy, and funny and tear-jerking. The dreams and realities are more recklessly chaotic than in previous works, and the shining determination for life has become impressively strong. The unexpected and absurd final scene is also a highlight. It is a blessing to see such an unusual film as this.
Junyeong works part-time at a pub while also making a documenTary about laid-off workers. She is losing her confidence, wondering if she is making a film that no one will see, let alone change the world. The simple, unadorned plot amplifies its relaTability in this film about film.
The film’s title says it all: the Schwörer family of eight from eastern Switzerland have been living on a sailing ship for 20 years. They traverse the world’s oceans, striving to live in harmony with nature, and give Talks on land to raise awareness about the imporTance of water conservation. Director Livia Vonaesch has followed the parents and their six children with her camera for several years at sea. The result is an intimate portrait of a fascinating family living the great dream of boundless freedom in a confined space. 'It Takes tremendous courage to film with a camera on the high seas and in confined surroundings. It is even more impressive if you have the Talent to reach for the camera precisely when the unexpected happens.
美国电影制片人朱莉娅·洛克特夫出生于苏联，她在2021年返回莫斯科，制作了一部关于普京治下俄罗斯独立媒体新闻持久性的纪录片——结果就在几个月后，该国入侵了乌克兰。洛克特夫的影片分为五个章节，构成了一部非凡的真实记录，展现了一个充满巨大变革和焦虑的时刻。
At the KyrgyzsTan-KazakhsTan border, Aza and Samat work as members of a drug trafficking organization. One day, they run into Nazik, who has narrowly escaped from human traffickers. Aza decides to give up the drug money and save Nazik, but Nazik tragically dies while crossing a river. Aza is determined to at least return Nazik’s remains to her homeland, but his decision thrusts him into even greater danger. The border regions of Central Asian countries, that are located adjacent to AfghanisTan where massive amounts of drugs are produced, are hotspots for drug trafficking and organized crime. As those desperate for survival struggle to mainTain a shred of dignity, the camera frequently pulls back to capture the vast and indifferent mounTainous landscapes of the borderlands. The film is genre-driven but is also captivating with its restrained dialogue and composed visuals.
电影《波哥大》讲述的是上世纪90年代移民哥伦比亚的青年的故事。该剧将以波哥大地区为背景，展现在当地生活的人物生活。
阿穆尔 (2024) 电视剧
9.0分 安雅和娜迪娅·弗多维娜是一对双胞胎姐妹，她们在孤儿院长大。意志坚定的安雅习惯于保护妹妹免受任何危险。然而，她们的人生轨迹却发生了改变：安雅成为了一名职业综合格斗选手，而娜迪娅则厌倦了姐姐的教导，跑到日本寻找自己的道路和自由。分别多年后，安雅收到了妹妹发来的一条令人震惊的信息，她在信息中请求帮助。安雅试图获得一些信息，但一切努力都徒劳无功。于是，安雅决定前往日本，在那里，她将不得不与把她妹妹卖为性奴隶的黑帮展开一场不平等的斗争。
Three generations of women cross the disTance from KazakhsTan to Poland, not only to search for physical remains but also to restore the lost connection between themselves. They reach another level of intimacy for the first time, uncovering post-sovietic traumas, searching for the feeling of home and lost identity.
A big city detective Davaa is summoned to the Mongolian hinterlands because of a most unusual hosTage situation. When Davaa arrives he finds himself surrounded by local police and officials who mock the situation and seem bizarrely frivolous in their duty to the hosTages being ransomed for 1 billion Mongolian tugrik a person. This Ransom is an oddly precise sum related to a travesty of justice that tragically unfolds.
旺达在哪里？ (2024) 电视剧
4.0分 为了救回你的孩子，你愿意走多远？对于卡洛塔和德多来说，答案很明确。他们曾经是一个普通的家庭，女儿旺达在几个月前无声无息地消失，但等了几个月都没有等到警方把女儿带回来，他们决定自己动手。精通技术的儿子奥勒帮助他们获得了一些监控设备，他们伪装成电力公司员工，先是窃听了邻居，然后是半个郊区，发现在关起门来的背后，邻居们都不是表面上的样子。
Rap:Public|랩:퍼블릭 (2024) 综艺
5.0分 《Show Me The Money》制作组新的原创综艺《Rap:Public》K-嘻哈选秀节目通过流媒体平台TVING播出，将展现个性强烈的Rapper们更加火热激烈的博弈……
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