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古德里奇 (2024) 电影
10.0分 安迪·古德里奇（迈克尔·基顿 Michael Keaton 饰）的第二任妻子进入了戒毒所，留下他和他们年幼的孩子们，他的生活变得分崩离析。古德里奇不得不求助于他的大女儿格蕾丝（米拉·库尼斯 Mila Kunis 饰），而格蕾斯正努力帮助安迪成为一个崭新的父亲。
电影节上映结束三个月后会公开剧集版本，除了富川国际奇幻电影节上公开的154分钟之外，剧版还将包括预告片中的删除场面。 31岁的周英，时隔12年在葬礼上偶然遇到了苦苦寻找多年的初恋道会。 “似乎一切都被诅咒了…” 12年前，彼此对对方伤痛产生共鸣，深情相爱的两人，怎么就形同陌路了呢？没有 如愿以偿地找到自己梦想的道会和仍然坚持跆拳道的周英，在12年后的今天，能否再次解开当时的诅咒呢？
What is the contemporary role of museums, institutions that often perpetuate represenTations of cultural authority? Are these public places complicit in mainTaining unequal power relations and existing stereotypes? These are — among other things — the questions posed by Vanessa Wright, a film professor and director. Accompanied by a likable team of doubters, she embarks on a tour of museums and roadside stops in AlberTa to film an existentialist documenTary. A jazzy and poetic exploration of the Prairies' Far West, AlberTa Number One thoughtfully questions cultural identity and its portrayal while offering an original mediTation on grief. Funny, endearing, and very timely.
Helena is a paramedic, a professional careTaker who paradoxically doesn’t know how to care for her teenage daughter Stefi when she gets on a dangerous and self-destructive path. As a woman of action rather than Talk, Helena prepares an extreme plan to secretly kidnap and lock the girl up, far away from the evil world. But things don't work out as planned. An unexpected chain of events throws Helena into a sTate of shock and forces her to find an entirely new meaning for her motherly love.
在个人和融入之间，如何不被扭曲活出真我？一部关于自我价值和身份认同的作品——聋人不再是作者的设定，而是主人公，我们不只看得见声音还听得到静音。三位赤诚的聋人青年，出身自不同的家庭，因为不同的机遇和身体状况，对聋人身份和处境有着不同看法和态度。一个活得自信，一个努力融入，一个则不敢苛求。手语把三人连上，现实却撞得彼此遍体鳞伤，他们能否走上耳目一新的一章？避过一切猎奇怜悯的眼光，以最严谨真诚的态度取得微妙平衡，舞动的手语带动情感流动，由衷的尊重充满每一个角落。选角用心精准，令每位大小演员都散发出亮眼的光芒，游学修、钟雪莹和吴祉昊细致的演出更是真挚动人。
"PaucarTambo" is an observational documenTary developed in the “FiesTa de la Virgen del Carmen de PaucarTambo”, through a MaqTa dancer and the Qollas troupe, intense encounters are portrayed that reflect the depth between the Andean worldview and Peruvian syncretism. With an immersive narrative it tells the myth about the arrival of the Virgen del Carmen and how it transcended into a legacy that has been celebrated for four centuries - it is a collective catharsis that seeks to reconnect with local traditions and the essence of an ancestral legacy. In the documenTary PaucarTambo, delving into Andean syncretism, folklore, and religion, I oversaw the comprehensive editing and visual storytelling of the 60-minute feature film. This involved crafting a framework that intertwined two narrative threads, capturing an authentic depiction of the cultural syncretism in the area.
Basia (35) pretends before her husband that everything is fine with her. At her acting school entrance exams, she meets Alicia (20) and her infant child, of which she Takes care. After a demanding performance and a difficult confronTation with her husband, she decides to kidnap Alicia's baby and inadvertently puts her in danger. This shock makes Basia ready for change and healing.
未來末世裡的台北小巨蛋，早已因人類被嚴禁群聚而成為廢墟，音樂現場是屬於上世紀的某種傳說，小巨蛋成為了某一種文明的驗證。但從來未曾記得，裡面矗立著一座「虎爺牌樓」。厝頂有著一道血肉神明的光符，鎮守廟的神，黑虎將軍與這座牌樓象徵的含義。 趕走病痛，鎮邪除煞。 驅邪納福，富貴四方。 《虎爺》是由XR舞台虛幻引擎製作的音樂作品，希望藉由這件作品，能引起大家對於世界現狀的反省，疫情、傳染病、戰爭等等。如果世界一直照這樣發展下去，終究帶給人類的只有滅亡。最後僅能依靠的，只剩下音樂與神的力量，因為唯有宗教是安定人心最偉大的力量。
幸福生活的第一天|Первыйденьсчастливойжизни (2024) 电视剧
2.0分 
身體與心靈的空間通道，要如何開啟？這是一場找尋自我的虛擬實境之旅，觀眾走入深山，勉強側身穿越狹窄的洞穴、幽暗岩壁與不見底的深井，你必須捨得縱身一躍，才能進入虛空，找到心中的燦爛銀河。 手勢互動的設定，使觀者對身體的感知格外清醒，當宇宙星星墜落，星體如同流動的火焰般襲來，你可以在其中穿梭、跳躍、舞動，在空中揮手、寫下字句……這是內在與外在的連結儀式。你的雙手既是火炬，也是流星；既是照亮，也是熄滅，讓身體透由「聆聽」、「等待」、「創造」的路徑行動，尋到內心深處的那座山，你會發現，自己也是星星的其中一員。
日頃スポットライトの当たらない建物の"解体"。その現場では速やかに更地に戻すことが常識とされる。そこに持田敦子の"アート"が、「豊かな解体」を掲げて別の時間軸・価値で介入していく。その行為が解体業者など、現場や周囲の人々を触発していく様子をインタビューや取材を通し丁寧に捉え、"アートと社会の結節点"が描出されていくドキュメンタリー。
Tel Aviv, 2020. A second COVID lockdown is impending. After writing yet another article against Prime Minister NeTanyahu, the journalist’s mobile is flooded with hateful messages. Meanwhile, he tries in vain to get to his autistic son at a hostel, while his parents, sick of the lockdowns and of each other, are looking to him for help. Later on his daughter, who is at an anti-NeTanyahu protest turned violent, won’t pick up her phone, sending him and his wife on a drive to Jerusalem to look for her. On the way, they are forced to face their relationship issues. Late that night, his family is finally reunited and he finds some consolation while his beloved country is in turmoil. The protests against NeTanyahu and his corrupt government are yet again beginning to gain momentum.
一面朽ち果てたひまわり畑、廃墟と化した公営住宅群–––。息を呑むような殺伐感が作品全体を覆う。互いが分身のような二人の女。カメラを持って彷徨し、一人は不可思議な事物や自分にカメラを向け、一人は黒いワンピースをさまざまな場所に吊るして撮る。日常的風景と非現実的風景が一瞬にして交差する“映画の魔術”に満ちた作品である。
Carola is 16 and dreams of a higher education and a house by the sea, but lives with Pacifico, her father, in the middle of the ATacama Desert. Together with a small group of miners, they work the artisanal Cobra gold mine to survive. Father and daughter hide a treasure from the others: a vein of gold on which they secretly work at night. Like everyone else, they want to change their destiny. One day a miner discovers their secret and violently breaks into the gold mine. Carola decides to challenge the patriarchal structures and laws of the jungle as well as her own immaturity to continue the pursuit of her longed-for dream.
Yumeri is a young Venezuelan Andean woman who, forced by the circumsTances of her country, decides to travel through South America with her partner and child to reach Chile. After travelling for many days, they arrive in Chilean territory, excited about the idea of a sTable and developed country of opportunities. Unexpected challenges force the woman to confront life's crucial crossroads. Motivated by the child's future, she navigates with resilience and determination.
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